To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
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Book<br />
Notes<br />
is repeating one <strong>of</strong> the many apocryphal<br />
tales one hears in Duck Lake and St.<br />
Laurent to this day about the now mythic<br />
figures <strong>of</strong> 1885.<br />
Finally, Barnholder makes the astonishing<br />
conjecture that the memoir was spoken<br />
in Michif, a strange macaronic dialect <strong>of</strong><br />
Crée and French combined. But Michif, in<br />
my view, was a late development, which<br />
emerged during the second Métis diaspora<br />
after the disaster <strong>of</strong> 1885, when they filtered<br />
out to the far verges <strong>of</strong> civilization. Gabriel<br />
spoke highly serviceable, if idiomatic,<br />
French to his audiences <strong>of</strong> French<br />
Canadians in the United States and<br />
Quebec. I have heard no suggestion at all<br />
that he spoke Michif, though I do know<br />
that he spoke Sarcee as his first native<br />
tongue (from his grandmother), and then<br />
Crée, Blackfoot, Sioux, Saulteux (Ojibway)<br />
and Assiniboine (Stoney). It seems to me<br />
an unnecessary assumption that Gabriel<br />
told his tale in a clumsy jargon when he<br />
knew French well enough to talk on a level<br />
with the priests and with Louis Riel and to<br />
address a variety <strong>of</strong> French-speaking audiences.<br />
G.W.<br />
Christine Hantel-Fraser. No Fixed Address:<br />
Life in the Foreign Service, n.p. $24.95 paper.<br />
Like the Foreign Legion, the Foreign<br />
Service has acquired what may be a false<br />
glamour, as Christine Hantel-Fraser suggests<br />
in her highly interesting book.<br />
Hantel-Fraser, a long-time embassy wife,<br />
with experience <strong>of</strong> her husband's many<br />
postings, has gathered memories and<br />
impressions from many foreign service personnel<br />
and their families, rather in the old<br />
Mass Observation way, to present a composite<br />
picture <strong>of</strong> what life is really like in<br />
Canada's embassies and high commissions<br />
and on home postings in Ottawa. There is<br />
even a comparison at the end <strong>of</strong> the book<br />
with the practices <strong>of</strong> other foreign missions.<br />
The interest in the unfamiliar, the<br />
pleasure <strong>of</strong> alien environments, the stimulus<br />
<strong>of</strong> living among foreign people, all are<br />
indeed there, but not for everybody and<br />
certainly not all the time. The tales <strong>of</strong> loneliness,<br />
<strong>of</strong> inadaptability, <strong>of</strong> shattering overwork,<br />
<strong>of</strong> sickness (particularly in the ranks<br />
below the diplomats themselves), are so<br />
many and so extraordinary that one wonders<br />
why people try so hard to enter the<br />
foreign service or to stay in it. Hantel-<br />
Fraser helps to sort out the mixture <strong>of</strong><br />
motives and loyalties involved, and on the<br />
whole she does so with objectivity; only<br />
when she is talking about personal family<br />
experiences does she tend to gush. Still, it is<br />
a book one would recommend to anyone<br />
thinking <strong>of</strong> trying to enter the Foreign<br />
Service. If it doesn't deter them, it will at<br />
least forewarn them. For no foreign servant,<br />
however high his or her status,<br />
entirely escapes the negative side <strong>of</strong> this<br />
way <strong>of</strong> life he chooses, G.W.<br />
Howard O'Hagan. Trees Are Lonely<br />
Company. Talonbooks. For aficionados <strong>of</strong><br />
the fine western Canadian writer Howard<br />
O'Hagan, the new book, Trees Are Lonely<br />
Company, will be welcome even if it does<br />
sail under somewhat false colours. It purports<br />
to be "A collection <strong>of</strong>... short stories,"<br />
but in fact it is a combination <strong>of</strong> two<br />
earlier volumes, The Woman Who Got on at<br />
Jasper Station, which does consist <strong>of</strong> real<br />
stories, and Wilderness Men, a group <strong>of</strong> biographical<br />
essays on historical figures <strong>of</strong> the<br />
Old West, mainly outlaws and loners like<br />
Almighty Voice, Simon Gun-an Noot, and<br />
Albert Johnson, "the Mad Trapper <strong>of</strong> Rat<br />
River." O'Hagan's sketches <strong>of</strong> these men are<br />
vivid to the edge <strong>of</strong> being mythical, but<br />
short stories they are not. G.W.<br />
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