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To All Appearances A Lady - University of British Columbia

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Book<br />

Notes<br />

is repeating one <strong>of</strong> the many apocryphal<br />

tales one hears in Duck Lake and St.<br />

Laurent to this day about the now mythic<br />

figures <strong>of</strong> 1885.<br />

Finally, Barnholder makes the astonishing<br />

conjecture that the memoir was spoken<br />

in Michif, a strange macaronic dialect <strong>of</strong><br />

Crée and French combined. But Michif, in<br />

my view, was a late development, which<br />

emerged during the second Métis diaspora<br />

after the disaster <strong>of</strong> 1885, when they filtered<br />

out to the far verges <strong>of</strong> civilization. Gabriel<br />

spoke highly serviceable, if idiomatic,<br />

French to his audiences <strong>of</strong> French<br />

Canadians in the United States and<br />

Quebec. I have heard no suggestion at all<br />

that he spoke Michif, though I do know<br />

that he spoke Sarcee as his first native<br />

tongue (from his grandmother), and then<br />

Crée, Blackfoot, Sioux, Saulteux (Ojibway)<br />

and Assiniboine (Stoney). It seems to me<br />

an unnecessary assumption that Gabriel<br />

told his tale in a clumsy jargon when he<br />

knew French well enough to talk on a level<br />

with the priests and with Louis Riel and to<br />

address a variety <strong>of</strong> French-speaking audiences.<br />

G.W.<br />

Christine Hantel-Fraser. No Fixed Address:<br />

Life in the Foreign Service, n.p. $24.95 paper.<br />

Like the Foreign Legion, the Foreign<br />

Service has acquired what may be a false<br />

glamour, as Christine Hantel-Fraser suggests<br />

in her highly interesting book.<br />

Hantel-Fraser, a long-time embassy wife,<br />

with experience <strong>of</strong> her husband's many<br />

postings, has gathered memories and<br />

impressions from many foreign service personnel<br />

and their families, rather in the old<br />

Mass Observation way, to present a composite<br />

picture <strong>of</strong> what life is really like in<br />

Canada's embassies and high commissions<br />

and on home postings in Ottawa. There is<br />

even a comparison at the end <strong>of</strong> the book<br />

with the practices <strong>of</strong> other foreign missions.<br />

The interest in the unfamiliar, the<br />

pleasure <strong>of</strong> alien environments, the stimulus<br />

<strong>of</strong> living among foreign people, all are<br />

indeed there, but not for everybody and<br />

certainly not all the time. The tales <strong>of</strong> loneliness,<br />

<strong>of</strong> inadaptability, <strong>of</strong> shattering overwork,<br />

<strong>of</strong> sickness (particularly in the ranks<br />

below the diplomats themselves), are so<br />

many and so extraordinary that one wonders<br />

why people try so hard to enter the<br />

foreign service or to stay in it. Hantel-<br />

Fraser helps to sort out the mixture <strong>of</strong><br />

motives and loyalties involved, and on the<br />

whole she does so with objectivity; only<br />

when she is talking about personal family<br />

experiences does she tend to gush. Still, it is<br />

a book one would recommend to anyone<br />

thinking <strong>of</strong> trying to enter the Foreign<br />

Service. If it doesn't deter them, it will at<br />

least forewarn them. For no foreign servant,<br />

however high his or her status,<br />

entirely escapes the negative side <strong>of</strong> this<br />

way <strong>of</strong> life he chooses, G.W.<br />

Howard O'Hagan. Trees Are Lonely<br />

Company. Talonbooks. For aficionados <strong>of</strong><br />

the fine western Canadian writer Howard<br />

O'Hagan, the new book, Trees Are Lonely<br />

Company, will be welcome even if it does<br />

sail under somewhat false colours. It purports<br />

to be "A collection <strong>of</strong>... short stories,"<br />

but in fact it is a combination <strong>of</strong> two<br />

earlier volumes, The Woman Who Got on at<br />

Jasper Station, which does consist <strong>of</strong> real<br />

stories, and Wilderness Men, a group <strong>of</strong> biographical<br />

essays on historical figures <strong>of</strong> the<br />

Old West, mainly outlaws and loners like<br />

Almighty Voice, Simon Gun-an Noot, and<br />

Albert Johnson, "the Mad Trapper <strong>of</strong> Rat<br />

River." O'Hagan's sketches <strong>of</strong> these men are<br />

vivid to the edge <strong>of</strong> being mythical, but<br />

short stories they are not. G.W.<br />

168

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