To All Appearances A Lady - University of British Columbia

L . R .
R i c o u
In Double Harness
"IVIy hunch was," writes Robert E. Carter in sketching
the hypothesis of Becoming Bamboo: Western and Eastern Explorations of
Life (McGill-Queen's UP, n.p.), "that my North American culture was
extrinsically oriented—that is, was adept at utilizing nature for our own lifepurposes
rather than at opening to nature's delights and gaining intrinsic
value-experience by sitting in the midst of it, responding to it rather than
controlling it." His testing of this proposition, in an unusually personal work
of comparative philosophy, is a rich repository of the trans-Pacific dialogues
to which this issue of Canadian Literature is dedicated. Chapter Five, for
example, titled "Where is Here?", meditates on the ideologies (and puzzles)
implicit in Northrop Frye's paradigmatic question by placing it against the
awareness of environment achieved in Zen Buddhism's "transparency of
ego-ness." Carter calls our attention to concepts linking Shinto shrines,
Heidegger, the legendary potter Hamada Shôji, and Jake Thomas, hereditary
chief of the Cayuga nation. Read in the context of this lineage, my use of the
preposition against to position Carter's comparative methodology is, in one
sense, fundamentally inept. The central hypothesis of comparison is immediately
undone by a recognition that a distinction between extrinsic and
intrinsic value would not hold—either in Japanese philosophy or culture.
In one of the personal journal entries which punctuates his more concentrated
philosophy, Carter marvels at the pink sky of Japan's cherry blossom
season. What stands out as meaningful cultural difference, however, is not the
familiar symbolism of fragility and changeability, but the natural necessity
of poetry:
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