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The_Film_That_Changed_My_Life

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130 Austin Chick<br />

But this does have a conclusion; he does get there. Tell me about some<br />

of the other conversations in the film that stuck with you.<br />

Chick: I’m trying to think of . . . is there an episode where they go to one<br />

guy’s childhood summerhouse on an island, and they find something under<br />

the stairs?<br />

<strong>The</strong>y go back to his hometown and commandeer a motorcycle, and it’s<br />

the only time the movie feels like Easy Rider. It feels like the cemetery<br />

scene in Easy Rider. Nobody’s tripping, but there’s still a bunch of angles<br />

and emotional anguish; it’s the closest you get to Bruno in the film.<br />

Chick: <strong>That</strong> section of the film seems a little out of character somehow.<br />

<strong>The</strong> main thing that’s interesting is that you always see the film through the<br />

looking glass of where you are in your life. You know, the reason why this<br />

film has such significance for me is because it directly reflects what was<br />

going on in my life. A lot of the films that were really influential early on,<br />

like Wenders’s stuff—I don’t know that I would respond to them at all if I<br />

would see them at this point in my life. <strong>The</strong> films that really inspired me<br />

to get involved in making movies were these incredibly ponderous, barely<br />

plotted films. And I guess that allowed me to think about film. At this point<br />

I have a lot less patience.<br />

Well, you and the rest of America.<br />

Chick: Yeah, me and the rest of America. I don’t know that America ever<br />

has that much patience. In general, I think the films that appeal to me now<br />

are more plotted, more structured.<br />

What makes his films unique?<br />

Chick: <strong>The</strong> sense of visual design and pacing. <strong>The</strong> lack of rigorous narrative<br />

structure. To me, all those things are very much a specific type of filmmaking<br />

that clearly influenced a number of other people. I feel like Paris, Texas<br />

is sort of the culmination of that style for him.<br />

And that’s also his self-fulfilling prophecy. Because he says, “<strong>The</strong> Yanks<br />

have colonized our subconscious.” <strong>The</strong>n, of course, like many directors,<br />

he immigrates to America and starts making films.

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