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The_Film_That_Changed_My_Life

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144 Guy Maddin<br />

see that the spicy, spice-induced temperatures must be running a lot higher<br />

in that Wuthering Heights, and it is pretty crazy. I guess, just by sticking to<br />

similar subject matter from picture to picture, he was able to work in the<br />

areas where a dreamlike rendering works best and the kind of delirium with<br />

which the bourgeois would operate, and certainly lovers. <strong>The</strong>re are other<br />

types of delirium that he didn’t touch on much, childhood recollection and<br />

things like that, but maybe he just would have been too cruel for that. Of<br />

course, he had Los olvidados. I watched that on Christmas Eve. It ends with<br />

Pedro being dumped in a garbage heap. Just before I opened my presents,<br />

that was un-fucking-believable. We had to watch Los olvidados first, before<br />

anyone could open presents.<br />

How do you think your life or your work might have been different if<br />

you hadn’t seen L’ âge d’or at the age and the time that you did?<br />

Maddin: I don’t even know if I would have even known how to begin making<br />

movies. He made moviemaking seem necessary to me. I guess a number<br />

of other directors could have told me the same thing, Joseph Cornell or<br />

George Cukor. People I loved just as much almost at the time could have<br />

told me the same thing. It was the urgency of what Buñuel’s L’ âge d’or was<br />

about, this passionate affair ending in disaster. <strong>That</strong> was all I could relate to<br />

at that point in my life.<br />

It was all I really had, short-lived splendors crashing and burning just at<br />

the most ecstatic point. Seeing these precise feelings reproduced by rather<br />

primitively performed roles and clunkily sliced-together shots really galvanized<br />

me and made me realize I could start putting my own lurid confessions<br />

up for anyone who wanted to see on film. I stood a chance of having a<br />

style and speaking to people as powerfully as the basement bands did with<br />

their crudely put-together little outbursts and things. I don’t even want to<br />

think about what would have happened if I hadn’t encountered L’ âge d’or,<br />

because I don’t even think I ever would have picked up a camera.

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