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The_Film_That_Changed_My_Life

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An American Werewolf in London<br />

9<br />

London. I guess we were really like fourteen, fifteen, and the first thing we<br />

did when we had some time off is we tried to find the porno theater in Piccadilly<br />

Circus where the film was shot, which by that time didn’t exist. I<br />

couldn’t figure out where the entrance was.<br />

John Landis achieved some location work in London that wasn’t done<br />

again for a very long time. It’s extraordinary what they managed to achieve<br />

in night shoots in London—having shot in London myself and knowing how<br />

restrictive that is of a location. When you watch that scene it’s just incredible.<br />

<strong>The</strong>re’s a lot of location work in the film, which would be very difficult to do<br />

today. Like the Trafalgar Square stuff, the London Zoo stuff. You know, even<br />

the scene on the tube. All the location work is so vivid, those locations are forever<br />

linked with An American Werewolf in London. Like the Tottenham Court<br />

Road tube station, where the commuter is being pursued.<br />

<strong>The</strong>re were odd lines in that film that would just kind of, like, really resonate<br />

with me and my friends. We would constantly do impressions of the<br />

commuter before he starts getting chased and he’s standing on the platform<br />

alone, which to be honest would be very rare at Tottenham Court Road,<br />

where it’s strange to see one person alone any time of day or night.<br />

Tell me about lines. What was the impression?<br />

Wright: Oh, the line that the commuter says is [in a high, indignant voice]:<br />

“Hello? Is there someone there? I can assure you that this is not in the least<br />

bit amusing.” It’s not one of the funniest lines in the film, but it’s one of these<br />

lines that everybody always remembers. Like, “Beware the moon” and “Stay<br />

on the road.” <strong>The</strong>re are too many favorite bits in this film. I’m not sure I<br />

could pick favorites.<br />

Another classic—and this is where John Landis’s theory about it not being<br />

a comedy falls down—is in the scene where David Naughton wakes up in the<br />

wolf cage naked and has to escape the London Zoo. And so there’s the young<br />

school boy with some balloons and Naughton is hiding behind the bush and<br />

says to the little kid, “Hey, kid. Little boy with the balloons! Come over here!<br />

If you come over here, I’ll give you a pound. Two pounds.”<br />

<strong>The</strong> kid goes, “I don’t know who you are.” And Naughton says, “I’m the<br />

famous balloon thief,” and then walks out, stark naked, takes his balloons<br />

and then runs off. So that’s pretty funny itself.

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