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The_Film_That_Changed_My_Life

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108 Kimberly Peirce<br />

Have you ever run into anybody associated with the film and talked<br />

about your passion for it?<br />

Peirce: Oh sure, sure. I’ve spent time with Coppola. You always feel silly<br />

professing your absolute love for something like <strong>The</strong> Godfather to the person<br />

who made it, but you can’t help yourself and it’s a good thing you do.<br />

Very early on he was incredibly generous toward me, incredibly nice. I was<br />

beside myself with excitement that I was just getting to talk to my hero about<br />

a movie that really had changed my life.<br />

Is this after Boys Don’t Cry?<br />

Peirce: Yeah. We were at some event, and Coppola came up to me and he<br />

told me he loved Boys Don’t Cry. And, of course, I was overwhelmed and<br />

shocked and really humbled by it.<br />

I had the chance to tell him how much I love <strong>The</strong> Godfather and how<br />

much, in many ways, Brandon [Hilary Swank’s character in Boys Don’t Cry]<br />

was the innocent version of Michael. And then I had looked at Michael and<br />

his relentless use of violence when I was trying to create the John character<br />

in Boys.<br />

Coppola was great. I have the utmost respect and affection for him. He<br />

asked me if I wanted to run his studio, which I thought was really interesting.<br />

But I said no, I don’t think I’d ever run a studio. But it was very<br />

interesting that it was on his mind, and now that I’m years into a career, I<br />

understand where that appetite and desire comes from. I think he’s a man of<br />

huge appetites, but it makes sense that having been through what he’s been<br />

through, he’d want to have some control of the means of production.<br />

Coppola recently said <strong>The</strong> Godfather should have only been one movie,<br />

that it was a drama and should never have been a serial. What do you<br />

make of that?<br />

Peirce: I loved them both, <strong>The</strong> Godfather and <strong>The</strong> Godfather, Part II. In<br />

many ways the second one is, I wouldn’t say superior, because I loved both of<br />

them, but it does give you an outrageously ambitious structure that miraculously<br />

works.<br />

You see <strong>The</strong> Godfather and you’re just in love with these people, and<br />

you just wanted to go on and on. So you go to see Part II with this amazing

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