Szirmai, John - The Archaeology of Medieval Bookbinding

Recommendations

Info

pristine condition is the back covering of the Glazier codex, 8 having a simple decoration with blind tooling, partly running over the edge flap at the head (see Figure 2.5). Similar edge flaps have been found on the Mudil codex (Gabra 1995 pp. 30-1). The backs of Codices A and B, assumed to be of goatskin, are blind tooled with lines and stamps of geometrical and animal figures; allegedly Codex B had 'a fillet of burnished gold foil' at the back (Lamacraft 1939 p. 228). Van Regemorter (1958b) described a number of loose wooden boards that she claimed to have come from bindings, although none of them exhibits any holes in an array comparable to those in the codices described above. According to Powell (1963) only the pair of boards of Dublin, Chester Beatty Library Inv. nos. 3-3a are justifiably described as boards of a binding: cedarwood, 124 x 84 x 9 mm, with a 3 mm deep groove set 10 mm away from the supposed spine edge, with two holes drilled from the bottom of the groove towards the edge, next to the grooves a strip of 'leather filigree work with a golden fond' (van Regemorter 1958b pp. 18-20, figs 2, 3, pi. 7). Powell (1963) attempts to correct van Regemorter's reconstruction of the board attachment by offering the plausible suggestion of a structure that had been hinged with the sewing thread itself. 2.5 FASTENINGS AND OTHER APPENDAGES Leather wrapping bands were used to keep the codex closed: they were fastened through holes in the upper cover and tied around the codex several times. They have been preserved in an incomplete state in Codices A and B and the Glazier codex; Codex C, PML M 910, the Scheide codex and the Mudil codex retain evidence only in the form of holes and Figure 2.7 The wrapping bands and bookmarker of the seventh-century Codex B (Dublin Chester Beatty Library MS 814; from Petersen 1954 fig. 8).
2.5 Fastenings and other appendages 27 leather vestiges. The most elaborate examples are Codices A and B which are both equipped with two wrapping bands, one anchored in seven or eight holes along the front edge and the other in five holes at the top edge of the upper board (Lamacraft 1939). The ingenious way of widening the base of the bands by incisions, their decoration (in ink) and bone pegs securing the wrapping are illustrated in Figure 2.7. The upper board of the Freer Gospels has an even larger number of holes, presumably for the same purpose: eight along the top edge and seven along the upper and lower part of the front edge. Petersen (1948 fig. 31) interprets these two sets of holes along the front edge as a bipartite beginning of a single front wrapping band. The wrapping bands of the other codices seem to be simpler. The Glazier codex has managed to preserve its wrapping band at the top and one of the once two wrapping bands at the front edge of the upper board (Needham 1979 p. 10). The upper board of the Scheide codex (Schenke 1981 p. 8) and Bodmer P. XIX (Kasser 1962b p. 15) present the same array of holes, with remnants of leather thongs. The Barcelona codex is recorded to have only three holes at the front edge of the upper board (Quecke 1984 p. 14). Interesting depictions of wrapping bands on early codices have been found in contemporary art, as for example in a fourth-century fresco in the Roman catacombs (Wilpert 1903 pi. 213), in fifth-century mosaics in the S. Sabena in Rome and in sixth-century mosaics in the Mausoleum of Galla Placidia in Ravenna (Wilpert and Schumacher 1976 p. Figure 2.8 Representations of several codices with wrapping bands on the insignia of the office of the magister scriniorum (from Notitia utraque Dignitatum [...], 1606 p. 62).
Page 2 and 3: Contents Preface and acknowledgemen
Page 4 and 5: Contents vii 7.8 Covering and decor
Page 6 and 7: Preface and acknowledgements This b
Page 8 and 9: Preface and acknowledgements XI (Ve
Page 10 and 11: Preface and acknowledgements xiii S
Page 12 and 13: Abbreviations Dates are abbreviated
Page 14 and 15: Part I The Mediterranean heritage
Page 16 and 17: surmise e sUentio: for too long its
Page 18 and 19: decorated book covers have been fou
Page 20 and 21: Figure 1.2 Diagram of tire construc
Page 22 and 23: 'spine' see Chapter 2, note 3). The
Page 24 and 25: gefunden sein mussté' (Schmidt 189
Page 26 and 27: 5. The roman numerals refer to the
Page 28 and 29: 16 The first multi-quire Coptic cod
Page 30 and 31: extended link stitch (Gnirrep and S
Page 32 and 33: Figure 2.2 Spine of the sixth-centu
Page 34 and 35: A B C Figure 2.4 Two alternative me
Page 36 and 37: Figure 2.5 The upper cover and back
Page 40 and 41: 307 fig. 24, p. 319 fig. 74). Sever
Page 42 and 43: [a] pastedown [b] Figure 2.10 Two d
Page 44 and 45: Chapter 3 Late Coptic codices 3.1 I
Page 46 and 47: M 633 M 634 M 580 1 M 586 I h — 1
Page 48 and 49: Figure 3.4 Various types of hinging
Page 50 and 51: separately from the book and before
Page 52 and 53: and 6.13). It should finally be men
Page 54 and 55: Figure 3.10 Peg and strap fastening
Page 56 and 57: 7. This double board of BL Or. 5000
Page 58 and 59: 4.2 SEWING AND BOARD ATTACHMENT The
Page 60 and 61: truly time-consuming procedure whic
Page 62 and 63: elevant corners of the boards. Yet
Page 64 and 65: tective boxes and even repairing wo
Page 66 and 67: may be done by several methods: one
Page 68 and 69: the former attachment and all evide
Page 70 and 71: ands (Figure 5.4) was ar first a pu
Page 72 and 73: locks of incised leather that obvio
Page 74 and 75: Chapter 6 Byzantine codices 6.1 INT
Page 76 and 77: and Sonderkamp (1991). Geographical
Page 78 and 79: tional station (shown as a broken l
Page 80 and 81: figure 6.3 Bulky chains of lhe exte
Page 82 and 83: and the making of the hinging loops
Page 84 and 85: Figure 6.6 Variants of the zigzag h
Page 86 and 87: outer face inner face Figure 6.8 V-
Page 88 and 89:
in many cases, writing or decoratio
Page 90 and 91:
Figure 6.12 Construction of a singl
Page 92 and 93:
[a] 40.0 tbi 5.3 |c] 11.6 LdJ 10.5
Page 94 and 95:
[a] [b] [c] [d] Figure 6.15 Fasteni
Page 96 and 97:
6.11 'ALLA GRECA' BINDINGS Byzantin
Page 98 and 99:
Figure fi.lS Construction of a sing
Page 100 and 101:
similarities, to be a significant a
Page 102 and 103:
fastened with trenails. The corners
Page 104 and 105:
esulied in, among oilier things, di
Page 106 and 107:
Introduction One of the distinctive
Page 108 and 109:
Introduction 97 (1942) and Wilson (
Page 110 and 111:
Chapter 7 Carolingian bindings 7.1
Page 112 and 113:
7.2 Introduction of the sewing supp
Page 114 and 115:
7.3 BOARDS AND BOARD ATTACHMENT Pre
Page 116 and 117:
spine edge free edges 17.6 A A 14.3
Page 118 and 119:
Figure 7.8 Variants in the disposit
Page 120 and 121:
identical to the sewing thread, is
Page 122 and 123:
outer face of outer face Figure 7.1
Page 124 and 125:
7.4 Sewing 113 [a] [b] [c] [d] [e]
Page 126 and 127:
7.4 Sewing 115 discussed below - on
Page 128 and 129:
7.5 Endleaves 117 50 n % 40 H 30 H
Page 130 and 131:
7.6 Edge trimming 119 (Schäfcr 199
Page 132 and 133:
7.7 Endbands 121 earlier. Still ear
Page 134 and 135:
7.7 Endbands 123 Figure 7.24 Suppor
Page 136 and 137:
7.7 Endbands 125 The thread of the
Page 138 and 139:
7. ŕ? Covering and decoration 127
Page 140 and 141:
7.8 Covering and decoration 129 [d]
Page 142 and 143:
7.9 Fastenings 131 7.9 FASTENINGS F
Page 145 and 146:
Figure 7.32 1995). Concave distorti
Page 147 and 148:
Figure 7.35 Model of a carolingian
Page 149 and 150:
2. The majority of ť. f 60 carolin
Page 151 and 152:
Chapter 8 Romanesque bindings 8.1 I
Page 153 and 154:
same origin, were described by Stor
Page 155 and 156:
Table S.l Number of sewing supports
Page 157 and 158:
Schaffhausen St Salvátor monastery
Page 159 and 160:
and two on single thongs employed f
Page 161 and 162:
Lej Figure 8.7 are shown in [d] and
Page 163 and 164:
% T 20- 10- 7 9 11 13 15 17 mm Figu
Page 165 and 166:
studied have revealed two main type
Page 167 and 168:
out of 10 Schaffliausen bindings ha
Page 169 and 170:
[a] mm W W M [c] [d] T"' • " [e]
Page 171 and 172:
Figure 8.16 Romanesque endband cons
Page 173 and 174:
espectively (see Figure 7.26[h] and
Page 175 and 176:
(1974) recorded their use in the el
Page 177 and 178:
Figure S.22 A romanesque binding wi
Page 179 and 180:
Figure 8.23 Construction of the two
Page 181 and 182:
Figure 8.24 Spine lining and broken
Page 183 and 184:
other Lraits. Michael Gullick assur
Page 185 and 186:
174 Gothic bindings ports enter the
Page 187 and 188:
Table 9.1 Groups of gothic bindings
Page 189 and 190:
1612 pp. 72-3; de Bray 1658 p. 25).
Page 191 and 192:
Table 9.2 Number of sewing supports
Page 193 and 194:
Figure 9.3 Hole in the centrefold,
Page 195 and 196:
Figure 9.4 Various types of thongs
Page 197 and 198:
Tabic 9.4 Sewing structures oľ got
Page 199 and 200:
[dl Figure 9.8 Valiums of integral
Page 201 and 202:
Table 9.5 Final twist and structure
Page 203 and 204:
130 St Gall rebindings of parchment
Page 205 and 206:
Figure 9.12 Marks of the backing ha
Page 207 and 208:
Tabic y.7 board) Parch- and transve
Page 209 and 210:
Figure 9.15 Trimming the edge by di
Page 212 and 213:
drawknife; in Group A, also predomi
Page 214 and 215:
In 380 cases of the three groups st
Page 216 and 217:
Table 9.9 Endbands on gothic bindin
Page 218 and 219:
larger at the spine than at the for
Page 220 and 221:
Figure 9.23 Saddle-siiLch endband (
Page 222 and 223:
Figure 9.25 Secondary embroidered e
Page 224 and 225:
[c] [d] Figure 9.27 Diagrams showin
Page 226 and 227:
Figure 9.29 Braided endband (crosse
Page 228 and 229:
Figure 9.31 Stuck-on endband (Type
Page 230 and 231:
Tabic 9.11 Squares on godiic bindin
Page 232 and 233:
same rounding as at the spine, [b];
Page 234 and 235:
1464 and 1526), who had employed bo
Page 236 and 237:
attachment also occurs: the rebindi
Page 238 and 239:
Table 9.14 Leather coverings of got
Page 240 and 241:
228 Goihk bindings an additional se
Page 242 and 243:
Figure 9.37 Cross-hatcliinji over t
Page 244 and 245:
= nificant diference (j 7.ó), unde
Page 246 and 247:
crocea, viiidř; De Marinis 1960 vo
Page 248 and 249:
198ft; see U. Bruckner 1997} and Br
Page 250 and 251:
Figure 9.JO Girdle book from 1471,
Page 252 and 253:
Figure 9.4) I-ower cover of a bindi
Page 254 and 255:
Figure 9.4Í Detail of a cuir-ciscl
Page 256 and 257:
Figure 9.44 Diagram showing the evo
Page 258 and 259:
tised for about one hundred years b
Page 260 and 261:
Figure 9.45 Gill roundels ' alia Ji
Page 262 and 263:
Figure 9.46 Decoration with brush g
Page 264 and 265:
Figure 9.47 The components of hook-
Page 266 and 267:
Figure 9.48 Long-strap fastening on
Page 268 and 269:
Figure 9..1O Hook-clasp fastenings
Page 270 and 271:
Figure 9.SI Details of the clasp of
Page 272 and 273:
however, it is equally possible tha
Page 274 and 275:
Figure 9.54 Hook-clasp fastenings o
Page 276 and 277:
K=3 o o 22 Figuro 9.55 Motal furnis
Page 278 and 279:
Figuru 9.57 Four variants oi'brass
Page 280 and 281:
cover clip first link chain links s
Page 282 and 283:
the book lying with the lower cover
Page 284 and 285:
Figure 9.61 Diagram showing the eff
Page 286 and 287:
Figure 9.62 Effects of a sliff roun
Page 288 and 289:
Figure 9.64 A well-prcscrvcd late g
Page 290 and 291:
inding of a 1492 inclinable arc spe
Page 292 and 293:
several instances, such as the chem
Page 294 and 295:
as a possible equivalent of cuir-ci
Page 296 and 297:
69. At the completion of [he rebind
Page 298 and 299:
tion: 'Die kunstletisehe Verziemng
Page 300 and 301:
Figure 10.2 Details of the construc
Page 302 and 303:
Figure 10.4 Primary quire racketing
Page 304 and 305:
a; id" T t^1 + + + + r^1 m * * w O-
Page 306 and 307:
head LAI! la] o o O * * — I [b] h
Page 308 and 309:
Figure lU.y Limp leather binding of
Page 310 and 311:
Figure 10.11 Limp parchment binding
Page 312 and 313:
Figure 10.12 Limp bindings with lin
Page 314 and 315:
Figure 10.14 Limp bindings with var
Page 316 and 317:
order to tighten the sewing, which
Page 318 and 319:
fpSTT^'V^-ľ.'ľ-TTľľT'-T "T--»
Page 320 and 321:
Figure 10.21 Distortion of the text
Page 322 and 323:
Figure 10.23 Diagram of the constru
Page 324 and 325:
Figure 10.24 Example of extreme con
Page 326 and 327:
Figure 10.2fi The construction of t
Page 328 and 329:
Figure 10.28 Italian limp parchment
Page 330 and 331:
Zulphen Libr. (3), Zutphen GA (2),
Page 332 and 333:
Bibliography Abbadie, Anloine ď (1
Page 334 and 335:
Berger, Pamela C. (1981). The Insig
Page 336 and 337:
Carvin, Denis (1988), La reliure me
Page 338 and 339:
Yemen' in Déroche, Francois and Ri
Page 340 and 341:
zur Mimsterialbibliothck', in Gampc
Page 342 and 343:
(1994), 'Uber Faltbiicher, vornehml
Page 344 and 345:
(1994), 'Three Ethiopian Bindings'
Page 346 and 347:
Leidinger, Gcorg (1924), 'Das sogen
Page 348 and 349:
Nascimento, Aires Augusto and Dias
Page 350 and 351:
Quecke, Hans (1972), Das Markusevan
Page 352 and 353:
Schmidt, Adolf (1928), 'Verlegerein
Page 354 and 355:
(1988b), 'Slop Destroying Ancient B
Page 356 and 357:
(1990), 'Inveniaire de reliures mé
Page 358 and 359:
Index Numbers in italic refer to fi
Page 360 and 361:
endbands, com. integral (def.) 171
Page 362 and 363:
open-backed binding 289. 307 orname
Page 364 and 365:
spine patrem (def.) 31 (n.3), in Et
show all

Szirmai, John - The Archaeology of Medieval Bookbinding

Create successful ePaper yourself

Delete template?

Save as template?