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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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is also the preferred time in which to begin the Khlysti orgy <strong>The</strong> circle of the<br />

Indian chakra puja orgy is recalled in the frenzied circular dance that begins<br />

the Khlysti rite. Similar to some Dervish dance rituals, the whirling Khlysti<br />

dance was used as a means of altering consciousness, and at its fre<strong>net</strong>ic<br />

zenith, the participants flagellated each other's bodies to heighten their<br />

225<br />

ecstatic states. When the somatic energy had been brought to the desired<br />

level, the gathered couples spontaneously undressed and paired off to<br />

celebrate the prolonged orgiastic phase of the Working. And as in the chakra<br />

puja, one of the female Khlysti served as the temporary avatar of feminine<br />

power. One of the orgiasts was selected to be the incarnation of the Virgin<br />

Mary, and was venerated in her ritual nakedness. <strong>The</strong> pre-Christian origin of<br />

the sect is made obvious in the fact that the "Virgin" is also considered to be<br />

"Mother Earth"; the Feminine Daemonic Shakti power that clearly places the<br />

orgy under the aegis of the left. Rasputin has been reported as telling his<br />

disciples that he first learned the "blessed secret" of "sanctification through<br />

sin" through some sort of tutelary communication conveyed through the<br />

voice of "holy Mother Earth."<br />

<strong>The</strong> starets taught his congregation, which at first consisted of<br />

gypsies and peasants in his native Siberia – but from 1903—1916, extended<br />

to the society ladies of St. Petersburg and Moscow – that to he truly<br />

redeemed of sin, one must sin thoroughly. To this end, Rasputin led his<br />

refined adherents in modified recreations of the Khlysti orgiastic revels that<br />

have since taken on mythological proportions. <strong>The</strong> surviving evidence seems<br />

to indicate that Rasputin's prolonged bouts of fre<strong>net</strong>ic dance and sexual<br />

abandon were also intended to create a unique heightened state of<br />

consciousness, a mystical apotheosis of initiatory death through orgasm that<br />

is similar to Vama Marga practice. Crowley's attempts to sexually exhaust<br />

himself and his lovers into a death-like state of visionary "eroto-comatose<br />

lucidity" seems comparable.<br />

This Rasputinesque use of extreme sexual ecstasy was primarily a<br />

means of provoking inner death of the false persona and rebirth into a more<br />

illuminated psychic condition However, the women who submitted to<br />

Rasputin's erotic spell often reported relinquishing consciousness altogether<br />

during the trance of repeated orgasm, which would seem to he the opposite of<br />

the increased Awakening of the psyche usually aimed for in left-hand path<br />

rites. Rasputin's aim of inverting established religious norms through sexual<br />

taboo-breaking and proclaiming the sinful to be sacred is a clear<br />

manifestation of the sinister current, another of those atavistic resurgences of<br />

the hidden left-hand path of Christianity. Ironically, despite the nominally<br />

Christian essence of Rasputin's approach to erotic initiation, the only<br />

manifestation of Western sex magic he seems to have affected was the<br />

Luciferian sex magician Maria de Naglowska.<br />

Maria de Naglowska – A Satanic Sophia<br />

Despite the centrality of the female sexual initiatrix – whether she be known<br />

as Shakti or Sophia – to left-hand path erotic awakening, it was not until the<br />

twentieth century that a female sex-magical teacher openly emerged in the<br />

226<br />

West. Her teaching, which she clearly identified as being Satanic in nature,<br />

reveals definite parallels with the authentic left-hand path. Almost unknown<br />

in the Anglo-Saxon world, she was the Russian-born Maria de Naglowska<br />

(1883—1936), who established a flourishing school of Satanic sex magic in<br />

the Paris of the 1930s. As a sex-magical teaching that has no connection at all<br />

to the lineage of O.T.O. and Crowleyan practices familiar to Englishspeaking<br />

magicians, the unique approach to erotic initiation devised by this<br />

remarkable adventuress has been unjustly ignored.<br />

De Naglowska, the daughter of a high-ranking Tsarist military officer<br />

who was assassinated by a nihilist anarchist, was orphaned at an early age.

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