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The_Film_That_Changed_My_Life

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L’âge d’or<br />

143<br />

I wanted to talk briefly about style. <strong>The</strong> title of this book is <strong>The</strong> <strong>Film</strong><br />

<strong>That</strong> <strong>Changed</strong> <strong>My</strong> <strong>Life</strong>, and, oddly, the film that changed Buñuel’s life<br />

was Fritz Lang’s <strong>The</strong> Weary Death.<br />

Maddin: Which I’ve never seen.<br />

<strong>My</strong> question is, do you see a Lang influence either in this film or in<br />

Buñuel’s canon?<br />

Maddin: You know, I wasn’t aware of that. And yet, there is a meanness in<br />

Lang that’s kind of a necessary meanness, a peeling back to get at the truth<br />

of things. <strong>My</strong> only complaint with Lang is with pacing; while as measured<br />

and delivered as Hitchcock, it doesn’t reward as well. He’s willing to be every<br />

bit as cruel as Hitchcock and Buñuel. And he’s never bogus.<br />

Speaking of other filmmakers, François Truffaut was a big Buñuel fan.<br />

He called him “At once a builder and a destroyer.” Federico Fellini said,<br />

“Buñuel re-established film in its true expression. Non-narrative film<br />

in a literary sense. . . . He used film as an expression that is closer to<br />

dreams. This seems to me film in its truly heraldic expression. His film<br />

language is the language of dreams.”<br />

Maddin: And so often directors are cited for being dreamlike. <strong>The</strong>y’re most<br />

dreamlike or whatever, so it starts to feel like maybe dreams are proliferating<br />

out there as products. He at least set out as his initial mandate to try<br />

to duplicate dreams through chance encounters with things. It’s interesting,<br />

even when he goes with his more disciplined narratives, like Wuthering<br />

Heights, which is a pretty tight narrative, he still manages to get passions<br />

high enough to take people into that heater zone, where all the lines get<br />

happily blurred. I really like his Wuthering Heights, as well, even though it’s<br />

classic literary storytelling, although I think he starts in the middle of the<br />

novel somehow. So he has this hilarious micromontage with really rapid<br />

voiceover that requires that you speed-read the subtitles to bring you up<br />

to pace. It’s almost like Preston Sturges has directed the beginning, in the<br />

opening four minutes.<br />

I’ve only seen the movie once, but it has a proper ending. It makes total<br />

sense that Wuthering Heights would be a Mexican movie somehow. I just

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