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The_Film_That_Changed_My_Life

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Harlan County U.S.A.<br />

113<br />

of them without running water. <strong>The</strong>re’s a very interesting scene where<br />

somebody’s getting a bath in a bowl.<br />

James: And black lung—all the issues with black lung.<br />

Yeah. It was very, very dire. <strong>The</strong> film won the 1976 Academy Award for<br />

Best Documentary. Do you have another favorite moment?<br />

James: What sticks in my head are moments right after this altercation<br />

where this strike-buster guy talks about one of the strikers as being a “nigger.”<br />

You hear this woman defend him with something like, “<strong>That</strong> nigger<br />

is more of a man than you. Don’t you call him that.” <strong>The</strong>n there’s a scene<br />

among the union organizers and the miners, which is attended by men and<br />

women. <strong>The</strong>y talk about the need to be better organized, and the woman<br />

talks about that incident. <strong>The</strong> black miner who was the focus is in the room,<br />

and so they talk about it.<br />

Somebody says, “We need to get more of you guys out there, so you’re not<br />

the only black out there.” You see people trying to grapple with their common<br />

purpose across lines of race at a very interesting moment in the film. <strong>The</strong><br />

woman even uses the N-word in her description of it. <strong>That</strong>’s something that<br />

today a white person would be very careful of. <strong>The</strong>y’d say, “He called you the<br />

N-word.” It’s a different time. You see people trying to grapple with class issues<br />

that can get pushed into being race issues, and they’re trying to maintain this<br />

solidarity and not let themselves be divided along race lines. It’s always been a<br />

classic tactic to try and divide labor, and a very successful one in this country.<br />

You chose this film as the one that changed your life, not Kubrick, not<br />

Arthur Penn. So why? How did it change your life?<br />

James: <strong>The</strong>re’ve been many documentaries over the years that have powerfully<br />

impacted me. I think this one came along at the time when I was more<br />

interested in being a feature filmmaker than a documentary filmmaker. So it<br />

came along at the beginning of a process of moving from an interest in feature<br />

film to documentaries, and that’s where my career has taken me. It came along<br />

at the right time for me. It helped me see, “Ah, this is more what I want to do.”<br />

<strong>The</strong>re’s something very alive about this film. What it’s about and the degree<br />

to which the filmmaker courageously put herself into a situation that she was<br />

not from. You don’t have to have known her history to know that she was

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