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The_Film_That_Changed_My_Life

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164 Arthur Hiller<br />

hope I put in things that the writer didn’t think of; I hope the actors put in<br />

things that I didn’t think of, of course. I think that’s what I love about movies.<br />

<strong>The</strong>y are a group activity. All these creative juices come together, into<br />

the pot, and out comes this new little baby, the movie.<br />

Do you think there is any specific lesson or idea that Open City left you<br />

with that you strive to bring into your own films?<br />

Hiller: I think it’s been there since I saw the film, but it may have been in<br />

me before that. It’s what they call an affirmation of the human spirit. I’ve<br />

always liked that sort of realistic feel. When I did Hospital, I wanted the feeling<br />

that the audience was peeking around the corner.<br />

So I did a lot of it handheld. I kept saying to the operators on certain<br />

shots, “Messy good, messy good.” Which is very hard for the operator to<br />

hear. <strong>The</strong>y’re trained to be good and they can’t be messy. <strong>The</strong>n you’d say,<br />

“But I want that.” Deep down the camera operators were afraid that other<br />

operators would look at it and say, “You’re messy.” So I’d have to create<br />

shots that they couldn’t do well, or I’d go handheld. And a lot of it is done<br />

that way. So I think it’s always neorealism that has stuck with me. And<br />

even when I’m . . .<br />

Even when you’re what?<br />

Hiller: I was just thinking that even when I’m working what I call the<br />

normal way, I’m not happy. I don’t do farce. Now you may say Silver Streak<br />

was farcical or—<br />

At least some of it was satire.<br />

Hiller: Or <strong>The</strong> In-Laws. Yeah, but it’s rooted in reality. As long as I could<br />

root it so that the audience feels it could happen, then I’m OK. Like when<br />

I was offered that film Stir Crazy, and I said I just didn’t feel comfortable.<br />

<strong>The</strong>n they offered me more money, the whole thing, obviously because they<br />

were happy with Silver Streak. I just found it too loose for me, too farcical.<br />

It did very good business, I think over a hundred million. When my wife<br />

and I saw it, I enjoyed it very much. We came out and she said, “Well, how<br />

do you feel now?” I said, “I feel the same.” She said, “It made a hundred million<br />

dollars.” And I said, “Well, I still feel the same.” I thought if I had done

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