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The_Film_That_Changed_My_Life

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140 Guy Maddin<br />

shooting things, I literally just get myself on a 180-degree nipple twist, and<br />

it’s kind of like dialing in Buñuel. It’s just uncomfortable and stinging down<br />

there in my chest. He was like movie experience number one for me, and the<br />

influence has never really gone away.<br />

In their first film, Buñuel and Dalí said, they rejected “any image that<br />

might give us a rational explanation.” But for me, symbolism seems to<br />

permeate those two films.<br />

Maddin: Yeah, they seem to be explicable.<br />

Are we as viewers putting the symbolism there or is Buñuel just being<br />

clever and dodging the question?<br />

Maddin: I think he’s lying most of the time in interviews. I think it just<br />

made for a nice flip explanation, but also, compared to what most of the<br />

world was used to, it did feel pretty irrational and almost insoluble for most<br />

viewers. <strong>The</strong>y might feel smugly secure in the notion that not many people<br />

could have solved those things. <strong>The</strong>y just have the conspicuous shape of<br />

relationships, both those movies, and fortunately most relationships defy<br />

rational explanation too.<br />

Melodrama and surrealism were put on this earth to tell love stories, and<br />

that’s what they do best. <strong>The</strong>y don’t make political arguments, although they<br />

can. I just think that the fervid irrationality of love at its best makes us all a<br />

little bit crazy, and it is the stuff of melodrama and surrealism.<br />

Buñuel and Dalí fought fiercely over this film. Dalí later disowned it<br />

altogether, saying it “betrayed his original vision” or it “placed his own<br />

authentic sacrilege with a primary anticlericalism and over-explicit<br />

political message.” Does that criticism hold any weight?<br />

Maddin: As much as I’ve watched the movie, the political message seemed<br />

generically antibourgeoisie, and that’s fine with me. I didn’t feel like I wanted<br />

to go eliminate the bourgeoisie, but it always felt like fair game for it to be<br />

open season on them all the time. <strong>That</strong> would be about as far as I’d go with it.<br />

I’m excited by the fact that Buñuel used found footage in the early part,<br />

but I always kind of liked the fact that the scorpion sequence doesn’t really<br />

work very well. I find it kind of boring, but it did turn me on to reading

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