To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
To All Appearances A Lady - University of British Columbia
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infrequent. Dazzle, Roberts' second chapbook<br />
(Ryerson, 1957) is published a full<br />
thirty years after her first. Roberts is now<br />
51—what has intervened? She has married,<br />
raised two children. In Star and Stalk,<br />
which follows shortly after (Emblem<br />
Books, 1959), is only twelve pages long.<br />
Twice to Flame (McGraw Hill Ryerson, 1961,<br />
58 pp) and Extended (Fiddlehead Books,<br />
1967, 44 pp), are Roberts' first substantial<br />
books. Extended is dedicated to her husband,<br />
A. R. Leisner; The Self <strong>of</strong> Loss is dedicated<br />
to his memory.<br />
Roberts continues to publish in the best<br />
Canadian and American publications. Despite<br />
her talent and achievements, she doesn't<br />
qualify for her own listing in the 1973 edition<br />
<strong>of</strong> the Oxford Companion to Canadian<br />
History and Literature. (Her father, the<br />
adventure writer and poet Theodore<br />
Goodridge Roberts, has an extended listing<br />
as, <strong>of</strong> course, do his brother, Charles G.D.<br />
Roberts, and cousin, Bliss Carman.) But in<br />
the supplement to this edition, Extended is<br />
(somewhat faintly) praised for its concern<br />
with landscape and for "placing specific<br />
locales in larger terms in language sometimes<br />
craggily dense, sometimes indirect,<br />
but generally successful." Nor does Roberts<br />
merit a separate listing in the 1983 edition<br />
<strong>of</strong> the Oxford Companion. The brief entry is<br />
more epitaph than commentary: Roberts<br />
"showed promise in the fifties with Dazzle<br />
(1957) and In Star and Stalk (1959), though<br />
her later work has not become popular."<br />
Reading Roberts' final book, In the Flight<br />
<strong>of</strong> Stars (Goose Lane, 1991), it is difficult<br />
not to feel that popularity is a deficient criterion<br />
<strong>of</strong> the value <strong>of</strong> Roberts' remarkable<br />
sensibility—a sensibility I can only<br />
described as grace—her insight into the<br />
human condition, her technical mastery <strong>of</strong><br />
prosody, syntax, and image. Not withstanding<br />
the vicissitudes <strong>of</strong> literary appraisal, I<br />
would that Dorothy Roberts could know<br />
that her poetic achievement will stand.<br />
WEST COAST LINE:<br />
A Journal <strong>of</strong> Contemporary Writing and Criticism<br />
Forthcoming feature:<br />
COLOUR. AN ISSUE<br />
A double issue on race, gender and ethnicity in Canada<br />
Spring 1994<br />
Subscribe Now<br />
Rates: $20/year, individuals; $30/year, institutions; $10, single copies.<br />
<strong>To</strong> subscribe, write to West Coast Line, 2027 East Academic Annex,<br />
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Fax. 604-291-5737.<br />
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