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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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smell the alluring fragrance of its pheromones signaling its own sexual<br />

excitement. As your exercise proceeds to progress from these sense<br />

impressions, you will create the touch of its skin, and feel its touch on your<br />

skin, eventually being able to sense the very subtle physical aura of its<br />

presence in the material world. Only when you have been able to sustain<br />

these other sense impressions consistently will you proceed to consummate<br />

your sexual union with the creature you have called forth, during which you<br />

will taste its kiss and the flavor of its skin.<br />

It is interesting that many magicians performing this exercise have<br />

felt that the elemental conjured was their own elusive anima or animus, an<br />

experience which can sometimes lead to an unexpected initiatory<br />

breakthrough in sexual self-understanding. Other magicians experimenting<br />

with the evocation of the elemental have found that the vivid realization of<br />

these internal beings has actually precipitated the arrival of a living person<br />

into their lives bearing great resemblance to the imagined elemental. It is not<br />

uncommon that a few successfully realized exercises of this type will lead to<br />

the spontaneous, unbidden, and not infrequently alarming appearance of the<br />

elemental in dreams or in other states of consciousness. Those who created<br />

elementals based on individuals already known to them have reported<br />

apparent telepathic experiences with the "real" subject. No matter what<br />

objective results this training of the sex-magical faculties leads to, its primary<br />

purpose is to accustom the adept to the art of deliberately controlling the stuff<br />

of maya in his or her mind, which is, after all, the act of creative generation<br />

exercised by the gods. Like Shiva, the initiate's consciousness has begun to<br />

project internal desires into a semblance of credible reality.<br />

On the other hand, it would be all too facile to automatically assume<br />

that all communication with sexual elementals is only a startlingly realistic<br />

mechanism of the imagination. To do so would be to deny the possibility that<br />

your experiment has unsealed the gate between the mortal world and the other<br />

realms, facilitating contact with any number of the transhuman beings that<br />

haunt the left side of what was once referred to as "the land of (faerie."<br />

With good reason, it will be remarked by some that schizophrenics,<br />

paranoiacs and mentally ill individuals in general suffer from an over-<br />

374<br />

abundance of this "talent" of all too believably imagining what is apparently<br />

not really there. This is true, and it may well be that the magician's power of<br />

deliberate visualization partakes in some yet unknown manner in certain<br />

elements of the same brain chemistry disturbance that afflicts the mentally ill.<br />

"Magical thinking" is in fact a commonly described symptom of various<br />

forms of mental illness. From the broader perspective of the magical tradition,<br />

we can only admit that while the regular awakening of these little-used<br />

imaginative faculties can be dangerous for the unbalanced individual, they<br />

can also be of immense value to the magician grounded solidly on terra firma.<br />

Rather than simply dismissing magic as madness, as the clinically<br />

inclined are wont to do, the visualization and imaginative powers required by<br />

the magician may have much more in common with the almost hallucinatory<br />

realism experienced by creative artists in the process of projecting their<br />

personal worlds into forms detectable by the senses of others. Artists, like<br />

magicians, have served as mediums, bringing into consciousness those<br />

aspects of reality unperceived by most minds. <strong>Of</strong> course, the connection<br />

between madness and artistic creativity has not gone unnoticed. Very much to<br />

the point, Salvador Dali once remarked that "the only difference between Dali<br />

and a madman is that Dali is not mad". So it is with the magician, who<br />

routinely enters worlds that other humans spend all of their energies avoiding.<br />

As with all left-hand path practices, the inherent pitfalls of even this first<br />

foray into the mental generation of elementals cannot be overlooked.<br />

One of the most useful and practical approaches to sex with daemonic<br />

entities has been provided from a perhaps unexpected source: the author

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