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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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pageant of magical societies, clubs and fraternities that have marched through<br />

Western occult history from the ni<strong>net</strong>eenth century to the present day will<br />

recognize the "new cages" and "new decorations for those cages" that pass by<br />

in such solemn but often ridiculous procession.<br />

In 1970, in an article in the Los Angeles Free Press, the novelist<br />

William S. Burroughs – who often turned to the theme of sex magic in his<br />

work – reported on his own brush with the phenomenon of the spiritual<br />

organization. After attending some courses provided by the Church of<br />

Scientology, Burroughs came to similar conclusions as Krishanmurti had<br />

concerning the ultimate futility of systematized group efforts at<br />

enlightenment. Although he acknowledged the usefulness of some<br />

Scientology techniques, Burroughs decided that "I am in flat disagreement<br />

with the organizational policy. No body of knowledge needs an<br />

organizational policy. Organizational policy can only impede the<br />

advancement of knowledge. <strong>The</strong>re is a basic incompatibility between any<br />

organization and freedom of thought." Scientology founder L. Ron Hubbard,<br />

246<br />

operating on the fringes of a Californian O.T.O. lodge in the 1940s actually<br />

played a significant role in establishing the sex-magical cult of the Scarlet<br />

Woman, a curious tale we shall return to later.<br />

To untangle the whole intricate history of the diverse groups that have<br />

called themselves O.T.O. over the past century or so would tell us much<br />

about the kind of human folly of which Krishnamurti spoke, but very little<br />

about left-hand path sex magic. Those interested in a comprehensive account<br />

of the O.T.O. story are directed to the authoritative work of Peter-R. Koenig.<br />

However, a few clarifications are in order. <strong>The</strong> O.T.O. has been<br />

described falsely by some unreliable journalists and authors as a vehicle for<br />

Satanic orgies; in fact, it is more accurate to say that their practice of sex<br />

magic is along the lines of Gnostic Christianity, as interpreted by its founder<br />

Reuss and then elaborated upon by Crowley. Those that have looked into the<br />

phenomenon a little more deeply may have learned that the O.T.O. can trace<br />

its lineage directly hack to the Knights Templar and Illuminati. You might<br />

also discover that the lost secret wisdom of these legendary Orders is still<br />

authentically preserved within the O.T.O. Furthermore, it has been said, the<br />

sexual secret taught to the highest degrees of the O.T.O. was communicated<br />

by a trio of Eastern wise men, two yogis and a fakir. None of these things are<br />

true.<br />

Get past the most persistent layer of fictions concerning the O.T.O.,<br />

and one uncovers another layer concealed beneath. <strong>The</strong>re, one might discover<br />

that the founding father of the O.T.O. was one of Austria's wealthiest and<br />

most respected industrialists, the leading Freemason and <strong>The</strong>osophist, Dr.<br />

Carl Kellner. According to this tale, Kellner co-founded the Order with<br />

another prominent <strong>The</strong>osophist, Dr. Franz Hartmann, a close associate of<br />

Madame Blavatsky. <strong>The</strong>y were soon joined in the Order by the celebrated<br />

creator of Anthrosophy, Rudolf Steiner. If true, this would have been an<br />

impressive pedigree; few magical Orders could claim such eminent men as<br />

patrons. But in fact, Kellner and Hartmann were both dead before their names<br />

were associated with the supposed founding of the O.T.O, and all evidence<br />

suggests that they had nothing at all to do with the O.T.O. in any capacity.<br />

Rudolf Steiner's marginal connection to the O.T.O. is based on the most<br />

tenuous of circumstances.<br />

In exploring the O.T.O, one is reminded of the scene in <strong>The</strong> Wizard<br />

<strong>Of</strong> 0z in which the Wizard is revealed as a shabby puppeteer manipulating the<br />

hidden gears which create the illusion of the wondrous magical land of Oz.<br />

When caught in the act, the Wizard. desperately cries, "Pay no attention to<br />

that man behind the curtain!" <strong>The</strong> "Wizard" behind the curtain of the O.T.O<br />

was the Anglo-German <strong>The</strong>odor Reuss (1855-1923), who set in motion a<br />

long-lived charade that many others have perpetuated over the decades.

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