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The_Film_That_Changed_My_Life

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10 Edgar Wright<br />

And then the deadpan punch line, when the little kid goes up to his mom<br />

and says, “A naked American man stole my balloons.” <strong>That</strong>’s the line. <strong>That</strong>’s<br />

one for all time.<br />

<strong>The</strong> line from Griffin Dunne that people quote back to him all the<br />

time is . . .<br />

Wright: “Have you ever talked to a corpse? It’s boring.”<br />

Yes! For me, the delivery is the best part of that line. Because you<br />

expect something else.<br />

Wright: His performance in that scene is amazing. When Griffin first<br />

comes into the hospital, his makeup is astonishing. And it’s so gory. He has<br />

that little flap of skin that’s kind of like flapping away through the entire<br />

scene, which always seems to draw everybody’s eye. When I showed it in<br />

2007, I mentioned the flap of skin, and everybody really reacted to that. But<br />

he has some funny lines in that scene.<br />

He has the whole bit about his own funeral and talking about Debbie<br />

Klein, the girl that he fancied, you know, and he says, “She’s so grief-stricken,<br />

she runs to find solace in Mark Levine’s bed.” He starts talking about the reactions<br />

to his death.<br />

He does an amazing thing in that he really kind of walks the tightrope<br />

between little wisecracks and being this impish figure who comes to warn<br />

David: “Kill yourself, before you kill others.” It gets very serious and there<br />

is something that really is bittersweet about it. It’s funny, but it’s also really<br />

painful because you like that character. You don’t want to see him like that.<br />

It’s upsetting. It’s as upsetting to us as it is to David.<br />

Griffin Dunne went off to star in After Hours and then Who’s <strong>That</strong><br />

Girl. And David Naughton didn’t do much afterward, nothing as high<br />

profile. For me, the film is in one of those weird categories where it’s a<br />

classic but the people associated with it did not go on to great acclaim,<br />

like the actors in Stanley Kubrick’s 2001: A Space Odyssey.<br />

Wright: I totally agree. In both cases I’m kind of surprised. What’s interesting<br />

is that in the UK An American Werewolf in London is probably a much<br />

bigger film than it is in the States.

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