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I. VAMA MARGA Foundations Of The Left-Hand Path - staticfly.net

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One cannot speak of left-hand path initiation without attempting to<br />

define the psyche, that elusive but all-important personal essence that is the<br />

consciousness itself. Although the importance of the flesh to sex magic must<br />

not be underestimated, the physical body alone is only the tool that the<br />

psyche manipulates to exercise its subtler and less tangible objectives. <strong>Of</strong><br />

course, the argument has been offered that the psyche may well be nothing<br />

more than a complex phantasm produced by the brain, and is therefore<br />

nothing more than another bodily phenomenon. While this is a quandary no<br />

magician should ignore, a scientific analysis of this question extends beyond<br />

the scope of this study. Let us instead focus on attempting to provide a<br />

164<br />

definition of the soul/psyche that serves the initiate and the magician in his or<br />

her work.<br />

<strong>Of</strong> no small significance to the initiate working with the<br />

masculine/feminine polarities intrinsic to erotic magic is the fact that the very<br />

word is derived directly from the Greek name Psyche, the Hellenic goddess<br />

of the soul. This connection between our modern word "psyche" and the<br />

name of a goddess illustrates the very ancient understanding of a mystery<br />

central to the left-hand path, "the path of woman". <strong>The</strong> psyche, understood as<br />

an indwelling goddess, is essentially a feminine essence that literally<br />

animates the human being, related to the feminine shakti power so central to<br />

the traditional Indian left-hand path. In the Gnostic tradition, the idea of the<br />

divine Sophia, the spark of divine wisdom that is said to be hidden in every<br />

human being, is also understood as a female entity. In the modem West, the<br />

influential psych-ologist Carl Jung provided us with a contemporary model of<br />

this concept. Jung's anima, which he borrowed from one of the Latin words<br />

for the psyche, was defined specifically as the feminine psychic essence<br />

inhabiting every man's consciousness.<br />

<strong>The</strong> best-known myth concerning the goddess Psyche also sheds<br />

light on the subject of this book, for Psyche was said to have fallen madly in<br />

love with none other than Eros. This passion between the spirit and sexuality<br />

demonstrates a clear esoteric understanding in the ancient world of the<br />

inextricable bond that exists between two levels of being that the<br />

Christianized West has always insisted on separating. Much of the Occidental<br />

magical tradition maintains this division between the Erotic and the Psychic,<br />

although they arc reconciled again in the work of the left-hand path magician.<br />

While every level of your psychobiological being is impacted and<br />

transformed through the process of left-hand path initiation – including the<br />

body so scorned by the male-directed mass religions – it is in the more fluid<br />

psyche, your core self, that the most enduring Remanifestations occur. Every<br />

culture and metaphysical teaching possesses its own system of soulcraft, and<br />

we recommend that the pragmatic magician compare as many of these as<br />

possible before determining his or her own approach to the development of<br />

the psyche.<br />

An Exercise In Etymology<br />

Hopefully, in reading this chapter, you have identified some magical words<br />

or phrases that you may have adopted during the course of your life that are<br />

deserving of etymological analysis. Although this book is written from the<br />

perspective of left-hand path sex magicians for others who wish to learn this<br />

art, the reader should not instantly adopt the identity of "left-hand path sex<br />

magician" unless the principles and exercises outlined here actually speak to<br />

you.<br />

165<br />

As for the Sanskrit jargon of the left-hand path tradition itself shakti,<br />

kundalini, mantra, maya, yoni and so forth the magician should understand<br />

that these words are but useful descriptive devices. One shouldn't lose the<br />

forest for the trees by becoming so immersed in nomenclature that one<br />

neglects the far more useful realities these sounds symbolize. To do so would

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