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Orientalism - autonomous learning

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252 ORIENTALISM<br />

Orienlalism Now<br />

253<br />

literally nothing except the rags they stand up in-when you<br />

see how the people live, and still more, how easily they die, it is<br />

always difficult to believe that you are walking among human<br />

beings. All colonial empires are in reality founded upon that fact.<br />

The people have brown faces-besides they have so many of<br />

them! Are they really the same flesh as yourself? Do they even<br />

have names? Or are they merely a kind of undifferentiated brown<br />

stuff, about as individual as bees or coral insects? They arise out<br />

of the earth, they sweat and starve for a few years, and then they<br />

sink back into the nameless mounds of the graveyard and nobody<br />

notices that they are gone. And even the graves themselves soon<br />

fade back into the soil.58<br />

Aside from the picturesque characters offered European readers in<br />

the exotic fiction of minor writers (Pierre Loti, Marmaduke Pickthall,<br />

and the like), the non-European known to Europeans is<br />

precisely what Orwell says about him. He is either a figure of fun,<br />

or an atom in a vast collectivity designated in ordinary or cultivated<br />

djscourse as an undifferentiated type called Oriental, African,<br />

yellow, brown, or Muslim. To such abstractions <strong>Orientalism</strong> had<br />

contributed its power of generalization, converting instances of a<br />

civilization into ideal bearers of its values, ideas, and positions,<br />

which in turn the Orientalists had found in "the Orient" and transformed<br />

into common cultural currency.<br />

If we reflect that Raymond Schwab brought out his brilliant<br />

biography of AnquetiI-Duperron in I 934--and began those studies<br />

which were to put <strong>Orientalism</strong> in its proper cultural context-we<br />

must also remark that what he did was in stark contrast to his fellow<br />

artists and intellectuals, for whom Orient and Occident were still<br />

the secondhand abstractions they were for Valery. Not that Pound,<br />

Eliot, Yeats, Arthur Waley, Fenollosa, Paul Claudel(in his C~nnaissance<br />

de rest), Victor segalen, and others were ignoring "the<br />

wisdom of the East," as Max MUlier had called it a few generations<br />

earlier. Rather the culture viewed the Orient, and Islam in particular,<br />

with the mistrust with which its learned attitude to the<br />

Orient had always been freighted. A suitable instance of this contemporary<br />

attitude at its most explicit is to be found in a series of<br />

lectures given at the University of Chicago in 1924 on "The<br />

Occident and the Orient" by Valentine Chirol, a well-known European<br />

newspaperman of great experience in the East; his purpose<br />

was to make clear to. educated Americans that the Orient was not<br />

as far off as perhaps they believed. His line is a simple one: that<br />

Orient and Occident are irreducibly opposed to each other, and that<br />

the Orient-in particular "Mohammedanism"-is one of "the<br />

great world-forces" responsible for "the deepest lines of cleavage"<br />

in the world. 59 Chirol'ssweeping generalizations are, I think, adequately<br />

represented by the titles of his six lectures: "Their Ancient<br />

Battleground"; "The Passing of the Ottoman Empire, the Peculiar<br />

Case of Egypt"; "The Great British Experiment in Egypt"; "Protectorates<br />

and Mandates"; "The New Factor of Bolshevism"; and<br />

"Some General Conclusions."<br />

To such relatively popular accounts of the Orient as Chirol's,<br />

we can add a testimonial by Elie Faure, who in his ruminations<br />

draws, like Chirol, on history, cultural expertise, and the familiar<br />

contrast between White Occidentalism and colored <strong>Orientalism</strong>.<br />

While delivering himself of paradoxes like "Ie carnage permanent de<br />

l'indifference orientale" (for, unlike "us," "they" have no conception<br />

of peace), Faure goes on to show that the Orientals' bodies are<br />

lazy, that the Orient has no conception of history, of the nation, or<br />

of patrie, that the Orient is essentially mystical-and so on. Faure<br />

argues that unless the Oriental learns to be rational, to develop<br />

techniques of knowledge and positivity, there can be no rapprochement<br />

between East and West. 60 A far more subtle and learned<br />

account of the East-West dilemma can be found in Fernand Baldensperger's<br />

essay "OU s'affrontent l'Odent et I'Occident intellectuels,"<br />

but he too speaks of an inherent Oriental disdain for the idea,<br />

for mental discipline, for rational interpretation. s1<br />

Spoken as they are out of the depths of European culture, by<br />

writers who actually believe themselves to be speaking on behalf<br />

of that culture, such commonplaces (for they are perfect idees re~ues)<br />

cannot be explained simply as examples of provincial chauvinism.<br />

They are not that, and-as will be evident to anyone who knows<br />

anything about Faure's and Baldensperger's other work-are the<br />

more paradoxical for not being that. Their background is the transformation<br />

of the . exacting, professional science of <strong>Orientalism</strong>,<br />

whose function in nineteenth-century culture had been the restoration<br />

to Europe of a lost portion of humanity, but which had become<br />

in the twentieth century both an instrument of policy and, more<br />

important, a code by which Europe could interpret both itself and<br />

the Orient to itself. For reasons discussed earlier in this book,<br />

modern <strong>Orientalism</strong> already carried within itself the imprint of

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