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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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addiction, and poverty. In our view, one need only read through the<br />

monotony of his journals, with their ceaseless accounts of misery, ennui and<br />

mindless spite to learn that for all of his claims to having reached<br />

superhuman states of initiation, Crowley remained an unenlightened person,<br />

a slave of his compulsions, flailing from one hopeless scheme to another. If<br />

Liberation is the end goal of left-hand path erotic initiation, then all of the<br />

Beast's arduous pansexual exertions seem to have missed the mark.<br />

<strong>The</strong> Beast And His Scarlet Women – A Harem <strong>Of</strong> Victims<br />

This significant 1909 sex magic working with Victor Neuberg, which<br />

Crowley interpreted as the demarcation point between existence as a human<br />

magician and life as a partially divine being, also underscores another way in<br />

which Crowleyan sex magick differs radically from traditional left-hand path<br />

practice as we have described it thus far. Crowley's most illuminating<br />

religioerotic transformations seem to have been realized as the result of his<br />

homosexual relations, while he clearly placed his magical couplings with<br />

females on a lesser level of importance.<br />

Certainly, the basic physical mechanism of orgasm and somatic bliss<br />

is the same regardless of which genders are involved with the process. But<br />

the different spiritual and subtle component operant in initiatory sex between<br />

same-sex (monopolar) and opposite-sex (bipolar) partners cannot be ignored<br />

as a factor in the left-hand path. In Crowley's case, his unique interpretation<br />

of the differences between male and female sexuality must also be placed in<br />

context with his unbridled loathing of the feminine principle in general and<br />

his contempt for women in particular that are such major themes in his life.<br />

Rather than being motivated by a conscious and positive desire to interact<br />

with same-sex psychosexual energy – which could potentially be useful for<br />

sex-magical initiation – Crowley's homosexual leanings often seem generated<br />

by a phobia in regards to female sexuality. This is spelled out, among other<br />

places, in his <strong>The</strong> Esoteric Record, an account of a later homosexual<br />

evocation of theurgic forms, also celebrated with Victor Neuburg. Crowley<br />

states that the use of women sexually "is more dangerous to the career of the<br />

magician" than sex-magic between male partners. (According to a Palestinian<br />

magician of our acquaintance, this belief is still held to among the secretive<br />

circles of mostly male sex magicians currently practicing in the Islamic<br />

world.) In his old age, Crowley wrote in his diary that contemplation of the<br />

vulva filled him with revulsion – an attitude inconceivable to the left-hand<br />

path adept.<br />

273<br />

All this is not to say that Crowley wasn't profoundly attracted to<br />

women – at least as physical specimens useful for his purposes – but that<br />

attraction was convoluted by as pathological an expression of love/hate as<br />

can be imagined. Despite the countless female consorts he used as magical<br />

tools in his life, Crowley's deep-seated antipathy for womankind seems to<br />

have prevented him from ever understanding or accepting the Shakti principle<br />

intrinsic to the left-hand path, the way of woman. "Women," he mused,<br />

"should be brought to the back door like milk when needed." Not exactly the<br />

Goddess sexually revered in human form that we have seen is the base of the<br />

left-hand path experience. A telling quote from Crowley's own autobiography<br />

speaks volumes: "man is the guardian of the Life of God; woman but a<br />

temporary expedient; a shrine indeed for the God, but not the God."<br />

<strong>The</strong> divine force, for Crowley, could only be imagined as the phallus.<br />

His total identification with the lingam as the true creative power was as<br />

constitutional to him as was his disregard for the yoni as a mere accessory.<br />

He compared the shape of the human brain to the glans of the penis,<br />

obscurely theorizing that the similarity in shape indicated a parallel in<br />

function between the two organs. All visible creation flowed from the penis<br />

in the form of semen, he surmised, just as the brain created all thought.<br />

Crowley described the single tuft of hair on his shaved head as a phallic lock.

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