I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net
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However, the first inklings of the Eastern sinister current went<br />
Westwards in a more prosaic fashion. An unlikely group of messengers first<br />
brought actual knowledge of the real left-hand path tradition from India to<br />
England, from whence it slowly spread throughout Europe and the New<br />
206<br />
World, sometimes mutating into wholly unexpected hybrid strains. In the<br />
mid-ni<strong>net</strong>eenth century, the British colonial rulers of India were working<br />
with a cabal of Christian missionaries to implement legislation criminalizing<br />
the practice of Tantra, and especially its "barbaric" left-hand path sexual<br />
branch. Vigorously supporting this anti-Tantric prohibition movement were<br />
many puritanical Indian representatives of the high-born Brahmin caste, who<br />
had long regarded the caste-defiant and heretical methods of left-handed<br />
Tantra as a disgusting profanation of Vedic law. Faced with such pressure,<br />
the struggling Vama Marga circles were forced to celebrate their rites under<br />
even more secretive conditions than had previously been the case.<br />
Into this environment came Edward Sellon (1818-1866), a young<br />
British Army officer, amateur pornographer and fairly notorious connoisseur<br />
of recondite sexuality. Stationed in India since the age of sixteen, Sellon was<br />
intrigued by the rumors of the kaula midnight orgies, and of the sacred<br />
celebration of wine and woman in the secret rite of the five Ms. With the help<br />
of a local civil servant, Sellon managed to earn the confidence of one kaula<br />
chakra, and observe what he described with a typically Victorian mixture of<br />
prurience and moralism as the "very licentious" circle orgies of the Shakti<br />
cult. Some commentators have suggested that young Sellon's first experience<br />
of sex took place within the context of the left-hand path ritual, but so little<br />
biographical information exists on this elusive character that this must be<br />
ascribed to conjecture.<br />
Sellon's work, despite its obscurity, was instrumental in bringing<br />
awareness of the left-hand path to the West. Judging from these writings, it is<br />
apparent that he certainly had a first-hand knowledge of Tantric erotic<br />
initiation. However, it was not until twenty years after Sellon's return to<br />
England that he first revealed something of what he had learned of the sexual<br />
power of the goddess whose name he spelled as "Sacti". In 1865, he released<br />
a peculiar work of eccentric scholarship entitled Annotations On <strong>The</strong> Sacred<br />
Writings <strong>Of</strong> <strong>The</strong> Hindus. This booklet puts forth his theory that the sexual<br />
rites still observed by the Shakti cult are a living continuation of a onceuniversal<br />
tradition of sexual initiation that was celebrated by the ancient<br />
Egyptians, pre-monotheistic Israelites and Assyrians. Although he dismisses<br />
some of the Tantric sex practices as superstition, he concludes that the lefthand<br />
path's methods of awakening are the survival of a tradition that "two<br />
thousand. years before the Christian era ... was, as at the present day, in full<br />
force; the Gnosticism of India." Seeking to connect a hidden sexual mystery<br />
underscoring all ancient religions, Sellon interprets the phallic lingam and<br />
vulval yoni of India as identical with the genital symbolism of Isis and Osiris,<br />
among other contrasexual mythologies. In the orgia of the chakra puja,<br />
Sellon sees a distant survival of the rites of the ancient Greek Dionysian<br />
revels.<br />
207<br />
Sellon explains how the universal mind, Brahma, split itself into a<br />
left-sided female and a right-sided male whose androgynous copulation<br />
created the manifest world of appearances. With something of the lecherous<br />
zeal with which he wrote his pornographic tales, he lovingly describes the<br />
youthful beauty of the naked female sexual consorts representing the Shakti<br />
force, who he accurately refers to as the dutis. In an 1866 autobiography of<br />
his adventures, <strong>The</strong> Ups And Downs <strong>Of</strong> Life, Memoirs Read Before the<br />
Anthropological Society <strong>Of</strong> London, Sellon noted that the duti was selected<br />
regardless of her caste, and although a temple dancer was preferred, she<br />
could be a pariah, slave, or courtesan. <strong>The</strong>se pioneering Western accounts of