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Rice Boy Cover.indd - Stratford Festival

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A Profile of Sunil<br />

Kuruvilla<br />

by Mark Bly<br />

Below | ArAyA MengeshA (toMMy) And AnitA MAjuMdAr (tinA) in reheArsAl;<br />

AnAnd rAjArAM (fish seller) And, in bAckground, director guillerMo VerdecchiA<br />

Facing Page, From toP | (froM left) AnAnd rAjArAM, AshA VijAyAsinghAM (serVAnt<br />

girl), sAM Moses (grAndfAther) And guillerMo VerdecchiA; ArAyA MengeshA And<br />

guillerMo VerdecchiA; sAM Moses (in bAckground) And rAoul bhAnejA (fAther)<br />

PhotogrAPhy by richArd bAin<br />

In the mid 1990s I encountered Sunil Kuruvilla<br />

as a writer in the Yale School of Drama graduate<br />

playwriting program. Sunil had previously been<br />

mentored by such luminaries as Anthony Minghella<br />

and Alistair MacLeod. His writerly pedigree was<br />

impressive, even intimidating, as viewed from my<br />

narrow perch as the chair of the program. What,<br />

as his new mentor, could I possibly have to say to<br />

Sunil that could compete with the mentoring of my<br />

predecessors?<br />

Late in his first semester, I gave Sunil and other<br />

students in his class an exercise. The students were<br />

asked by me to come into my office and to select a<br />

single image from about fifty art and photography<br />

books. They were told to take that image and<br />

imagine that each of them was inside the image<br />

conducting a “sensory walkabout,” encountering that<br />

landscape in it in a sensory way: smelling, seeing,<br />

listening, touching, breathing, tasting that world.<br />

They were each to report back, as explorers of their<br />

individual worlds, what they had discovered, either<br />

in prose or in play form. I underscored that they<br />

need not worry about creating a plot or characters,<br />

but that each of them should focus in an unfiltered<br />

way how he or she had experienced their image’s<br />

inner world.<br />

A week later in class the students read aloud<br />

to the rest of us their sensory responses. Sunil<br />

wrote in response to an image he had found in<br />

the late Spalding Gray’s photo book In Search of<br />

the Monkey Girl, a collection of tales and photos<br />

about those shadowy figures who inhabit the<br />

exotic world of travelling carnivals. The image Sunil<br />

picked was of a “Popeye” figure, a carney sideshow<br />

2

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