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The_Film_That_Changed_My_Life

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Kings of the Road<br />

127<br />

silence, especially having spent a lot of time on the road. It somehow made<br />

sense to me, at the time.<br />

Wenders has this very interesting take on the male body. For example,<br />

watch Bruno: <strong>The</strong> scene opens essentially with him naked getting out<br />

of a truck. He later catches a projectionist masturbating, and then<br />

famously he defecates on-screen. It’s misleading because he says, “I<br />

have to go pee,” and then Wenders shows him squatting. It’s a slowmotion<br />

car wreck, and you can’t look away.<br />

Chick: He takes down his overalls, kind of in foreground, and he takes a<br />

big black turd right onto the white sand, as I remember. I think the other<br />

guy vomits in the next scene. In a public rest stop or a restroom. I remember<br />

thinking like, “Wow, he just got every bodily function.”<br />

I don’t remember seeing that in any film, and perhaps don’t need to<br />

see it ever again. <strong>The</strong> character who does most of the duty is Rüdiger<br />

Vogler, who is a longtime Wenders actor. Wenders talked about how<br />

this role typecast Vogler as this isolationist. He has shown up in <strong>The</strong><br />

American Friend and a couple others.<br />

Chick: He’s the star of Alice in the Cities?<br />

Yeah. He’s also got a small part in Until the End of the World as well.<br />

<strong>The</strong> German name of this film was In the Course of Time but, of course,<br />

it was renamed Kings of the Road for American audiences. Let’s talk<br />

about the music, though, because Kings of the Road is taken from the<br />

song of the same name. <strong>The</strong>re’s also a Johnny Cash song in there, and a<br />

Pink Floyd–esque operatic soundtrack.<br />

Chick: I remember there was a lot of what he’s done more and more<br />

throughout his career: he throws in more and more of the rock ’n’ roll that’s<br />

influencing him at the time. It’s got a lot of ’60s rock in it, right? It’s a big<br />

influence on the character, but it doesn’t feel like it’s a far stretch back to<br />

Wenders himself. <strong>The</strong> character’s interest in the music seems like it’s not<br />

very clearly separated from Wenders’s own interest in that music.<br />

Did this film have any direct influence on your films?

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