Qualitative Research in Practice : Stories From the Field - Blogs Unpad
Qualitative Research in Practice : Stories From the Field - Blogs Unpad
Qualitative Research in Practice : Stories From the Field - Blogs Unpad
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Present<strong>in</strong>g and writ<strong>in</strong>g up<br />
Tim:<br />
story, it is not go<strong>in</strong>g to get told, but what k<strong>in</strong>d of safeguards<br />
do you build <strong>in</strong>?<br />
I suppose <strong>in</strong> th<strong>in</strong>k<strong>in</strong>g about how you do it, I would<br />
probably hold <strong>in</strong> my m<strong>in</strong>d a chapter that appeared <strong>in</strong><br />
<strong>the</strong> grow<strong>in</strong>g up with parents who have learn<strong>in</strong>g difficulties<br />
book [Booth & Booth, 1996], which takes <strong>the</strong><br />
form of a conversation between two sisters. Many of<br />
<strong>the</strong> techniques that we used <strong>in</strong> construct<strong>in</strong>g that<br />
chapter are techniques that would apply to our work<br />
generally. Everyth<strong>in</strong>g that is <strong>in</strong> <strong>the</strong> chapter was spoken<br />
by <strong>the</strong> <strong>in</strong>formants—noth<strong>in</strong>g has been added, but <strong>the</strong><br />
order of <strong>the</strong> words isn’t necessarily <strong>the</strong> same. The<br />
order<strong>in</strong>g of <strong>the</strong> sentences isn’t necessarily <strong>the</strong> same.<br />
There have been cuts made, elisions, and <strong>the</strong> material<br />
has been very heavily edited <strong>in</strong>to a coherent text that<br />
is true to <strong>the</strong>ir story and was validated by <strong>the</strong> <strong>in</strong>formants,<br />
<strong>in</strong> that <strong>the</strong>y were presented with <strong>the</strong> text, and<br />
<strong>the</strong>y okayed it.<br />
Anne Coleman—Five star motels<br />
As part of <strong>the</strong> process of feed<strong>in</strong>g back f<strong>in</strong>d<strong>in</strong>gs to <strong>the</strong> people who<br />
had participated <strong>in</strong> her study (Coleman, 2001), Anne conducted a<br />
series of research read<strong>in</strong>gs of her work. While she did not talk of her<br />
presentation of f<strong>in</strong>d<strong>in</strong>gs as performance, Anne’s oral presentation of<br />
her work to <strong>the</strong> homeless people <strong>in</strong> her study has some parallels<br />
with performance science, albeit <strong>in</strong> a less formal way.<br />
<strong>Research</strong> read<strong>in</strong>gs for homeless people<br />
Anne:<br />
This was not entirely satisfactory, but it was <strong>the</strong> best I<br />
could do—I wanted to take <strong>the</strong> whole of <strong>the</strong> <strong>the</strong>sis<br />
back to people and say ‘Is it all put toge<strong>the</strong>r okay?’<br />
Now obviously I knew that a large number of people<br />
wouldn’t give a damn about <strong>the</strong> literature review or<br />
what I said <strong>in</strong> <strong>the</strong> methodology, so I did some read<strong>in</strong>gs<br />
at a drop-<strong>in</strong> centre [that] I knew a lot of <strong>the</strong>se people<br />
accessed. Aga<strong>in</strong> I flagged <strong>the</strong>m with <strong>the</strong> graphic image<br />
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