To All Appearances A Lady - University of British Columbia

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S u i S i n F a r / W a t a n n a WORKS CITED [Eaton, Edith]. "A Chinese Ishmael." By Sui Sin Fah. Overland Monthly 34 (1899): 43-49. [ .] "The Gamblers." By Sui Seen Far. Fly Leafi (Feb. 1896): 14-18. [ .] "Leaves from the Mental Portfolio of an Eurasian." By Sui Sin Far. The Independent 66 (21 Jan. 1909): 125-32. [ .] "A Love Story of the Orient." By Sui Seen Far. The Lotus 2 (Oct. 1896): 203-07. [ .] Mrs. Spring Fragrance. By Sui Sin Far (Edith Eaton). Chicago: McClurg, 1912. E[aton]. E[dith]. "A Plea for the Chinaman." The Montreal Daily Star 21 Sept. 1896: 5. [Eaton, Edith.] "The Story of Iso." By Sui Seen Far. Lotus 2 (Aug. 1896): 117-19. Eaton, Edith. "A Trip in a Horse Car." Dominion Illustrated 1 (13 Oct. 1888): 235. Johnson, E. Pauline. The Moccasin Maker. 1913. Tucson: U of Arizona P, 1987. Ling, Amy. Between Worlds: Women Writers of Chinese Ancestry. New York: Pergamon, 1990. [obit, of Edith Eaton]. Montreal Star 8 April 1914: 7. [Reeve, Winnifred Eaton.] Cattle. By Onoto Watanna. New York: Watt, 1924. [ .] A Japanese Nightingale. By Onoto Watanna. New York: Harper, 1901. [ ]. Marion: The Story of an Artist's Model. New York: Watt, 1916. [ .] Me: A Book of Remembrance. New York: Century, 1915. [ .] Sunny-San. By Onoto Watanna. New York: Doran, 1922. . Unpublished Papers. University of Calgary. [ .] His Royal Nibs. By Onoto Watanna. New York: Watt, 1925. Rooney, Doris. "Souvenir from the Past." Ts. of article originally published in Field Horse and Rodeo (Calgary), July 1963. Reeve Papers, Univ. Calgary. Solberg, S.E. "Sui Sin Far/Edith Eaton: First Chinese-American Fictionist." MELUS 8 (1981): 27-39. White-Parks, Annette. "Sui Sin Far: Writer on the Chinese-Anglo Borders of North America, 1865-1914." Diss. Washington State U, 1991. Xiao-huang Yin. "Between the East and West: Sui Sin Far—the First Chinese-American Woman Writer." Arizona Quarterly 47 (1991): 49-84.
Denise Koh whispers between weeds a tangle of sheets a tear— i smell rain hush you say i am a thorny dandelion and you my dear are my sweet, green thumb fingers, eager, pull a strong root water clapping glass your juices drip through me your earthworm tongue explores my very dirt no, my chlorophyll beau we are both green-skinned flowers intertwined in a soil-caked clasp skin infecting skin storm ending we collapse soaking in our muddy love 59
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side Gold Mountain It's become a co
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Editorial such anthologies as Benne
Page 6 and 7: Fred Wa h from Seasons Greetings fr
Page 8 and 9: word for number, just sudden, skipp
Page 10 and 11: Joy K o g a w a forA.D. they are ca
Page 12 and 13: Cultural Symbols cliched premise of
Page 14 and 15: Cultural Symbols compulsion to do s
Page 16 and 17: Cultural Symbols Canadian tradition
Page 18 and 19: Cultural Symbols Trophy for oratory
Page 20 and 21: Cultural Symbols white race" (72).
Page 22 and 23: Cultural Symbols Canadian "essence"
Page 24 and 25: Cultural Symbols The glaring devian
Page 26 and 27: C u l t u r a l S y m b o l s shôt
Page 28 and 29: Deirdre Dwyer The thin walls of Jap
Page 30 and 31: the optimum is crab eyes crab clatt
Page 32 and 33: G r a h a m H u g g a n The Latitud
Page 34 and 35: B o w e r i n g / Lee (mis)adventur
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Page 38 and 39: B o w e r i n g / L e e dered ethni
Page 40 and 41: B o w e r i n g / Lee Disappearing
Page 42 and 43: B owe ri n g / Lee collection of es
Page 44 and 45: B o w e r i n g / Lee for a reading
Page 46 and 47: B o w e r i n g / L e e Radhakrishn
Page 48 and 49: James Doy Sui Sin Far and Onoto Wat
Page 50 and 51: S u i S i n F a r / W a t a n n a h
Page 52 and 53: S u i S i n F a r / W a t a n n a "
Page 54 and 55: S u i S i n F a r / W a t a n n a 2
Page 58 and 59: G o h P o h S e n g Hornby Island (
Page 60 and 61: George Woodcock The Woman on the Tr
Page 62 and 63: Woodcock and unpainted boxes on sti
Page 64 and 65: Woodcock inner terraces rise in suc
Page 66 and 67: Woodcock enclosure of thick forest,
Page 68 and 69: Woodcock compound. The Royal Dancer
Page 70 and 71: G w l a d y s Dowries Lucy's Childr
Page 72 and 73: I t a n i I wish I could say that t
Page 74 and 75: what it is," I told him. "I know no
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Page 78 and 79: Robert B r i n g h u r s t Xuedou Z
Page 80 and 81: Robert B r i n g h u r s t Dogen Th
Page 82 and 83: Poem There is no pigment in the pai
Page 84 and 85: L . R . R i c o u In Double Harness
Page 86 and 87: R icou at Crispin and Jan Elsted's
Page 88 and 89: R i c o u ment for the incandescent
Page 90 and 91: Travelling Women Ed. Momoye Sugiman
Page 92 and 93: Books in Revi they choose to relate
Page 94 and 95: control of the B.C. fishery—a con
Page 96 and 97: Books in Revie w of this "vacuité
Page 98 and 99: Books in Review ing of Davey as a c
Page 100 and 101: Books in Review David's telepathic
Page 102 and 103: Books in Review spondence is differ
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Books in Review communitarianism, f
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Books in Review Vita Nova Anne Héb
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Books in Review developments on the
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Books in Review he ignores the writ
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Books in Review agree which is whic
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Books in Review poem "A Sound Obser
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Books in Review towards reconciliat
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Books in Review of Nelligan's life,
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Books in Review genealogies, place
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Books in Review from their own pers
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B o o k s in R e v i e \ absence of
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Books in Review time to time call "
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Books in Review "Theory: Beauty or
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Books in Review ter. However, the c
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Books in Review teacher's task is t
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Books in Review racy as means with
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Books in Review Ryga George Ryga Su
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Books in Review society churns up,
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Books in Review grating myths and a
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Books in Review nation, yes, but si
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Books in Review will, from the "tru
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Books in Review share an attitude t
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Books in Review à une articulation
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Books in Review Harry, the ex-cop a
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Opinions &L Notes and pioneer, long
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Two Poems for Tom Marshall David He
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Poem 7 The savage rhetoric of age i
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Poem don't, like me. Thinking there
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Book Notes together much informatio
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Book Notes psychological instinct d
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Book Notes is repeating one of the
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Book Notes Criticism Brookshaw, Dav
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Book Notes Initiation Rites in Gree
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