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<strong>Title</strong>:<br />

Celebration Date of print: 1961<br />

<strong>Artist</strong>:<br />

Sally Frances McLaren<br />

Date of election: 1962<br />

Accession no:<br />

RE503<br />

Technique used<br />

Intaglio<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left corner below<br />

plate -<br />

Celebration. <strong>Artist</strong>s Proof<br />

Signed and dated bottom right corner below<br />

plate -<br />

Sally McLaren 61<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Thames [1] Date of print: 1961<br />

<strong>Artist</strong>:<br />

Barbara Newcomb<br />

Date of election: 1962<br />

Accession no:<br />

RE504<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

Thames I <strong>Artist</strong>s Proof<br />

Signed and dated bottom right below plate -<br />

Newcombe 61<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Cornish Harbour<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Margaret Payne<br />

Date of election: 1962<br />

Accession no:<br />

RE506<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Wedding Date of print: 1961<br />

<strong>Artist</strong>:<br />

Michael T.J. Reynolds<br />

Date of election: 1962<br />

Accession no:<br />

RE508<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

Etching and Sand Ground<br />

Inscribed and dated bottom right below plate<br />

-<br />

1st State March 1961<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Dandelions Date of print: 1960<br />

<strong>Artist</strong>:<br />

George W. Tute<br />

Date of election: 1962<br />

Accession no:<br />

RE507<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

"Dandelions"<br />

Signed and dated bottom right corner below<br />

plate -<br />

George Tute 60<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Port Dundas, Glasgow<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Thomas Walsh<br />

Date of election: 1962<br />

Accession no:<br />

RE505<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2H


<strong>Title</strong>:<br />

Hog Weed & Willows Date of print: 1959<br />

<strong>Artist</strong>:<br />

Vernon Mills<br />

Date of election: 1963<br />

Accession no:<br />

RE510<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Hog Weed & Willows 16/25<br />

Signed and dated bottom right below plate -<br />

Vernon Mills. '59<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Landscape Date of print: 1963<br />

<strong>Artist</strong>:<br />

Garrick Salisbury Palmer<br />

Date of election: 1963<br />

Accession no:<br />

RE509<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d, signed and dated bottom left below<br />

plate -<br />

"Landscape" G. Palmer '65<br />

Inscribed bottom right below plate -<br />

artist proof.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Daphnis and Cloe Date of print: 1959<br />

<strong>Artist</strong>:<br />

Victor Gyōzō Ambrus<br />

Date of election: 1964<br />

Accession no:<br />

RE511<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

Daphnis and Cloe (etching)<br />

Signed and dated bottom right below plate -<br />

Ambrus Gyozo 1959<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Sea-Wall Date of print: 1963<br />

<strong>Artist</strong>:<br />

Michael Fairclough<br />

Date of election: 1964<br />

Accession no:<br />

RE512<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Signed and dated bottom right below plate -<br />

Michael Cryer 1963<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Lime Works Date of print: 1964<br />

<strong>Artist</strong>:<br />

David Robert Sawyers<br />

Date of election: 1964<br />

Accession no:<br />

RE513<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Lime Works<br />

Signed and dated bottom right below plate -<br />

David Sawyers '64<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Tractor and Fields Date of print: 1964<br />

<strong>Artist</strong>:<br />

Trevor Abbott Allen<br />

Date of election: 1965<br />

Accession no:<br />

RE516<br />

Technique used<br />

Silkscreen<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

9/20<br />

<strong>Title</strong>d bottom middle -<br />

Tractor and fields<br />

Signed and dated bottom right below plate -<br />

Trevor Allen. 64<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Fish Wharf /1 Date of print: 1966<br />

<strong>Artist</strong>:<br />

Herbert John Jackson<br />

Date of election: 1965<br />

Accession no:<br />

RE515<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Icarus Date of print: 1964<br />

<strong>Artist</strong>:<br />

Sylvia Melland<br />

Date of election: 1965<br />

Accession no:<br />

RE514/1<br />

Technique used<br />

Etching<br />

Aquatint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>'s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Icarus<br />

Signed and dated bottom right below plate -<br />

Sylvia Melland<br />

1964<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Oyster Catcher Date of print: 1964<br />

<strong>Artist</strong>:<br />

Sylvia Melland<br />

Date of election: 1965<br />

Accession no:<br />

RE514/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

1/25<br />

<strong>Title</strong>d bottom middle below plate -<br />

Oyster Catcher<br />

Signed and dated bottom right below plate -<br />

Sylvia Melland<br />

1964<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Shattered Images Date of print: 1965<br />

<strong>Artist</strong>:<br />

Jack Robert Shirreff<br />

Date of election: 1965<br />

Accession no:<br />

RE517<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/20<br />

<strong>Title</strong>d bottom middle below plate -<br />

Shattered Images<br />

Signed and dated bottom right below plate -<br />

Shirreff '65<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Between Heaven and Earth Date of print: 1965<br />

<strong>Artist</strong>:<br />

Brian Collier<br />

Date of election: 1966<br />

Accession no:<br />

RE518<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong> Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Between Heaven and Earth"<br />

Signed and dated bottom right below plate -<br />

Brian Collier '65<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Lunar Rhythm Date of print: 1967<br />

<strong>Artist</strong>:<br />

Stanley William Hayter, C.B.E., Hon. R.A.<br />

Date of election: 1966<br />

Accession no:<br />

RE520<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left corner<br />

below plate -<br />

[E] 1/5<br />

<strong>Title</strong>d bottom middle below plate -<br />

Lunar Rhythm<br />

Signed and dated bottom right corner below<br />

plate -<br />

S.W. Hayter 67<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Pollarded Trees No.1 Date of print: 1964<br />

<strong>Artist</strong>:<br />

Robert Tavener<br />

Date of election: 1966<br />

Accession no:<br />

RE519<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Signed and dated bottom left below plate -<br />

Robert Tavener '64<br />

<strong>Title</strong>d bottom middle below plate -<br />

Pollarded Trees No. 1<br />

Inscribed and numbered bottom right below<br />

plate -<br />

<strong>Artist</strong>s proof 30/30<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Basic Vocabulary "Tea Pot" Date of print: 1994<br />

<strong>Artist</strong>:<br />

David Shaw Barker<br />

Date of election: 1967<br />

Accession no:<br />

RE522<br />

Technique used<br />

Silkscreen<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

4/14<br />

<strong>Title</strong>d bottom left below plate -<br />

Basic Vocabulary "Tea Pot"<br />

Signed and dated bottom right below plate -<br />

David Barker 1994<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Shell Date of print: 1967<br />

<strong>Artist</strong>:<br />

Monica Poole<br />

Date of election: 1967<br />

Accession no:<br />

RE523<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Shell 1/5<br />

Signed bottom right below plate -<br />

Monica Poole<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Bird over Landscape Date of print: 1966<br />

<strong>Artist</strong>:<br />

James Richard Tierney<br />

Date of election: 1967<br />

Accession no:<br />

RE521<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left over plate -<br />

1/4<br />

<strong>Title</strong>d bottom middle over plate -<br />

Bird Over Landscape<br />

Signed and dated bottom right corner over<br />

plate -<br />

James Tierney 66<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Fishing<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Robert Alan Lewis Burnand<br />

Date of election: 1968<br />

Accession no:<br />

RE524<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Untitled, abstract Date of print: 1967<br />

<strong>Artist</strong>:<br />

Charles Herbert Arthur Chaplin<br />

Date of election: 1968<br />

Accession no:<br />

RE525<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left over plate -<br />

<strong>Artist</strong>s Proof<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Stanford<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Richard Jack Harley<br />

Date of election: 1968<br />

Accession no:<br />

RE525A<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

Caribbean Heat Date of print: 1964<br />

<strong>Artist</strong>:<br />

Sonnylal Rambissoon<br />

Date of election: 1968<br />

Accession no:<br />

RE527<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Caribbean Heat<br />

Signed and dated bottom right below plate -<br />

Sonnylal Rambissoon '64.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Montacute House Date of print: 1957<br />

<strong>Artist</strong>:<br />

Valerie Thornton<br />

Date of election: 1968<br />

Accession no:<br />

RE526<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

31/75<br />

Signed bottom right below plate -<br />

Valerie Thornton<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 1A


<strong>Title</strong>:<br />

San Miniato al Monte, Firenze<br />

Date of print:<br />

<strong>Artist</strong>:<br />

John Heagan Eames<br />

Date of election: 1969<br />

Accession no:<br />

RE531<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Signed bottom right below plate -<br />

John Heagan Eames<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Crotchet Castle Date of print: 1962<br />

<strong>Artist</strong>:<br />

Peter Reddick<br />

Date of election: 1969<br />

Accession no:<br />

RE529<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

Signed and dated bottom right below plate -<br />

Peter Reddick '62<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Gulls in the Field Date of print: 1968<br />

<strong>Artist</strong>:<br />

Eva H. Stockhaus<br />

Date of election: 1969<br />

Accession no:<br />

RE529A<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered and titled bottom left/middle<br />

below plate -<br />

6/20 Måsar på tältet. Trägravyr, haudtryck.<br />

Signed and dated bottom right corner below<br />

plate -<br />

Eva Stockhaus 1968<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Tivoli Date of print: 1968<br />

<strong>Artist</strong>:<br />

John Urban<br />

Date of election: 1969<br />

Accession no:<br />

RE530<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered and dated bottom left corner<br />

below plate -<br />

2/20 1968<br />

<strong>Title</strong>d bottom middle below plate -<br />

Tivoli<br />

Signed bottom right corner below plate -<br />

Urban<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Untitled animal study Date of print: 1969<br />

<strong>Artist</strong>:<br />

Edward Osmond Zoltan Wade<br />

Date of election: 1970<br />

Accession no:<br />

RE532<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Signed bottom right below plate -<br />

E.O.Z. Wade<br />

Dated bottom right below plate -<br />

7 . 4 .69<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Vimini sulla spiaggia a Scheveningen Date of print: 1955<br />

<strong>Artist</strong>:<br />

Tranquillo Marangoni<br />

Date of election: 1971<br />

Accession no:<br />

RE533<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

p.d.a.<br />

<strong>Title</strong>d bottom middle below plate -<br />

Vimini sulla spiagga a scheveningen<br />

dated and initialled bottom right of plate -<br />

19 TM 55<br />

Signed bottom right below plate -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Two Volcanoes Date of print: 1976<br />

<strong>Artist</strong>:<br />

Joan Williams, R.W.S.<br />

Date of election: 1971<br />

Accession no:<br />

RE534<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

39/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

TWO VOLCANOES<br />

Signed and dated bottom right corner below<br />

plate -<br />

Joan Williams 76<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 1


<strong>Title</strong>:<br />

Hull: Cleaning and Scraping Date of print: 1968<br />

<strong>Artist</strong>:<br />

Mary Louise Coulouris<br />

Date of election: 1972<br />

Accession no:<br />

RE536<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

24/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

Cleaning and Scraping<br />

Signed and dated bottom right below plate -<br />

Mary Louise Coulouris 68<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Winding into Green Date of print: 1969<br />

<strong>Artist</strong>:<br />

Charles Lloyd<br />

Date of election: 1972<br />

Accession no:<br />

RE538<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left below<br />

plate -<br />

<strong>Artist</strong>'s Proof II/V<br />

<strong>Title</strong>d bottom middle below plate -<br />

Winding into Green<br />

Signed and dated bottom right corner below<br />

plate -<br />

C. Lloyd '69<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Small Hay Spinner Date of print: 1971<br />

<strong>Artist</strong>:<br />

John Higham Grigsby<br />

Date of election: 1973<br />

Accession no:<br />

RE539<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Signed and dated bottom right corner below<br />

plate -<br />

John Grigsby Oct. '71<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Chartloy Bull II Date of print: 1973<br />

<strong>Artist</strong>:<br />

Leslie Charlotte Benenson<br />

Date of election: 1974<br />

Accession no:<br />

RE560<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Inscribed, numbered and titled bottom left<br />

below plate -<br />

<strong>Artist</strong>'s Proof 2/2 Chartloy Bull II<br />

Signed and dated bottom right below plate -<br />

Leslie C. Benenson 1973<br />

The title for this image has been taken from<br />

the print, in the Members Book it is recorded<br />

as Charalay Bull. The breed of bull figured<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

The Monk Date of print: 1973<br />

<strong>Artist</strong>:<br />

Dorothy Trotman Bordass<br />

Date of election: 1974<br />

Accession no:<br />

RE561<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

1/8<br />

Signed and dated bottom right corner below<br />

plate -<br />

Bordass '73<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Hemlock<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Olwen Jones, R.W.S.<br />

Date of election: 1974<br />

Accession no:<br />

RE562<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and titled bottom left corner below<br />

plate -<br />

<strong>Artist</strong> Proof Hemlock<br />

Signed bottom right corner below plate -<br />

Olwen Jones<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Abstract Date of print: 1973<br />

<strong>Artist</strong>:<br />

Neil McDonald<br />

Date of election: 1974<br />

Accession no:<br />

RE563<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s proof<br />

Signed and [numbered/dated?] bottom right<br />

below plate -<br />

Neil McDonald 9/73<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

"Adaptity" London Date of print: 1969<br />

<strong>Artist</strong>:<br />

Richard Henry Vicary<br />

Date of election: 1974<br />

Accession no:<br />

RE564<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Signed, dated and numbered bottom left<br />

corner below plate -<br />

Richard Vicary 69 3/10<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Autumn Landscape Date of print: 1971<br />

<strong>Artist</strong>:<br />

James David Beale<br />

Date of election: 1975<br />

Accession no:<br />

RE565<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left corner below plate -<br />

<strong>Artist</strong>s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Autumn Landscape<br />

Signed and dated bottom right corner below<br />

plate -<br />

James Beale '71<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Temporary Portfolio


<strong>Title</strong>:<br />

Overgrown Lane, Carnello Date of print: 1972<br />

<strong>Artist</strong>:<br />

Roy Walker<br />

Date of election: 1975<br />

Accession no:<br />

RE566<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Initialled and dated bottom left of plate -<br />

RW 72<br />

Numbered bottom left below plate -<br />

9/20<br />

<strong>Title</strong>d bottom middle below plate -<br />

Overgrown Lane, Carnello<br />

Signed and dated bottom right below plate -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Pazzi Chapel Date of print: 1970<br />

<strong>Artist</strong>:<br />

Peter William Wickham<br />

Date of election: 1975<br />

Accession no:<br />

RE567<br />

Technique used<br />

Relief<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left on/over<br />

plate -<br />

"Pazzi Chapel" 1/12<br />

Signed, dated, titled and numbered bottom<br />

right on/over plate -<br />

Peter Wickham 1970<br />

"Pazzi Chapel" 1/12 Peter Wickham 1970<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

A Fair Field Full of Folk<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Sarah Van Niekerk<br />

Date of election: 1976<br />

Accession no:<br />

RE568<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left corner below plate -<br />

"A Fair Field of Folk"<br />

Signed and numbered bottom right below<br />

plate -<br />

Sarah van Niekerk 6/50<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Welsh Dream Date of print: 1974<br />

<strong>Artist</strong>:<br />

Glynn David Laurie Thomas<br />

Date of election: 1976<br />

Accession no:<br />

RE569<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered and dated bottom left corner<br />

below plate - 14/50 1970<br />

<strong>Title</strong>d bottom middle below plate -<br />

Welsh Dream<br />

Signed bottom right below plate -<br />

Glynn Thomas<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Barry Island Welsh Seascape Date of print: 1974<br />

<strong>Artist</strong>:<br />

Ian Gavin Howard Grainger<br />

Date of election: 1977<br />

Accession no:<br />

RE570<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

4/8<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Barry Island Welsh Seascape<br />

Signed bottom right below plate -<br />

I Grainger<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Origins of Landscape Date of print: 1976<br />

<strong>Artist</strong>:<br />

Brian Johnson<br />

Date of election: 1977<br />

Accession no:<br />

RE571<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

4/15<br />

<strong>Title</strong>d bottom middle below plate -<br />

"origins of landscape"<br />

Signed and dated bottom right below plate -<br />

B. Johnson 1976<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Closed but not forgotten before the fall Date of print: 1987<br />

<strong>Artist</strong>:<br />

Paul Harvey Scull<br />

Date of election: 1977<br />

Accession no:<br />

RE572<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

A/P Closed but not forgotten before the fall<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas Box 2


<strong>Title</strong>:<br />

Old Boat, Flatanger, Norway Date of print: 1975<br />

<strong>Artist</strong>:<br />

Claire Dalby, R.W.S.<br />

Date of election: 1978<br />

Accession no:<br />

RE573<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

7/60 Old Boat, Flatanger, Norway<br />

Dated bottom right below plate -<br />

1975<br />

Signed bottom right corner below plate -<br />

Claire Dalby<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Cabin in the Forest Date of print: 1954<br />

<strong>Artist</strong>:<br />

Edward Bawden, C.B.E., R.A., Hon. R.E.<br />

Date of election: 1979<br />

Accession no:<br />

RE587<br />

Technique used<br />

Engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Cabin in the Forest<br />

Signed bottom right below plate -<br />

Edward Bawden<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Novodevichy Convent, Moscow<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Richard Bawden, R.W.S.<br />

Date of election: 1979<br />

Accession no:<br />

RE591<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

39/85 "Novodevichy Convent, Moscow"<br />

Signed bottom right below plate -<br />

Richard Bawden<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Footpath- Winter Morning Date of print: 1985<br />

<strong>Artist</strong>:<br />

Michael Carlo<br />

Date of election: 1979<br />

Accession no:<br />

RE593<br />

Technique used<br />

Lithograph<br />

Notes on print:<br />

<strong>Title</strong>d bottom left corner below plate -<br />

Foot Path. Winter Morning<br />

Inscribed bottom middle below plate -<br />

AP I/V<br />

Signed and dated bottom right below plate -<br />

Michael Carlo 1985<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

South Winder Date of print: 1978<br />

<strong>Artist</strong>:<br />

Prof. David Laurence Carpanini, P.R.E., Hon. R.W.S.<br />

Date of election: 1979<br />

Accession no:<br />

RE574<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

11/20 "South Winder"<br />

Signed and dated bottom right corner below<br />

plate -<br />

David L. Carpanini 1978<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Jeudi Matin<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Peter Daglish<br />

Date of election: 1979<br />

Accession no:<br />

RE594<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

a/p jeudi matin<br />

Signed bottom right below plate -<br />

Daglish<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Fortress, Les Baux de Provence Date of print: 1978<br />

<strong>Artist</strong>:<br />

Joseph Lawrence Fereday<br />

Date of election: 1979<br />

Accession no:<br />

RE575<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left corner below plate -<br />

A/P Final State<br />

<strong>Title</strong>d bottom middle below plate -<br />

Fortress. Les Baux de Provence<br />

Signed and dated bottom right corner below<br />

plate -<br />

JFereday 1978<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Going Home<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Phil Greenwood<br />

Date of election: 1979<br />

Accession no:<br />

RE595<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Going Home<br />

Signed and numbered bottom right below<br />

plate -<br />

Greenwood 6/150<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Le Trépied Date of print: 1978<br />

<strong>Artist</strong>:<br />

Barry Owen Jones, R.W.S.<br />

Date of election: 1979<br />

Accession no:<br />

RE576<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

<strong>Title</strong>d bottom middle below plate -<br />

Le Trepied Dolmen.<br />

Signed bottom right below plate -<br />

Barry Owen Jones<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

On Way to a Party<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Rosamund Clare Jones<br />

Date of election: 1979<br />

Accession no:<br />

RE577<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

9/15<br />

<strong>Title</strong>d bottom middle below plate -<br />

"On my way to a Party"<br />

Signed bottom right below plate -<br />

Rosamund Jones<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Three Courtiers Date of print: 1979<br />

<strong>Artist</strong>:<br />

Anne Jope<br />

Date of election: 1979<br />

Accession no:<br />

RE578<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

"Three Courtiers"<br />

Signed and dated bottom right below plate -<br />

Anne Jope 1979<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Tall Ships, Millbay Docks, Plymouth Date of print: 1977<br />

<strong>Artist</strong>:<br />

William Mann<br />

Date of election: 1979<br />

Accession no:<br />

RE580<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Signed bottom left below plate -<br />

WMann<br />

Dated bottom right below plate -<br />

'77<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Simon's Herb Garden Date of print: 1977<br />

<strong>Artist</strong>:<br />

John A. McPake<br />

Date of election: 1979<br />

Accession no:<br />

RE579<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left corner below plate -<br />

2/3<br />

<strong>Title</strong>d bottom middle below plate -<br />

"SIMON'S HERB GARDEN"<br />

Signed and dated bottom right corner below<br />

plate -<br />

JOHN A. McPAKE - 1977<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Pavements Date of print: 1978<br />

<strong>Artist</strong>:<br />

Vikki Slowe<br />

Date of election: 1979<br />

Accession no:<br />

RE582/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left corner below<br />

plate -<br />

Pavements <strong>Artist</strong>s Proof<br />

Signed and dated bottom right corner below<br />

plate -<br />

Vikki Slowe 1978<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Orbits in Space Date of print: 1984<br />

<strong>Artist</strong>:<br />

Vikki Slowe<br />

Date of election: 1979<br />

Accession no:<br />

RE582/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left corner below<br />

plate -<br />

Orbits in Space II A/P1<br />

Signed and dated bottom right corner below<br />

plate -<br />

Vikki Slowe 1984<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Msida Date of print: 1978<br />

<strong>Artist</strong>:<br />

Brian Holgate Sowerby<br />

Date of election: 1979<br />

Accession no:<br />

RE583/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

Msida <strong>Artist</strong>s Proof 2<br />

Signed and dated bottom right corner below<br />

plate -<br />

Brian Sowerby 1978<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Japonica Date of print: 1987<br />

<strong>Artist</strong>:<br />

Brian Holgate Sowerby<br />

Date of election: 1979<br />

Accession no:<br />

RE583/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Japonica 5/50<br />

Signed and dated bottom right corner -<br />

Brian Sowerby 1987<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Railway Shed Date of print: 1977<br />

<strong>Artist</strong>:<br />

Kathe Strenitz<br />

Date of election: 1979<br />

Accession no:<br />

RE584<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Railway Shed<br />

Signed and dated bottom right below plate -<br />

Kathe Strenitz 1977<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Hatching Lane, Leafield Date of print: 1979<br />

<strong>Artist</strong>:<br />

Joseph William Winkelman, P.P.R.E., Hon. R.W.S.<br />

Date of election: 1979<br />

Accession no:<br />

RE585<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left corner<br />

below plate -<br />

Hatching Lane, Leafield 6/100<br />

Signed and dated bottom right corner below<br />

plate -<br />

JWWinkelman 1979<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Filming "The Onedin Line" - Exeter Date of print: 1980<br />

<strong>Artist</strong>:<br />

George Worsley Adamson<br />

Date of election: 1981<br />

Accession no:<br />

RE596<br />

Technique used<br />

Drypoint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Filming 'The Onedin line' - Exeter<br />

Signed and dated bottom right below plate -<br />

George Adamson 1980<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Snow in Barking Park Date of print: 1987<br />

<strong>Artist</strong>:<br />

Michael Middleton<br />

Date of election: 1981<br />

Accession no:<br />

RE597<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Snow in Barking Park<br />

Numbered bottom middle below plate -<br />

4/8<br />

Signed and dated bottom right below plate -<br />

M Middleton '87<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Midsummer Date of print: 1984<br />

<strong>Artist</strong>:<br />

Ian Stephens<br />

Date of election: 1981<br />

Accession no:<br />

RE599<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

50/50 Midsummer<br />

Signed and dated bottom right below plate -<br />

I Stephens 1984<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2I


<strong>Title</strong>:<br />

Tudhill Bushes Date of print: 1987<br />

<strong>Artist</strong>:<br />

Norman Ackroyd, R.A.<br />

Date of election: 1982<br />

Accession no:<br />

RE608/1<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Tudhill Bushes<br />

Numbered bottom left/middle below plate -<br />

17/90<br />

Signed and dated bottom right below plate -<br />

[signature illegible] 1987<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Study of Bacchus Date of print: 1986<br />

<strong>Artist</strong>:<br />

Norman Ackroyd, R.A.<br />

Date of election: 1982<br />

Accession no:<br />

RE608/2<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Study of Bacchus La Mission Haut-Brion<br />

Numbered bottom middle below plate -<br />

27/30<br />

Signed and dated bottom right corner below<br />

plate -<br />

[signature illegible] 86<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

The Onlookers Date of print: 1981<br />

<strong>Artist</strong>:<br />

June Berry, R.W.S.<br />

Date of election: 1982<br />

Accession no:<br />

RE600<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

The Onlookers A/P<br />

Signed and dated bottom right below plate -<br />

June Berry 1981<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Dark Abstract Date of print: 1981<br />

<strong>Artist</strong>:<br />

James Alexander Boyd<br />

Date of election: 1982<br />

Accession no:<br />

RE601<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below middle -<br />

7/75<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Dark Abstract"<br />

Signed bottom right below plate -<br />

James A. Boyd<br />

Dated bottom right corner below plate -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Brighton Pavilion<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Eileen Constance Greenwood<br />

Date of election: 1982<br />

Accession no:<br />

RE602/1<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Brighton Pavilion<br />

Numbered bottom middle below plate -<br />

52/100<br />

Signed bottom right below plate -<br />

Eileen Greenwood<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Six Cats of St. Bonnet in Perigord<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Eileen Constance Greenwood<br />

Date of election: 1982<br />

Accession no:<br />

RE602/2<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left corner below plate -<br />

Six Cats of St. Bonnet in Perigord<br />

Numbered bottom middle below plate -<br />

12/250<br />

Signed bottom right below plate -<br />

Eileen Greenwood. Sketch of a cat next to<br />

the signature<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

The Piano Movers Thank The Angel<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Karólína Lárusdóttir, R.W.S.<br />

Date of election: 1982<br />

Accession no:<br />

RE603<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

The Pianomovers thank the Angel<br />

Inscribed bottom middle/right below plate -<br />

A/P<br />

Signed bottom middle below plate -<br />

Karolina Larusdóttir<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Girls on Platform 3 Date of print: 1982<br />

<strong>Artist</strong>:<br />

Carol Elizabeth Walklin<br />

Date of election: 1982<br />

Accession no:<br />

RE605<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

AP. Girls on Platform 3<br />

Signed bottom right below plate -<br />

Walklin<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Atlas Date of print: 1982<br />

<strong>Artist</strong>:<br />

Frans Wesselman<br />

Date of election: 1982<br />

Accession no:<br />

RE604/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

Atlas. <strong>Artist</strong>'s Proof<br />

Signed and dated bottom right below plate -<br />

[signature illegible] '82<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Windmill<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Frans Wesselman<br />

Date of election: 1982<br />

Accession no:<br />

RE604/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Windmill 2/75<br />

Signed bottom right below plate -<br />

Frans Wesselman<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Northern Stack Date of print: 1982<br />

<strong>Artist</strong>:<br />

Peter Jeffrey Matthews<br />

Date of election: 1983<br />

Accession no:<br />

RE606<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

8/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

Northern Stack<br />

Signed and dated bottom right below plate -<br />

Peter Matthews '82<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 2


<strong>Title</strong>:<br />

Barn Owls Date of print: 1982<br />

<strong>Artist</strong>:<br />

Colin Frank See-Paynton<br />

Date of election: 1983<br />

Accession no:<br />

RE607/1<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Barn Owls"<br />

Signed and dated bottom right below plate -<br />

Paynton '82<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Mute Swan and Carp Date of print: 1986<br />

<strong>Artist</strong>:<br />

Colin Frank See-Paynton<br />

Date of election: 1983<br />

Accession no:<br />

RE607/2<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Mute Swan and Carp"<br />

Inscribed bottom right below plate -<br />

(final state)<br />

Signed and dated bottom right corner below<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Listening to Silence<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Jo Barry<br />

Date of election: 1984<br />

Accession no:<br />

RE609<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left corner<br />

below plate -<br />

AP X/XV<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Listening to Silence"<br />

Signed bottom right corner below plate -<br />

Jo Barry<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Memorial<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Carmen Gracia<br />

Date of election: 1984<br />

Accession no:<br />

RE670<br />

Technique used<br />

Intaglio<br />

Notes on print:<br />

Numbered and inscribed bottom left below<br />

plate -<br />

32/50 printed by the artist<br />

<strong>Title</strong>d bottom middle below plate -<br />

memorial<br />

Signed bottom right below plate -<br />

CARmen GRAcia<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Double Pike Date of print: 1983<br />

<strong>Artist</strong>:<br />

Douglas Wakefield<br />

Date of election: 1984<br />

Accession no:<br />

RE671<br />

Technique used<br />

Aquatint<br />

Etching<br />

Stencil<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

13/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Pike"<br />

Signed and dated bottom right corner below<br />

plate -<br />

D Wakefield 83<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Palm Landscape II Date of print: 1995<br />

<strong>Artist</strong>:<br />

Tate Adams<br />

Date of election: 1985<br />

Accession no:<br />

RE672<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Palm Landscape II<br />

Numbered bottom middle below plate -<br />

1/15<br />

Signed and dated bottom right below plate -<br />

Tate Adams 95<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Mews Topiary Date of print: 1984<br />

<strong>Artist</strong>:<br />

Edwina Ellis<br />

Date of election: 1985<br />

Accession no:<br />

RE682<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Mews Topiary<br />

Inscribed bottom left/middle below plate -<br />

A.P.<br />

Signed and dated bottom right below plate -<br />

E. N. Ellis '84<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Water Meadows (Mayfield)<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Graham Evernden<br />

Date of election: 1985<br />

Accession no:<br />

RE674<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d, inscribed and numbered bottom left<br />

below plate -<br />

Water Meadow AP 10/35<br />

Signed bottom right below plate -<br />

Graham Evernden<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Cromlech<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Alistair Fletcher<br />

Date of election: 1985<br />

Accession no:<br />

RE673/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom right below plate -<br />

4/25<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Cromlech"<br />

Signed bottom left below plate -<br />

Alistair R. Fletcher<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Black Shell and Horn<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Alistair Fletcher<br />

Date of election: 1985<br />

Accession no:<br />

RE673/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

6/10<br />

Signed bottom right below plate -<br />

Alistair . Fletcher<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Darlington Date of print: 1978<br />

<strong>Artist</strong>:<br />

John Lawrence<br />

Date of election: 1985<br />

Accession no:<br />

RE675/1<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

A.P. "Darlington"<br />

Signed and dated bottom right below plate -<br />

John Lawrence '78<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Nothingmas Day Date of print: 1985<br />

<strong>Artist</strong>:<br />

John Lawrence<br />

Date of election: 1985<br />

Accession no:<br />

RE675/2<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Text across the top of the print -<br />

NOTHINGMAS DAY<br />

Text across the bottom of the print -<br />

ADRIAN MITCHELL & JOHN LAWRENCE<br />

Inscribed and titled bottom left below plate -<br />

A.P. "Nothingmas Day"<br />

Signed and dated bottom right below plate -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Shell & Clock<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Leonard Marchant<br />

Date of election: 1985<br />

Accession no:<br />

RE680<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

34/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Shell & Clock"<br />

Signed bottom right below plate -<br />

L. Marchant<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

South Africa Date of print: 1987<br />

<strong>Artist</strong>:<br />

Hilary Paynter<br />

Date of election: 1985<br />

Accession no:<br />

RE676<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

9/50 South Africa<br />

Signed and dated bottom right corner below<br />

plate -<br />

Hilary Paynter '87<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Subway Date of print: 1985<br />

<strong>Artist</strong>:<br />

Michael Rothenstein, R.A.<br />

Date of election: 1985<br />

Accession no:<br />

RE679<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

1 of 35<br />

<strong>Title</strong>d bottom middle below plate -<br />

Subway<br />

Signed bottom right below plate -<br />

Michael Rothenstein.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Beetle Date of print: 1978<br />

<strong>Artist</strong>:<br />

Richard Shirley Smith<br />

Date of election: 1985<br />

Accession no:<br />

RE677<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered and dated bottom left below plate<br />

-<br />

29/100 . 1978<br />

Signed bottom middle/right below plate -<br />

Richard Shirley Smith<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Divine Proportions Date of print: 1985<br />

<strong>Artist</strong>:<br />

Agatha Sorel, A.R.W.S.<br />

Date of election: 1985<br />

Accession no:<br />

RE681<br />

Technique used<br />

Aquatint<br />

Engraving<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

13/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

- Divine Proportions -<br />

Signed bottom right below plate -<br />

Agatha Sorel<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Contained<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Sandy Sykes<br />

Date of election: 1985<br />

Accession no:<br />

RE683<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Contained"<br />

Signed bottom right below plate -<br />

Sandy Sykes<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Me and Tom Date of print: 1976<br />

<strong>Artist</strong>:<br />

Julian Trevelyan, R.A.<br />

Date of election: 1985<br />

Accession no:<br />

RE678<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

23/25<br />

<strong>Title</strong>d bottom middle below plate -<br />

Me and Tom<br />

Signed bottom right below plate -<br />

Julian Trevelyan<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

September Date of print: 1983<br />

<strong>Artist</strong>:<br />

Michael Vaughan<br />

Date of election: 1985<br />

Accession no:<br />

RE684<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left corner<br />

below plate -<br />

4/20 September<br />

Signed and dated bottom right below plate -<br />

Michael Vaughan 1983.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Ramsey Island<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Simon Brett<br />

Date of election: 1986<br />

Accession no:<br />

RE685<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Ramsey Island 3/45<br />

Signed bottom right below plate -<br />

Simon Brett<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Still Waters Date of print: 1985<br />

<strong>Artist</strong>:<br />

Richard Jebbitt<br />

Date of election: 1986<br />

Accession no:<br />

RE686<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

10/25 "Still Waters"<br />

label pasted on bottom middle below plate<br />

with a picture of a carp and a text<br />

description -<br />

CARP (Cyprinus carpio)<br />

Carp usually live in still waters,<br />

ponds and small lakes, although<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Abbey Mills VI Date of print: 1985<br />

<strong>Artist</strong>:<br />

Jane Stobart<br />

Date of election: 1986<br />

Accession no:<br />

RE687<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

6/25<br />

<strong>Title</strong>d bottom middle below plate -<br />

Abbey Mills VI<br />

Signed and dated bottom right below plate -<br />

JStobart '85<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

The Family<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Jane Wilson<br />

Date of election: 1986<br />

Accession no:<br />

RE688/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

<strong>Title</strong>d bottom middle -<br />

THE FAMILY.<br />

Signed bottom right below plate -<br />

JANE A. WILSON<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

David and Toucan<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Jane Wilson<br />

Date of election: 1986<br />

Accession no:<br />

RE688/2<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

<strong>Title</strong>d bottom middle below plate -<br />

DAVID + TOUCAN<br />

Signed bottom right below plate -<br />

Jane A. Wilson<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

The Lily Pond, Knightshayes Date of print: 1986<br />

<strong>Artist</strong>:<br />

Hilary Adair<br />

Date of election: 1987<br />

Accession no:<br />

RE689<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

48/75<br />

<strong>Title</strong>d bottom middle below plate -<br />

-The Lily Pond, Knightshayes -<br />

Signed and dated bottom right below plate -<br />

Hilary Adair '86<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Analogue Date of print: 1985<br />

<strong>Artist</strong>:<br />

Ted Atkinson, R.B.S.<br />

Date of election: 1987<br />

Accession no:<br />

RE693<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

26/65 Analogue<br />

Signed bottom right below plate -<br />

Ted Atkinson<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Fishermen's Huts, Southwold Date of print: 1986<br />

<strong>Artist</strong>:<br />

Anthony Dawson<br />

Date of election: 1987<br />

Accession no:<br />

RE694<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

40/80. Fishermens Huts, Southwold.<br />

Initialled and dated bottom right below plate<br />

-<br />

ARD<br />

86<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Pumpkins, Gourds and Squashes<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Peter Ford<br />

Date of election: 1987<br />

Accession no:<br />

RE691<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>'s Proof 1<br />

<strong>Title</strong>d bottom middle below plate -<br />

Pumpkins, Gourds and Squashes<br />

Signed bottom right below plate -<br />

Peter Ford.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Kapital City (4)<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Peter Freeth, R.A.<br />

Date of election: 1987<br />

Accession no:<br />

RE690/1<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Kapital City (4)<br />

Numbered bottom middle below plate -<br />

1/4<br />

Signed bottom right below plate -<br />

P. Freeth<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Shadows over the City Date of print: 1988<br />

<strong>Artist</strong>:<br />

Peter Freeth, R.A.<br />

Date of election: 1987<br />

Accession no:<br />

RE690/2<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Text across bottom of print -<br />

DOMINEDIRIGENOS<br />

<strong>Title</strong>d bottom left below plate -<br />

Shadows over the City<br />

Numbered bottom middle below plate -<br />

10/20<br />

Signed and dated bottom right below plate -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Untitled (Moonscape) Date of print: 1985<br />

<strong>Artist</strong>:<br />

Terence Greaves<br />

Date of election: 1987<br />

Accession no:<br />

RE695<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/50<br />

Signed and dated bottom right below plate -<br />

Terry Greaves 1985<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Untitled<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Paul Hawdon<br />

Date of election: 1987<br />

Accession no:<br />

RE696<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

11/25<br />

Signed bottom right below plate -<br />

Paul Hawdon<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Graduation Date of print: 1986<br />

<strong>Artist</strong>:<br />

Theo Olive<br />

Date of election: 1987<br />

Accession no:<br />

RE692<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

8/30 Graduation<br />

Signed and dated bottom right below plate -<br />

T. Olive '86<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Hainton Track, Snow Date of print: 1986<br />

<strong>Artist</strong>:<br />

Melyvn Petterson<br />

Date of election: 1987<br />

Accession no:<br />

RE697<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Hainton Track, Snow 9/50<br />

Signed and dated bottom right below plate -<br />

M [h] Petterson 86.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Rosso Veronese Date of print: 1984<br />

<strong>Artist</strong>:<br />

Sharon Aivaliotis<br />

Date of election: 1988<br />

Accession no:<br />

RE699<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

5/50 Rosso Veronese<br />

Signed and dated bottom right below plate -<br />

Sharon [illegible] Aivaliotis 1984<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

A Good Read Date of print: 1988<br />

<strong>Artist</strong>:<br />

Jane Anderson<br />

Date of election: 1988<br />

Accession no:<br />

RE698<br />

Technique used<br />

Lithograph<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Bonne Année Date of print: 1990<br />

<strong>Artist</strong>:<br />

Mario Avati<br />

Date of election: 1988<br />

Accession no:<br />

RE718<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Signed middle of print -<br />

AVATI<br />

<strong>Title</strong>d and signed middle right of print -<br />

BONNE ANNEE<br />

AVATI<br />

[check measurements]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Genesis II: Noah's Ark<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Richard Black<br />

Date of election: 1988<br />

Accession no:<br />

RE700<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/30<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Genesis II: Noah's Ark"<br />

Signed bottom right below plate -<br />

R. Black<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Statues, No.1 Date of print: 1988<br />

<strong>Artist</strong>:<br />

James Boyd-Brent<br />

Date of election: 1988<br />

Accession no:<br />

RE720<br />

Technique used<br />

Aquatint<br />

Drypoint<br />

Notes on print:<br />

Signed bottom right below plate -<br />

J B[illegible]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Blue Table<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Jane Brigstock<br />

Date of election: 1988<br />

Accession no:<br />

RE721<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

AP<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

"Blue Table"<br />

Signed bottom right below plate -<br />

JBrigstock<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Extreme Date of print: 2001<br />

<strong>Artist</strong>:<br />

Harry Brockway<br />

Date of election: 1988<br />

Accession no:<br />

RE721B/2<br />

Technique used<br />

Silkscreen<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

13/20<br />

<strong>Title</strong>d bottom middle below plate -<br />

Extreme<br />

Signed, dated and inscribed bottom right<br />

below plate -<br />

Harvey Daniels 2001<br />

RE diploma Collection<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

Cows at Evening Date of print: 1964<br />

<strong>Artist</strong>:<br />

Bernard Cheese<br />

Date of election: 1988<br />

Accession no:<br />

RE706<br />

Technique used<br />

Lithograph<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below plate<br />

-<br />

Cows at Evening 25/30<br />

Signed bottom right below plate -<br />

Bernard Cheese<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Village Weding<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Deanne Coleborn<br />

Date of election: 1988<br />

Accession no:<br />

RE722<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left below plate<br />

-<br />

10/30 "Village Wedding"<br />

Inscribed bottom right of print -<br />

Deanne<br />

Signed bottom right below plate -<br />

Deanne C<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Chapel Mews Suite VI - Celebrate<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Harvey Daniels<br />

Date of election: 1988<br />

Accession no:<br />

RE721B/1<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

29/46<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

Chapel Mews Suite VI "Celebrate"<br />

Signed bottom left below plate -<br />

Harvey Daniels<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

Central School of Art & Design Date of print: 1988<br />

<strong>Artist</strong>:<br />

Anne Desmet<br />

Date of election: 1988<br />

Accession no:<br />

RE723<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Text across top of print -<br />

THE LONDON INSTITUTE<br />

Text across bottom of print -<br />

CENTRAL SCHOOL OF ART + DESIGN<br />

by Anne Desmet 1988<br />

Inscribed bottom left below plate -<br />

A/P<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Girdlers<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Donald Hamilton Fraser, R.A.<br />

Date of election: 1988<br />

Accession no:<br />

RE707<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

AP XIX/XXV<br />

Signed bottom right below plate -<br />

Fraser<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Italian Still Life Date of print: 1994<br />

<strong>Artist</strong>:<br />

David Glück, R.W.S.<br />

Date of election: 1988<br />

Accession no:<br />

RE721C<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Italian Still Life"<br />

Inscribed, signed and dated bottom right<br />

below plate -<br />

A/P David Gluck 1996<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Disappearing World<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Michael Harrison<br />

Date of election: 1988<br />

Accession no:<br />

RE727<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left below<br />

plate -<br />

<strong>Artist</strong>s Proof 1/10<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Disappearing World"<br />

Signed bottom right below plate -<br />

Harrison<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Prelude I Date of print: 1988<br />

<strong>Artist</strong>:<br />

Brenda Hartill<br />

Date of election: 1988<br />

Accession no:<br />

RE701<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

5/150<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

Prelude I<br />

Signed and dated bottom right below plate -<br />

Brenda Hartill '88<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Farm Oast House near Shoreham, Kent Date of print: 1984<br />

<strong>Artist</strong>:<br />

Rowland Hilder, O.B.E., P.R.I.<br />

Date of election: 1988<br />

Accession no:<br />

RE708<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s' proof 7th state<br />

Signed and dated bottom right below plate -<br />

Rowland Hilder 1984<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

The Mavrogeni Fountain<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Paul Hogarth, O.B.E., R.A.<br />

Date of election: 1988<br />

Accession no:<br />

RE709<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Signed, inscribed, numbered and titled<br />

bottom left below plate -<br />

Paul HOGARTH AP XIII/20 The Mavrogeni<br />

Fountain<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Before Marriage, After Marriage Date of print: 1985<br />

<strong>Artist</strong>:<br />

Panayiotis Kalorkoti<br />

Date of election: 1988<br />

Accession no:<br />

RE724<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Print can be viewed either way up. Using<br />

this alignment<br />

Signed and dated top left above plate -<br />

P. Kalorkoti 1985<br />

Inscribed and numbered top right above<br />

plate -<br />

A.P. V/VII<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

St. Joseph's Church, Highgate III<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Deirdre Kelly<br />

Date of election: 1988<br />

Accession no:<br />

RE725<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

<strong>Title</strong>d bottom middle over plate -<br />

Archangel St. Joseph's Church Highgate<br />

Initialled bottom right corner over plate -<br />

DK<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

37 Beaumont Street - Ian Lowe Date of print: 1987<br />

<strong>Artist</strong>:<br />

Jean Lodge<br />

Date of election: 1988<br />

Accession no:<br />

RE702<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/15<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

"37 Beaumont Street, Ian Lowe"<br />

Signed and dated bottom right below plate -<br />

Jean Lodge 1987<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 3


<strong>Title</strong>:<br />

Electric Avenue Date of print: 1987<br />

<strong>Artist</strong>:<br />

Toni Martina<br />

Date of election: 1988<br />

Accession no:<br />

RE755/1<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed, titled and dated bottom left below<br />

plate -<br />

A/P - electric Ave. 1987<br />

Signed bottom right below plate -<br />

Toni Martina<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

New York Subway<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Toni Martina<br />

Date of election: 1988<br />

Accession no:<br />

RE755/2<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered and titled bottom left corner<br />

below plate -<br />

18/75 N.Y. Subway<br />

Signed bottom right corner below plate -<br />

Toni Martina<br />

[needs re-photographing]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Château Guirand<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Terence Milllington<br />

Date of election: 1988<br />

Accession no:<br />

RE712<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

<strong>Title</strong>d bottom middle below plate -<br />

Chateau Guirand<br />

Signed bottom right below plate -<br />

Terence Millington<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Plaza Date of print: 1988<br />

<strong>Artist</strong>:<br />

Prof. Brendan Neiland, R.A.<br />

Date of election: 1988<br />

Accession no:<br />

RE713<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

Plaza<br />

Signed and inscribed bottom right below<br />

plate -<br />

Brendan Neiland A/P<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Was Bach Happy in Leipzig? Date of print: 1996<br />

<strong>Artist</strong>:<br />

Prof. Christopher Orr, R.A.<br />

Date of election: 1988<br />

Accession no:<br />

RE714<br />

Technique used<br />

Counterproof<br />

Etching<br />

Lithograph<br />

Notes on print:<br />

[no image?]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Auctions Speak Louder than Words<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Tom Phillips, R.A.<br />

Date of election: 1988<br />

Accession no:<br />

RE716<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Inscribed on headstone in print -<br />

VINCENT<br />

1853-90<br />

AUCTIONS<br />

SPEAK LOUDER<br />

THAN WORDS<br />

Numbered bottom left below plate -<br />

95/120<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Wychert Wall Date of print: 1986<br />

<strong>Artist</strong>:<br />

Peter Rhoades<br />

Date of election: 1988<br />

Accession no:<br />

RE703<br />

Technique used<br />

Photolithograph<br />

Notes on print:<br />

<strong>Title</strong>d and numbered bottom left below<br />

plate -<br />

Wychert Wall 3/25<br />

Signed and dated bottom right below plate -<br />

Peter Rhoades '86<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Worgret Viaduct Date of print: 1988<br />

<strong>Artist</strong>:<br />

Nicholas Ward<br />

Date of election: 1988<br />

Accession no:<br />

RE726<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

13/36<br />

Signed and dated bottom right below plate -<br />

N. Ward 88.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Wind on Browsholme Lake Date of print: 1988<br />

<strong>Artist</strong>:<br />

Richard Wardle<br />

Date of election: 1988<br />

Accession no:<br />

RE728<br />

Technique used<br />

Relief<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Wind on Browsholme Lake<br />

Numbered bottom middle below plate -<br />

95/150<br />

Signed and dated bottom right below plate -<br />

Richard Wardle 1988<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Ship Building No.1 Date of print: 1988<br />

<strong>Artist</strong>:<br />

Peter Wray<br />

Date of election: 1988<br />

Accession no:<br />

RE704<br />

Technique used<br />

Collograph<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>'s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Shipbuilding No.1<br />

Signed and dated bottom right below plate -<br />

P Wray 1988<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Nettlecombe Date of print: 1987<br />

<strong>Artist</strong>:<br />

Stephen Hoskins<br />

Date of election: 1989<br />

Accession no:<br />

RE729<br />

Technique used<br />

Lithograph<br />

Notes on print:<br />

Numbered, titled and inscribed middle<br />

across plate -<br />

5/7 Nettlecombe Stone Litho<br />

Signed bottom right across plate -<br />

[signature illegible]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Three Crowned Cranes<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Mark Millmore<br />

Date of election: 1989<br />

Accession no:<br />

RE730<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

[no image]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

Promised Land Date of print: 1988<br />

<strong>Artist</strong>:<br />

Laura Reiter<br />

Date of election: 1989<br />

Accession no:<br />

RE731/1<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Searching for Balance Date of print: 1989<br />

<strong>Artist</strong>:<br />

Laura Reiter<br />

Date of election: 1989<br />

Accession no:<br />

RE731/2<br />

Technique used<br />

Screenprint<br />

Notes on print:<br />

Inscribed bottom left over plate -<br />

ARCHES<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

Black Box Throws Light<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Ann Westley<br />

Date of election: 1989<br />

Accession no:<br />

RE732<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

[no image]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

The Foundry I<br />

Date of print:<br />

<strong>Artist</strong>:<br />

John Howard<br />

Date of election: 1990<br />

Accession no:<br />

RE733<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left below<br />

plate -<br />

A/P I/X<br />

Signed bottom right below plate -<br />

J[illegible]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

The Pink Carnation Date of print: 1989<br />

<strong>Artist</strong>:<br />

Christopher Van Niekerk<br />

Date of election: 1990<br />

Accession no:<br />

RE735<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

THE PINK CARNATION<br />

Signed, dated and numbered bottom right<br />

below plate -<br />

CHRIS VAN NIEKERK '88 6/20<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Portrait Date of print: 1989<br />

<strong>Artist</strong>:<br />

Simon Redington<br />

Date of election: 1990<br />

Accession no:<br />

RE734<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

[no image]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas Box 4


<strong>Title</strong>:<br />

Young Britons Date of print: 1992<br />

<strong>Artist</strong>:<br />

Prof. Bartolomeu dos Santos<br />

Date of election: 1990<br />

Accession no:<br />

RE736<br />

Technique used<br />

Intaglio<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

5/50<br />

<strong>Title</strong>d bottom middle/right below plate -<br />

Young Britons<br />

Signed and dated bottom right below plate -<br />

Bartolomeu 92<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

"Conception No.6" Date of print: 1990<br />

<strong>Artist</strong>:<br />

Konstantyn Chmutin<br />

Date of election: 1991<br />

Accession no:<br />

RE746<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

E.A.<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Conception N 6"<br />

Initialled and dated bottom right below plate<br />

-<br />

KC 90<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Rugby Figure I Date of print: 1991<br />

<strong>Artist</strong>:<br />

John Duffin<br />

Date of election: 1991<br />

Accession no:<br />

RE742<br />

Technique used<br />

Drypoint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A.P<br />

<strong>Title</strong>d bottom middle below plate -<br />

Rugby Figure I.<br />

Signed and dated bottom right below plate -<br />

John Duffin 1991.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

The Horseman of Casale Date of print: 1989<br />

<strong>Artist</strong>:<br />

Stuart Duffin, A.R.S.A.<br />

Date of election: 1991<br />

Accession no:<br />

RE743<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Text across print top left -<br />

.C.S.<br />

Text across print top right -<br />

.C.V.<br />

Text across the bottom section of the print -<br />

NOW.SEE.THAT.THE.HOPE.AND.DESIRE.<br />

OF.RETURNING.TO.THE.FIRST.CHAOS<br />

SEEMS.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Christ Appears in the Factory Date of print: 1978-1981<br />

<strong>Artist</strong>:<br />

Brian Hanscomb<br />

Date of election: 1991<br />

Accession no:<br />

RE747<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Initialled, dated and inscribed bottom right of<br />

plate -<br />

BH '78-'81<br />

Frome<br />

<strong>Title</strong>d and inscribed bottom left below plate -<br />

Christ appears in the factory - Dedicated to<br />

the memory of my father,<br />

A print worker for 45 years<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2A


<strong>Title</strong>:<br />

Self Portrait Date of print: 1932<br />

<strong>Artist</strong>:<br />

Edgar Holloway<br />

Date of election: 1991<br />

Accession no:<br />

RE741/1<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered, titled and dated bottom left<br />

below plate -<br />

27/50 SELF PORTRAIT 1932<br />

Signed bottom right below plate -<br />

Edgar Holloway<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

The Afghan Hat<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Edgar Holloway<br />

Date of election: 1991<br />

Accession no:<br />

RE741/2<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

THE AFGHAN HAT<br />

Signed and dated bottom right below plate -<br />

Edgar Holloway 1991<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Day at the Pool Date of print: 1989<br />

<strong>Artist</strong>:<br />

Anita Klein<br />

Date of election: 1991<br />

Accession no:<br />

RE744<br />

Technique used<br />

Drypoint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

Signed and dated bottom right below plate -<br />

Anita Klein '89<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Palm Sunday Date of print: 1992<br />

<strong>Artist</strong>:<br />

Simon Casson<br />

Date of election: 1992<br />

Accession no:<br />

RE750<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

<strong>Artist</strong> Proof. Palm Sunday<br />

Signed and dated bottom right below plate -<br />

Simon Casson '92<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Big Red Rock Date of print: 1991<br />

<strong>Artist</strong>:<br />

Katie Clemson<br />

Date of election: 1992<br />

Accession no:<br />

RE751<br />

Technique used<br />

Relief<br />

Notes on print:<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Temple Date of print: 1992<br />

<strong>Artist</strong>:<br />

Trevor Frankland, R.W.S.<br />

Date of election: 1992<br />

Accession no:<br />

RE749<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

2/75<br />

Signed bottom right below plate -<br />

Trevor Frankland<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 2


<strong>Title</strong>:<br />

Fish Flying into Double Landscape Date of print: 1990<br />

<strong>Artist</strong>:<br />

Konstantin Kalinovich<br />

Date of election: 1992<br />

Accession no:<br />

RE753<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Signed and dated bottom middle below<br />

plate -<br />

K. Kalinovich [illegible] 1990<br />

Numbered bottom left below plate -<br />

12/20<br />

Initialled bottom right below plate -<br />

K.K.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

South-East from Charing Cross Date of print: 1990<br />

<strong>Artist</strong>:<br />

Saša Marinkov<br />

Date of election: 1992<br />

Accession no:<br />

RE748<br />

Technique used<br />

Relief<br />

Notes on print:<br />

[no image]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Napuśteni Grod Date of print: 1992<br />

<strong>Artist</strong>:<br />

Vladan P. Micić<br />

Date of election: 1992<br />

Accession no:<br />

RE754<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left corner below plate -<br />

AS. A[illegible]tints<br />

<strong>Title</strong>d bottom middle below plate -<br />

~ Napusteni Grod ~<br />

Signed and dated bottom right below plate -<br />

V. Micic, a. [y]. e. 92<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Killer Manillas Date of print: 1992<br />

<strong>Artist</strong>:<br />

Rosemary Benson<br />

Date of election: 1993<br />

Accession no:<br />

RE757<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

A/P<br />

<strong>Title</strong>d bottom middle below plate -<br />

Killer Manillas<br />

Signed and dated bottom right below plate -<br />

R/Benson 92<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Shoreline, Tyddyn Cynal Date of print: 1993<br />

<strong>Artist</strong>:<br />

David Mortimer-Jones<br />

Date of election: 1993<br />

Accession no:<br />

RE756<br />

Technique used<br />

Etching<br />

Drypoint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

11/25<br />

Initialled and dated bottom right below plate<br />

-<br />

DMJ '93<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Fire Hydrant Date of print: 1991<br />

<strong>Artist</strong>:<br />

Jacqueline Newell<br />

Date of election: 1993<br />

Accession no:<br />

RE758<br />

Technique used<br />

Soft Ground<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

2/25<br />

Signed and dated bottom right below plate -<br />

Jacqueline Newell 91<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Woman Reading<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Patrick Procktor, R.A., Hon. R.W.S.<br />

Date of election: 1993<br />

Accession no:<br />

RE740<br />

Technique used<br />

Aquatint<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s Proof RE Diploma work<br />

Signed bottom right below plate -<br />

Patrick Procktor<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

Narcissi Date of print: 1993<br />

<strong>Artist</strong>:<br />

Jim Anderson<br />

Date of election: 1994<br />

Accession no:<br />

RE766<br />

Technique used<br />

Linoblock/Linocut<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

2/15<br />

<strong>Title</strong>d bottom middle below plate -<br />

NARCISSI<br />

Signed and dated bottom right below plate -<br />

- J[W] Anderson 93<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 3


<strong>Title</strong>:<br />

Untitled<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Elizabeth Blackadder, O.B.E., R.A., Hon. R.W.S., R.S.A.<br />

Date of election: 1994<br />

Accession no:<br />

RE773<br />

Technique used<br />

Intaglio<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

XXV/XXV<br />

Signed bottom right below plate -<br />

Elizabeth Blackadder<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Lamu No.17 Date of print: 1993<br />

<strong>Artist</strong>:<br />

Mandy Bonnell<br />

Date of election: 1994<br />

Accession no:<br />

RE767<br />

Technique used<br />

Etching<br />

Collage<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

A/P Lamu no 17.<br />

Signed and dated bottom right below plate -<br />

Mandy Bonnell'93<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

The Great Divide I Date of print: 1987<br />

<strong>Artist</strong>:<br />

Anthony Davies<br />

Date of election: 1994<br />

Accession no:<br />

RE765<br />

Technique used<br />

Lithograph<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

41/60<br />

<strong>Title</strong>d bottom middle below plate -<br />

"THE GREAT DIVIDE"- 1<br />

Signed and dated bottom right below plate -<br />

A Davies '87<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Time Bytes Date of print: 2000<br />

<strong>Artist</strong>:<br />

Dr. Anthony Dyson<br />

Date of election: 1994<br />

Accession no:<br />

RE839<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

AP<br />

<strong>Title</strong>d bottom middle below plate -<br />

Time-bytes<br />

Signed and dated bottom right below plate -<br />

Anthony Dyson 2000<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Peter and the Wolf (The Music of What Happens)<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Roger Harris<br />

Date of election: 1994<br />

Accession no:<br />

RE768<br />

Technique used<br />

Aquatint<br />

Stencil<br />

Notes on print:<br />

Inscribed and titled bottom left/middle below<br />

plate -<br />

A/P IV/X Peter and the Wolf. (The music of<br />

what happens)<br />

Signed bottom right below plate -<br />

Roger Harris<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Brecon Beacons from Llanbury Date of print: 1994<br />

<strong>Artist</strong>:<br />

Jason Hicklin<br />

Date of election: 1994<br />

Accession no:<br />

RE769<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Inscribed bottom left below plate -<br />

<strong>Artist</strong>s Proof<br />

<strong>Title</strong>d bottom middle below plate -<br />

Brecon Beacons from Llanbury<br />

Signed and dated bottom right below plate -<br />

J.B. Hicklin Jan 94.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

After Dark<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Magnus Irvin<br />

Date of election: 1994<br />

Accession no:<br />

RE770<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

9/16<br />

<strong>Title</strong>d bottom middle below plate -<br />

Afterdark<br />

Signed bottom right below plate -<br />

M. Irvin<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Coiré Lagan<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Paul Kershaw<br />

Date of election: 1994<br />

Accession no:<br />

RE775<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

48/95<br />

<strong>Title</strong>d bottom middle below plate -<br />

Coire Lagan<br />

Signed bottom right below plate -<br />

Paul L. Kershaw<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Morning<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Pavel Makov<br />

Date of election: 1994<br />

Accession no:<br />

RE776<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed and numbered bottom left below<br />

plate -<br />

A/P V/(X)<br />

<strong>Title</strong>d bottom middle below plate -<br />

"[illegible]" - [check on print as doesn't seem<br />

to match title in catalogue]<br />

Signed bottom right below plate -<br />

[illegible]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Tulips Date of print: 1995<br />

<strong>Artist</strong>:<br />

Prof. Leonard McComb, R.A., R.W.S.<br />

Date of election: 1994<br />

Accession no:<br />

RE764<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Inscribed and titled bottom left below plate -<br />

A/P2. Tulips<br />

Signed and dated bottom right below plate -<br />

McComb 1995<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Metal Drawer 1


<strong>Title</strong>:<br />

Dream Date of print: 1993<br />

<strong>Artist</strong>:<br />

Chippa Sudhakar<br />

Date of election: 1994<br />

Accession no:<br />

RE771<br />

Technique used<br />

Etching<br />

Stencil<br />

Notes on print:<br />

Numbered and inscribed bottom left below<br />

plate -<br />

4/6 Etching & stencil<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Dream"<br />

Signed and dated bottom right below plate -<br />

Chippa Sudhakar / 93<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

George Grosz with Boxer Date of print: 1984<br />

<strong>Artist</strong>:<br />

Prof. James Todd<br />

Date of election: 1994<br />

Accession no:<br />

RE772<br />

Technique used<br />

Woodcut<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

George Grosz with Boxer<br />

Numbered bottom middle below plate -<br />

15/HP<br />

Signed and dated bottom right below plate -<br />

TODD '84<br />

Monogram to the right of signature -<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 3A


<strong>Title</strong>:<br />

Cause and Effect II Date of print: 1993<br />

<strong>Artist</strong>:<br />

Charles Beauchamp<br />

Date of election: 1995<br />

Accession no:<br />

RE782<br />

Technique used<br />

Drypoint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

2/30<br />

<strong>Title</strong>d bottom left/middle below plate -<br />

"Cause and Effect" II<br />

Signed bottom right below plate -<br />

Charles Beauchamp<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Derbyshire Peak Farm<br />

Date of print:<br />

<strong>Artist</strong>:<br />

John Brunsdon<br />

Date of election: 1995<br />

Accession no:<br />

RE779<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Derbyshire Peak Farm<br />

Numbered bottom middle below plate -<br />

36/150<br />

Signed bottom right below plate -<br />

John Brunsdon<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Casares Date of print: 1994<br />

<strong>Artist</strong>:<br />

Peter Dover<br />

Date of election: 1995<br />

Accession no:<br />

RE783<br />

Technique used<br />

Relief<br />

Notes on print:<br />

Numbered bottom left over plate -<br />

3/3<br />

Signed bottom right over plate -<br />

Dover<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 3A


<strong>Title</strong>:<br />

Herald Angels Date of print: 1994<br />

<strong>Artist</strong>:<br />

Linda Anne Landers<br />

Date of election: 1995<br />

Accession no:<br />

RE780<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

2/75<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Herald Angels"<br />

Signed and dated bottom right below plate -<br />

L.A. Landers 1994.<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Thorn Tree II Date of print: 1995<br />

<strong>Artist</strong>:<br />

Dr. Irvine Stewart Lees Loudon<br />

Date of election: 1995<br />

Accession no:<br />

RE784<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

3/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

ThORN TREE 2<br />

Initialled bottom right below plate -<br />

[illegible]<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Topiary with Curious Gardener Date of print: 1993<br />

<strong>Artist</strong>:<br />

Tiffany McNab<br />

Date of election: 1995<br />

Accession no:<br />

RE777<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

47/150<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Topiary with curious Gardener<br />

Signed bottom right below plate -<br />

Tiffany McNab<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Canary Wharf Date of print: 1990<br />

<strong>Artist</strong>:<br />

Stephen Mumberson<br />

Date of election: 1995<br />

Accession no:<br />

RE745<br />

Technique used<br />

Relief<br />

Notes on print:<br />

Numbered and dated bottom left below plate<br />

-<br />

1/10 1990<br />

<strong>Title</strong>d bottom middle below plate -<br />

"Canary Wharf"<br />

Signed bottom right below plate -<br />

S Mumberson<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 4


<strong>Title</strong>:<br />

A Twist in the Tail (Proverbs series) Date of print: 1992<br />

<strong>Artist</strong>:<br />

Trevor Price<br />

Date of election: 1995<br />

Accession no:<br />

RE778<br />

Technique used<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

23/150<br />

<strong>Title</strong>d bottom middle below plate -<br />

"A twist in the tail"<br />

Signed bottom right below plate -<br />

Trevor Price<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

A Moment of Tension in Battersea Date of print: 1993<br />

<strong>Artist</strong>:<br />

Max Werner<br />

Date of election: 1995<br />

Accession no:<br />

RE781<br />

Technique used<br />

Aquatint<br />

Etching<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

4/40<br />

<strong>Title</strong>d bottom middle below plate -<br />

A moment of tension in Battersea<br />

Signed and dated bottom right below plate -<br />

M. Werner 93<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5


<strong>Title</strong>:<br />

Diary of a Has-been Date of print: 1995<br />

<strong>Artist</strong>:<br />

Dale Devereux Barker<br />

Date of election: 1996<br />

Accession no:<br />

RE791<br />

Technique used<br />

Reduction lino<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

7/12<br />

<strong>Title</strong>d bottom middle below plate -<br />

Diary of a has-been<br />

Signed and dated bottom right below plate -<br />

Dale Devereux Barker '95<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 3A


<strong>Title</strong>:<br />

Primeval Forest Date of print: 1986<br />

<strong>Artist</strong>:<br />

Piotr Ciesielski<br />

Date of election: 1996<br />

Accession no:<br />

RE739<br />

Technique used<br />

Etching<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Primeval forest<br />

Inscribed and numbered bottom middle<br />

below plate -<br />

etching 58/m<br />

Inscribed, signed and dated bottom right<br />

below plate -<br />

imp. Piotr Ciesielski 1986<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2J


<strong>Title</strong>:<br />

Coup de Grâce<br />

Date of print:<br />

<strong>Artist</strong>:<br />

Judith Jaidinger<br />

Date of election: 1996<br />

Accession no:<br />

RE789<br />

Technique used<br />

Wood engraving<br />

Notes on print:<br />

<strong>Title</strong>d bottom left below plate -<br />

Coup de Grâce<br />

Numbered bottom middle below plate -<br />

36/150<br />

Signed and inscribed bottom right below<br />

plate -<br />

Jaidinger IMP©<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room 2K


<strong>Title</strong>:<br />

Capital Growth Date of print: 1996<br />

<strong>Artist</strong>:<br />

Martin Langford<br />

Date of election: 1996<br />

Accession no:<br />

RE792<br />

Technique used<br />

Mezzotint<br />

Notes on print:<br />

Numbered bottom left below plate -<br />

1/50<br />

<strong>Title</strong>d bottom middle below plate -<br />

CAPITAL GROWTH<br />

Signed and dated bottom right below plate -<br />

Martin Langford '96<br />

Location:<br />

Ashmolean Museum, Western Art Print<br />

Room Atlas 5

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