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<strong>Title</strong>:<br />
Celebration Date of print: 1961<br />
<strong>Artist</strong>:<br />
Sally Frances McLaren<br />
Date of election: 1962<br />
Accession no:<br />
RE503<br />
Technique used<br />
Intaglio<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left corner below<br />
plate -<br />
Celebration. <strong>Artist</strong>s Proof<br />
Signed and dated bottom right corner below<br />
plate -<br />
Sally McLaren 61<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Thames [1] Date of print: 1961<br />
<strong>Artist</strong>:<br />
Barbara Newcomb<br />
Date of election: 1962<br />
Accession no:<br />
RE504<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
Thames I <strong>Artist</strong>s Proof<br />
Signed and dated bottom right below plate -<br />
Newcombe 61<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Cornish Harbour<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Margaret Payne<br />
Date of election: 1962<br />
Accession no:<br />
RE506<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Wedding Date of print: 1961<br />
<strong>Artist</strong>:<br />
Michael T.J. Reynolds<br />
Date of election: 1962<br />
Accession no:<br />
RE508<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
Etching and Sand Ground<br />
Inscribed and dated bottom right below plate<br />
-<br />
1st State March 1961<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Dandelions Date of print: 1960<br />
<strong>Artist</strong>:<br />
George W. Tute<br />
Date of election: 1962<br />
Accession no:<br />
RE507<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
"Dandelions"<br />
Signed and dated bottom right corner below<br />
plate -<br />
George Tute 60<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Port Dundas, Glasgow<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Thomas Walsh<br />
Date of election: 1962<br />
Accession no:<br />
RE505<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2H
<strong>Title</strong>:<br />
Hog Weed & Willows Date of print: 1959<br />
<strong>Artist</strong>:<br />
Vernon Mills<br />
Date of election: 1963<br />
Accession no:<br />
RE510<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Hog Weed & Willows 16/25<br />
Signed and dated bottom right below plate -<br />
Vernon Mills. '59<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Landscape Date of print: 1963<br />
<strong>Artist</strong>:<br />
Garrick Salisbury Palmer<br />
Date of election: 1963<br />
Accession no:<br />
RE509<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d, signed and dated bottom left below<br />
plate -<br />
"Landscape" G. Palmer '65<br />
Inscribed bottom right below plate -<br />
artist proof.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Daphnis and Cloe Date of print: 1959<br />
<strong>Artist</strong>:<br />
Victor Gyōzō Ambrus<br />
Date of election: 1964<br />
Accession no:<br />
RE511<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
Daphnis and Cloe (etching)<br />
Signed and dated bottom right below plate -<br />
Ambrus Gyozo 1959<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Sea-Wall Date of print: 1963<br />
<strong>Artist</strong>:<br />
Michael Fairclough<br />
Date of election: 1964<br />
Accession no:<br />
RE512<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Signed and dated bottom right below plate -<br />
Michael Cryer 1963<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Lime Works Date of print: 1964<br />
<strong>Artist</strong>:<br />
David Robert Sawyers<br />
Date of election: 1964<br />
Accession no:<br />
RE513<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Lime Works<br />
Signed and dated bottom right below plate -<br />
David Sawyers '64<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Tractor and Fields Date of print: 1964<br />
<strong>Artist</strong>:<br />
Trevor Abbott Allen<br />
Date of election: 1965<br />
Accession no:<br />
RE516<br />
Technique used<br />
Silkscreen<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
9/20<br />
<strong>Title</strong>d bottom middle -<br />
Tractor and fields<br />
Signed and dated bottom right below plate -<br />
Trevor Allen. 64<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Fish Wharf /1 Date of print: 1966<br />
<strong>Artist</strong>:<br />
Herbert John Jackson<br />
Date of election: 1965<br />
Accession no:<br />
RE515<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Icarus Date of print: 1964<br />
<strong>Artist</strong>:<br />
Sylvia Melland<br />
Date of election: 1965<br />
Accession no:<br />
RE514/1<br />
Technique used<br />
Etching<br />
Aquatint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>'s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Icarus<br />
Signed and dated bottom right below plate -<br />
Sylvia Melland<br />
1964<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Oyster Catcher Date of print: 1964<br />
<strong>Artist</strong>:<br />
Sylvia Melland<br />
Date of election: 1965<br />
Accession no:<br />
RE514/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
1/25<br />
<strong>Title</strong>d bottom middle below plate -<br />
Oyster Catcher<br />
Signed and dated bottom right below plate -<br />
Sylvia Melland<br />
1964<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Shattered Images Date of print: 1965<br />
<strong>Artist</strong>:<br />
Jack Robert Shirreff<br />
Date of election: 1965<br />
Accession no:<br />
RE517<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/20<br />
<strong>Title</strong>d bottom middle below plate -<br />
Shattered Images<br />
Signed and dated bottom right below plate -<br />
Shirreff '65<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Between Heaven and Earth Date of print: 1965<br />
<strong>Artist</strong>:<br />
Brian Collier<br />
Date of election: 1966<br />
Accession no:<br />
RE518<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong> Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Between Heaven and Earth"<br />
Signed and dated bottom right below plate -<br />
Brian Collier '65<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Lunar Rhythm Date of print: 1967<br />
<strong>Artist</strong>:<br />
Stanley William Hayter, C.B.E., Hon. R.A.<br />
Date of election: 1966<br />
Accession no:<br />
RE520<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left corner<br />
below plate -<br />
[E] 1/5<br />
<strong>Title</strong>d bottom middle below plate -<br />
Lunar Rhythm<br />
Signed and dated bottom right corner below<br />
plate -<br />
S.W. Hayter 67<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Pollarded Trees No.1 Date of print: 1964<br />
<strong>Artist</strong>:<br />
Robert Tavener<br />
Date of election: 1966<br />
Accession no:<br />
RE519<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Signed and dated bottom left below plate -<br />
Robert Tavener '64<br />
<strong>Title</strong>d bottom middle below plate -<br />
Pollarded Trees No. 1<br />
Inscribed and numbered bottom right below<br />
plate -<br />
<strong>Artist</strong>s proof 30/30<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Basic Vocabulary "Tea Pot" Date of print: 1994<br />
<strong>Artist</strong>:<br />
David Shaw Barker<br />
Date of election: 1967<br />
Accession no:<br />
RE522<br />
Technique used<br />
Silkscreen<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
4/14<br />
<strong>Title</strong>d bottom left below plate -<br />
Basic Vocabulary "Tea Pot"<br />
Signed and dated bottom right below plate -<br />
David Barker 1994<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Shell Date of print: 1967<br />
<strong>Artist</strong>:<br />
Monica Poole<br />
Date of election: 1967<br />
Accession no:<br />
RE523<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Shell 1/5<br />
Signed bottom right below plate -<br />
Monica Poole<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Bird over Landscape Date of print: 1966<br />
<strong>Artist</strong>:<br />
James Richard Tierney<br />
Date of election: 1967<br />
Accession no:<br />
RE521<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left over plate -<br />
1/4<br />
<strong>Title</strong>d bottom middle over plate -<br />
Bird Over Landscape<br />
Signed and dated bottom right corner over<br />
plate -<br />
James Tierney 66<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Fishing<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Robert Alan Lewis Burnand<br />
Date of election: 1968<br />
Accession no:<br />
RE524<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Untitled, abstract Date of print: 1967<br />
<strong>Artist</strong>:<br />
Charles Herbert Arthur Chaplin<br />
Date of election: 1968<br />
Accession no:<br />
RE525<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left over plate -<br />
<strong>Artist</strong>s Proof<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Stanford<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Richard Jack Harley<br />
Date of election: 1968<br />
Accession no:<br />
RE525A<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
Caribbean Heat Date of print: 1964<br />
<strong>Artist</strong>:<br />
Sonnylal Rambissoon<br />
Date of election: 1968<br />
Accession no:<br />
RE527<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Caribbean Heat<br />
Signed and dated bottom right below plate -<br />
Sonnylal Rambissoon '64.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Montacute House Date of print: 1957<br />
<strong>Artist</strong>:<br />
Valerie Thornton<br />
Date of election: 1968<br />
Accession no:<br />
RE526<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
31/75<br />
Signed bottom right below plate -<br />
Valerie Thornton<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 1A
<strong>Title</strong>:<br />
San Miniato al Monte, Firenze<br />
Date of print:<br />
<strong>Artist</strong>:<br />
John Heagan Eames<br />
Date of election: 1969<br />
Accession no:<br />
RE531<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Signed bottom right below plate -<br />
John Heagan Eames<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Crotchet Castle Date of print: 1962<br />
<strong>Artist</strong>:<br />
Peter Reddick<br />
Date of election: 1969<br />
Accession no:<br />
RE529<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
Signed and dated bottom right below plate -<br />
Peter Reddick '62<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Gulls in the Field Date of print: 1968<br />
<strong>Artist</strong>:<br />
Eva H. Stockhaus<br />
Date of election: 1969<br />
Accession no:<br />
RE529A<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered and titled bottom left/middle<br />
below plate -<br />
6/20 Måsar på tältet. Trägravyr, haudtryck.<br />
Signed and dated bottom right corner below<br />
plate -<br />
Eva Stockhaus 1968<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Tivoli Date of print: 1968<br />
<strong>Artist</strong>:<br />
John Urban<br />
Date of election: 1969<br />
Accession no:<br />
RE530<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered and dated bottom left corner<br />
below plate -<br />
2/20 1968<br />
<strong>Title</strong>d bottom middle below plate -<br />
Tivoli<br />
Signed bottom right corner below plate -<br />
Urban<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Untitled animal study Date of print: 1969<br />
<strong>Artist</strong>:<br />
Edward Osmond Zoltan Wade<br />
Date of election: 1970<br />
Accession no:<br />
RE532<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Signed bottom right below plate -<br />
E.O.Z. Wade<br />
Dated bottom right below plate -<br />
7 . 4 .69<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Vimini sulla spiaggia a Scheveningen Date of print: 1955<br />
<strong>Artist</strong>:<br />
Tranquillo Marangoni<br />
Date of election: 1971<br />
Accession no:<br />
RE533<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
p.d.a.<br />
<strong>Title</strong>d bottom middle below plate -<br />
Vimini sulla spiagga a scheveningen<br />
dated and initialled bottom right of plate -<br />
19 TM 55<br />
Signed bottom right below plate -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Two Volcanoes Date of print: 1976<br />
<strong>Artist</strong>:<br />
Joan Williams, R.W.S.<br />
Date of election: 1971<br />
Accession no:<br />
RE534<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
39/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
TWO VOLCANOES<br />
Signed and dated bottom right corner below<br />
plate -<br />
Joan Williams 76<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 1
<strong>Title</strong>:<br />
Hull: Cleaning and Scraping Date of print: 1968<br />
<strong>Artist</strong>:<br />
Mary Louise Coulouris<br />
Date of election: 1972<br />
Accession no:<br />
RE536<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
24/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
Cleaning and Scraping<br />
Signed and dated bottom right below plate -<br />
Mary Louise Coulouris 68<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Winding into Green Date of print: 1969<br />
<strong>Artist</strong>:<br />
Charles Lloyd<br />
Date of election: 1972<br />
Accession no:<br />
RE538<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left below<br />
plate -<br />
<strong>Artist</strong>'s Proof II/V<br />
<strong>Title</strong>d bottom middle below plate -<br />
Winding into Green<br />
Signed and dated bottom right corner below<br />
plate -<br />
C. Lloyd '69<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Small Hay Spinner Date of print: 1971<br />
<strong>Artist</strong>:<br />
John Higham Grigsby<br />
Date of election: 1973<br />
Accession no:<br />
RE539<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Signed and dated bottom right corner below<br />
plate -<br />
John Grigsby Oct. '71<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Chartloy Bull II Date of print: 1973<br />
<strong>Artist</strong>:<br />
Leslie Charlotte Benenson<br />
Date of election: 1974<br />
Accession no:<br />
RE560<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Inscribed, numbered and titled bottom left<br />
below plate -<br />
<strong>Artist</strong>'s Proof 2/2 Chartloy Bull II<br />
Signed and dated bottom right below plate -<br />
Leslie C. Benenson 1973<br />
The title for this image has been taken from<br />
the print, in the Members Book it is recorded<br />
as Charalay Bull. The breed of bull figured<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
The Monk Date of print: 1973<br />
<strong>Artist</strong>:<br />
Dorothy Trotman Bordass<br />
Date of election: 1974<br />
Accession no:<br />
RE561<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
1/8<br />
Signed and dated bottom right corner below<br />
plate -<br />
Bordass '73<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Hemlock<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Olwen Jones, R.W.S.<br />
Date of election: 1974<br />
Accession no:<br />
RE562<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and titled bottom left corner below<br />
plate -<br />
<strong>Artist</strong> Proof Hemlock<br />
Signed bottom right corner below plate -<br />
Olwen Jones<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Abstract Date of print: 1973<br />
<strong>Artist</strong>:<br />
Neil McDonald<br />
Date of election: 1974<br />
Accession no:<br />
RE563<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s proof<br />
Signed and [numbered/dated?] bottom right<br />
below plate -<br />
Neil McDonald 9/73<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
"Adaptity" London Date of print: 1969<br />
<strong>Artist</strong>:<br />
Richard Henry Vicary<br />
Date of election: 1974<br />
Accession no:<br />
RE564<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Signed, dated and numbered bottom left<br />
corner below plate -<br />
Richard Vicary 69 3/10<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Autumn Landscape Date of print: 1971<br />
<strong>Artist</strong>:<br />
James David Beale<br />
Date of election: 1975<br />
Accession no:<br />
RE565<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left corner below plate -<br />
<strong>Artist</strong>s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Autumn Landscape<br />
Signed and dated bottom right corner below<br />
plate -<br />
James Beale '71<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Temporary Portfolio
<strong>Title</strong>:<br />
Overgrown Lane, Carnello Date of print: 1972<br />
<strong>Artist</strong>:<br />
Roy Walker<br />
Date of election: 1975<br />
Accession no:<br />
RE566<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Initialled and dated bottom left of plate -<br />
RW 72<br />
Numbered bottom left below plate -<br />
9/20<br />
<strong>Title</strong>d bottom middle below plate -<br />
Overgrown Lane, Carnello<br />
Signed and dated bottom right below plate -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Pazzi Chapel Date of print: 1970<br />
<strong>Artist</strong>:<br />
Peter William Wickham<br />
Date of election: 1975<br />
Accession no:<br />
RE567<br />
Technique used<br />
Relief<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left on/over<br />
plate -<br />
"Pazzi Chapel" 1/12<br />
Signed, dated, titled and numbered bottom<br />
right on/over plate -<br />
Peter Wickham 1970<br />
"Pazzi Chapel" 1/12 Peter Wickham 1970<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
A Fair Field Full of Folk<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Sarah Van Niekerk<br />
Date of election: 1976<br />
Accession no:<br />
RE568<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left corner below plate -<br />
"A Fair Field of Folk"<br />
Signed and numbered bottom right below<br />
plate -<br />
Sarah van Niekerk 6/50<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Welsh Dream Date of print: 1974<br />
<strong>Artist</strong>:<br />
Glynn David Laurie Thomas<br />
Date of election: 1976<br />
Accession no:<br />
RE569<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered and dated bottom left corner<br />
below plate - 14/50 1970<br />
<strong>Title</strong>d bottom middle below plate -<br />
Welsh Dream<br />
Signed bottom right below plate -<br />
Glynn Thomas<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Barry Island Welsh Seascape Date of print: 1974<br />
<strong>Artist</strong>:<br />
Ian Gavin Howard Grainger<br />
Date of election: 1977<br />
Accession no:<br />
RE570<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
4/8<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Barry Island Welsh Seascape<br />
Signed bottom right below plate -<br />
I Grainger<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Origins of Landscape Date of print: 1976<br />
<strong>Artist</strong>:<br />
Brian Johnson<br />
Date of election: 1977<br />
Accession no:<br />
RE571<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
4/15<br />
<strong>Title</strong>d bottom middle below plate -<br />
"origins of landscape"<br />
Signed and dated bottom right below plate -<br />
B. Johnson 1976<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Closed but not forgotten before the fall Date of print: 1987<br />
<strong>Artist</strong>:<br />
Paul Harvey Scull<br />
Date of election: 1977<br />
Accession no:<br />
RE572<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
A/P Closed but not forgotten before the fall<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas Box 2
<strong>Title</strong>:<br />
Old Boat, Flatanger, Norway Date of print: 1975<br />
<strong>Artist</strong>:<br />
Claire Dalby, R.W.S.<br />
Date of election: 1978<br />
Accession no:<br />
RE573<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
7/60 Old Boat, Flatanger, Norway<br />
Dated bottom right below plate -<br />
1975<br />
Signed bottom right corner below plate -<br />
Claire Dalby<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Cabin in the Forest Date of print: 1954<br />
<strong>Artist</strong>:<br />
Edward Bawden, C.B.E., R.A., Hon. R.E.<br />
Date of election: 1979<br />
Accession no:<br />
RE587<br />
Technique used<br />
Engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Cabin in the Forest<br />
Signed bottom right below plate -<br />
Edward Bawden<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Novodevichy Convent, Moscow<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Richard Bawden, R.W.S.<br />
Date of election: 1979<br />
Accession no:<br />
RE591<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
39/85 "Novodevichy Convent, Moscow"<br />
Signed bottom right below plate -<br />
Richard Bawden<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Footpath- Winter Morning Date of print: 1985<br />
<strong>Artist</strong>:<br />
Michael Carlo<br />
Date of election: 1979<br />
Accession no:<br />
RE593<br />
Technique used<br />
Lithograph<br />
Notes on print:<br />
<strong>Title</strong>d bottom left corner below plate -<br />
Foot Path. Winter Morning<br />
Inscribed bottom middle below plate -<br />
AP I/V<br />
Signed and dated bottom right below plate -<br />
Michael Carlo 1985<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
South Winder Date of print: 1978<br />
<strong>Artist</strong>:<br />
Prof. David Laurence Carpanini, P.R.E., Hon. R.W.S.<br />
Date of election: 1979<br />
Accession no:<br />
RE574<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
11/20 "South Winder"<br />
Signed and dated bottom right corner below<br />
plate -<br />
David L. Carpanini 1978<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Jeudi Matin<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Peter Daglish<br />
Date of election: 1979<br />
Accession no:<br />
RE594<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
a/p jeudi matin<br />
Signed bottom right below plate -<br />
Daglish<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Fortress, Les Baux de Provence Date of print: 1978<br />
<strong>Artist</strong>:<br />
Joseph Lawrence Fereday<br />
Date of election: 1979<br />
Accession no:<br />
RE575<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left corner below plate -<br />
A/P Final State<br />
<strong>Title</strong>d bottom middle below plate -<br />
Fortress. Les Baux de Provence<br />
Signed and dated bottom right corner below<br />
plate -<br />
JFereday 1978<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Going Home<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Phil Greenwood<br />
Date of election: 1979<br />
Accession no:<br />
RE595<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Going Home<br />
Signed and numbered bottom right below<br />
plate -<br />
Greenwood 6/150<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Le Trépied Date of print: 1978<br />
<strong>Artist</strong>:<br />
Barry Owen Jones, R.W.S.<br />
Date of election: 1979<br />
Accession no:<br />
RE576<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
<strong>Title</strong>d bottom middle below plate -<br />
Le Trepied Dolmen.<br />
Signed bottom right below plate -<br />
Barry Owen Jones<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
On Way to a Party<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Rosamund Clare Jones<br />
Date of election: 1979<br />
Accession no:<br />
RE577<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
9/15<br />
<strong>Title</strong>d bottom middle below plate -<br />
"On my way to a Party"<br />
Signed bottom right below plate -<br />
Rosamund Jones<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Three Courtiers Date of print: 1979<br />
<strong>Artist</strong>:<br />
Anne Jope<br />
Date of election: 1979<br />
Accession no:<br />
RE578<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
"Three Courtiers"<br />
Signed and dated bottom right below plate -<br />
Anne Jope 1979<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Tall Ships, Millbay Docks, Plymouth Date of print: 1977<br />
<strong>Artist</strong>:<br />
William Mann<br />
Date of election: 1979<br />
Accession no:<br />
RE580<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Signed bottom left below plate -<br />
WMann<br />
Dated bottom right below plate -<br />
'77<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Simon's Herb Garden Date of print: 1977<br />
<strong>Artist</strong>:<br />
John A. McPake<br />
Date of election: 1979<br />
Accession no:<br />
RE579<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left corner below plate -<br />
2/3<br />
<strong>Title</strong>d bottom middle below plate -<br />
"SIMON'S HERB GARDEN"<br />
Signed and dated bottom right corner below<br />
plate -<br />
JOHN A. McPAKE - 1977<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Pavements Date of print: 1978<br />
<strong>Artist</strong>:<br />
Vikki Slowe<br />
Date of election: 1979<br />
Accession no:<br />
RE582/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left corner below<br />
plate -<br />
Pavements <strong>Artist</strong>s Proof<br />
Signed and dated bottom right corner below<br />
plate -<br />
Vikki Slowe 1978<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Orbits in Space Date of print: 1984<br />
<strong>Artist</strong>:<br />
Vikki Slowe<br />
Date of election: 1979<br />
Accession no:<br />
RE582/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left corner below<br />
plate -<br />
Orbits in Space II A/P1<br />
Signed and dated bottom right corner below<br />
plate -<br />
Vikki Slowe 1984<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Msida Date of print: 1978<br />
<strong>Artist</strong>:<br />
Brian Holgate Sowerby<br />
Date of election: 1979<br />
Accession no:<br />
RE583/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
Msida <strong>Artist</strong>s Proof 2<br />
Signed and dated bottom right corner below<br />
plate -<br />
Brian Sowerby 1978<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Japonica Date of print: 1987<br />
<strong>Artist</strong>:<br />
Brian Holgate Sowerby<br />
Date of election: 1979<br />
Accession no:<br />
RE583/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Japonica 5/50<br />
Signed and dated bottom right corner -<br />
Brian Sowerby 1987<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Railway Shed Date of print: 1977<br />
<strong>Artist</strong>:<br />
Kathe Strenitz<br />
Date of election: 1979<br />
Accession no:<br />
RE584<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Railway Shed<br />
Signed and dated bottom right below plate -<br />
Kathe Strenitz 1977<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Hatching Lane, Leafield Date of print: 1979<br />
<strong>Artist</strong>:<br />
Joseph William Winkelman, P.P.R.E., Hon. R.W.S.<br />
Date of election: 1979<br />
Accession no:<br />
RE585<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left corner<br />
below plate -<br />
Hatching Lane, Leafield 6/100<br />
Signed and dated bottom right corner below<br />
plate -<br />
JWWinkelman 1979<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Filming "The Onedin Line" - Exeter Date of print: 1980<br />
<strong>Artist</strong>:<br />
George Worsley Adamson<br />
Date of election: 1981<br />
Accession no:<br />
RE596<br />
Technique used<br />
Drypoint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Filming 'The Onedin line' - Exeter<br />
Signed and dated bottom right below plate -<br />
George Adamson 1980<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Snow in Barking Park Date of print: 1987<br />
<strong>Artist</strong>:<br />
Michael Middleton<br />
Date of election: 1981<br />
Accession no:<br />
RE597<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Snow in Barking Park<br />
Numbered bottom middle below plate -<br />
4/8<br />
Signed and dated bottom right below plate -<br />
M Middleton '87<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Midsummer Date of print: 1984<br />
<strong>Artist</strong>:<br />
Ian Stephens<br />
Date of election: 1981<br />
Accession no:<br />
RE599<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
50/50 Midsummer<br />
Signed and dated bottom right below plate -<br />
I Stephens 1984<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2I
<strong>Title</strong>:<br />
Tudhill Bushes Date of print: 1987<br />
<strong>Artist</strong>:<br />
Norman Ackroyd, R.A.<br />
Date of election: 1982<br />
Accession no:<br />
RE608/1<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Tudhill Bushes<br />
Numbered bottom left/middle below plate -<br />
17/90<br />
Signed and dated bottom right below plate -<br />
[signature illegible] 1987<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Study of Bacchus Date of print: 1986<br />
<strong>Artist</strong>:<br />
Norman Ackroyd, R.A.<br />
Date of election: 1982<br />
Accession no:<br />
RE608/2<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Study of Bacchus La Mission Haut-Brion<br />
Numbered bottom middle below plate -<br />
27/30<br />
Signed and dated bottom right corner below<br />
plate -<br />
[signature illegible] 86<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
The Onlookers Date of print: 1981<br />
<strong>Artist</strong>:<br />
June Berry, R.W.S.<br />
Date of election: 1982<br />
Accession no:<br />
RE600<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
The Onlookers A/P<br />
Signed and dated bottom right below plate -<br />
June Berry 1981<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Dark Abstract Date of print: 1981<br />
<strong>Artist</strong>:<br />
James Alexander Boyd<br />
Date of election: 1982<br />
Accession no:<br />
RE601<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below middle -<br />
7/75<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Dark Abstract"<br />
Signed bottom right below plate -<br />
James A. Boyd<br />
Dated bottom right corner below plate -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Brighton Pavilion<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Eileen Constance Greenwood<br />
Date of election: 1982<br />
Accession no:<br />
RE602/1<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Brighton Pavilion<br />
Numbered bottom middle below plate -<br />
52/100<br />
Signed bottom right below plate -<br />
Eileen Greenwood<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Six Cats of St. Bonnet in Perigord<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Eileen Constance Greenwood<br />
Date of election: 1982<br />
Accession no:<br />
RE602/2<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left corner below plate -<br />
Six Cats of St. Bonnet in Perigord<br />
Numbered bottom middle below plate -<br />
12/250<br />
Signed bottom right below plate -<br />
Eileen Greenwood. Sketch of a cat next to<br />
the signature<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
The Piano Movers Thank The Angel<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Karólína Lárusdóttir, R.W.S.<br />
Date of election: 1982<br />
Accession no:<br />
RE603<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
The Pianomovers thank the Angel<br />
Inscribed bottom middle/right below plate -<br />
A/P<br />
Signed bottom middle below plate -<br />
Karolina Larusdóttir<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Girls on Platform 3 Date of print: 1982<br />
<strong>Artist</strong>:<br />
Carol Elizabeth Walklin<br />
Date of election: 1982<br />
Accession no:<br />
RE605<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
AP. Girls on Platform 3<br />
Signed bottom right below plate -<br />
Walklin<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Atlas Date of print: 1982<br />
<strong>Artist</strong>:<br />
Frans Wesselman<br />
Date of election: 1982<br />
Accession no:<br />
RE604/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
Atlas. <strong>Artist</strong>'s Proof<br />
Signed and dated bottom right below plate -<br />
[signature illegible] '82<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Windmill<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Frans Wesselman<br />
Date of election: 1982<br />
Accession no:<br />
RE604/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Windmill 2/75<br />
Signed bottom right below plate -<br />
Frans Wesselman<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Northern Stack Date of print: 1982<br />
<strong>Artist</strong>:<br />
Peter Jeffrey Matthews<br />
Date of election: 1983<br />
Accession no:<br />
RE606<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
8/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
Northern Stack<br />
Signed and dated bottom right below plate -<br />
Peter Matthews '82<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 2
<strong>Title</strong>:<br />
Barn Owls Date of print: 1982<br />
<strong>Artist</strong>:<br />
Colin Frank See-Paynton<br />
Date of election: 1983<br />
Accession no:<br />
RE607/1<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Barn Owls"<br />
Signed and dated bottom right below plate -<br />
Paynton '82<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Mute Swan and Carp Date of print: 1986<br />
<strong>Artist</strong>:<br />
Colin Frank See-Paynton<br />
Date of election: 1983<br />
Accession no:<br />
RE607/2<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Mute Swan and Carp"<br />
Inscribed bottom right below plate -<br />
(final state)<br />
Signed and dated bottom right corner below<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Listening to Silence<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Jo Barry<br />
Date of election: 1984<br />
Accession no:<br />
RE609<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left corner<br />
below plate -<br />
AP X/XV<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Listening to Silence"<br />
Signed bottom right corner below plate -<br />
Jo Barry<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Memorial<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Carmen Gracia<br />
Date of election: 1984<br />
Accession no:<br />
RE670<br />
Technique used<br />
Intaglio<br />
Notes on print:<br />
Numbered and inscribed bottom left below<br />
plate -<br />
32/50 printed by the artist<br />
<strong>Title</strong>d bottom middle below plate -<br />
memorial<br />
Signed bottom right below plate -<br />
CARmen GRAcia<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Double Pike Date of print: 1983<br />
<strong>Artist</strong>:<br />
Douglas Wakefield<br />
Date of election: 1984<br />
Accession no:<br />
RE671<br />
Technique used<br />
Aquatint<br />
Etching<br />
Stencil<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
13/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Pike"<br />
Signed and dated bottom right corner below<br />
plate -<br />
D Wakefield 83<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Palm Landscape II Date of print: 1995<br />
<strong>Artist</strong>:<br />
Tate Adams<br />
Date of election: 1985<br />
Accession no:<br />
RE672<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Palm Landscape II<br />
Numbered bottom middle below plate -<br />
1/15<br />
Signed and dated bottom right below plate -<br />
Tate Adams 95<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Mews Topiary Date of print: 1984<br />
<strong>Artist</strong>:<br />
Edwina Ellis<br />
Date of election: 1985<br />
Accession no:<br />
RE682<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Mews Topiary<br />
Inscribed bottom left/middle below plate -<br />
A.P.<br />
Signed and dated bottom right below plate -<br />
E. N. Ellis '84<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Water Meadows (Mayfield)<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Graham Evernden<br />
Date of election: 1985<br />
Accession no:<br />
RE674<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d, inscribed and numbered bottom left<br />
below plate -<br />
Water Meadow AP 10/35<br />
Signed bottom right below plate -<br />
Graham Evernden<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Cromlech<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Alistair Fletcher<br />
Date of election: 1985<br />
Accession no:<br />
RE673/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom right below plate -<br />
4/25<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Cromlech"<br />
Signed bottom left below plate -<br />
Alistair R. Fletcher<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Black Shell and Horn<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Alistair Fletcher<br />
Date of election: 1985<br />
Accession no:<br />
RE673/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
6/10<br />
Signed bottom right below plate -<br />
Alistair . Fletcher<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Darlington Date of print: 1978<br />
<strong>Artist</strong>:<br />
John Lawrence<br />
Date of election: 1985<br />
Accession no:<br />
RE675/1<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
A.P. "Darlington"<br />
Signed and dated bottom right below plate -<br />
John Lawrence '78<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Nothingmas Day Date of print: 1985<br />
<strong>Artist</strong>:<br />
John Lawrence<br />
Date of election: 1985<br />
Accession no:<br />
RE675/2<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Text across the top of the print -<br />
NOTHINGMAS DAY<br />
Text across the bottom of the print -<br />
ADRIAN MITCHELL & JOHN LAWRENCE<br />
Inscribed and titled bottom left below plate -<br />
A.P. "Nothingmas Day"<br />
Signed and dated bottom right below plate -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Shell & Clock<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Leonard Marchant<br />
Date of election: 1985<br />
Accession no:<br />
RE680<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
34/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Shell & Clock"<br />
Signed bottom right below plate -<br />
L. Marchant<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
South Africa Date of print: 1987<br />
<strong>Artist</strong>:<br />
Hilary Paynter<br />
Date of election: 1985<br />
Accession no:<br />
RE676<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
9/50 South Africa<br />
Signed and dated bottom right corner below<br />
plate -<br />
Hilary Paynter '87<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Subway Date of print: 1985<br />
<strong>Artist</strong>:<br />
Michael Rothenstein, R.A.<br />
Date of election: 1985<br />
Accession no:<br />
RE679<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
1 of 35<br />
<strong>Title</strong>d bottom middle below plate -<br />
Subway<br />
Signed bottom right below plate -<br />
Michael Rothenstein.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Beetle Date of print: 1978<br />
<strong>Artist</strong>:<br />
Richard Shirley Smith<br />
Date of election: 1985<br />
Accession no:<br />
RE677<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered and dated bottom left below plate<br />
-<br />
29/100 . 1978<br />
Signed bottom middle/right below plate -<br />
Richard Shirley Smith<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Divine Proportions Date of print: 1985<br />
<strong>Artist</strong>:<br />
Agatha Sorel, A.R.W.S.<br />
Date of election: 1985<br />
Accession no:<br />
RE681<br />
Technique used<br />
Aquatint<br />
Engraving<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
13/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
- Divine Proportions -<br />
Signed bottom right below plate -<br />
Agatha Sorel<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Contained<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Sandy Sykes<br />
Date of election: 1985<br />
Accession no:<br />
RE683<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Contained"<br />
Signed bottom right below plate -<br />
Sandy Sykes<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Me and Tom Date of print: 1976<br />
<strong>Artist</strong>:<br />
Julian Trevelyan, R.A.<br />
Date of election: 1985<br />
Accession no:<br />
RE678<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
23/25<br />
<strong>Title</strong>d bottom middle below plate -<br />
Me and Tom<br />
Signed bottom right below plate -<br />
Julian Trevelyan<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
September Date of print: 1983<br />
<strong>Artist</strong>:<br />
Michael Vaughan<br />
Date of election: 1985<br />
Accession no:<br />
RE684<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left corner<br />
below plate -<br />
4/20 September<br />
Signed and dated bottom right below plate -<br />
Michael Vaughan 1983.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Ramsey Island<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Simon Brett<br />
Date of election: 1986<br />
Accession no:<br />
RE685<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Ramsey Island 3/45<br />
Signed bottom right below plate -<br />
Simon Brett<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Still Waters Date of print: 1985<br />
<strong>Artist</strong>:<br />
Richard Jebbitt<br />
Date of election: 1986<br />
Accession no:<br />
RE686<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
10/25 "Still Waters"<br />
label pasted on bottom middle below plate<br />
with a picture of a carp and a text<br />
description -<br />
CARP (Cyprinus carpio)<br />
Carp usually live in still waters,<br />
ponds and small lakes, although<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Abbey Mills VI Date of print: 1985<br />
<strong>Artist</strong>:<br />
Jane Stobart<br />
Date of election: 1986<br />
Accession no:<br />
RE687<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
6/25<br />
<strong>Title</strong>d bottom middle below plate -<br />
Abbey Mills VI<br />
Signed and dated bottom right below plate -<br />
JStobart '85<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
The Family<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Jane Wilson<br />
Date of election: 1986<br />
Accession no:<br />
RE688/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
<strong>Title</strong>d bottom middle -<br />
THE FAMILY.<br />
Signed bottom right below plate -<br />
JANE A. WILSON<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
David and Toucan<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Jane Wilson<br />
Date of election: 1986<br />
Accession no:<br />
RE688/2<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
<strong>Title</strong>d bottom middle below plate -<br />
DAVID + TOUCAN<br />
Signed bottom right below plate -<br />
Jane A. Wilson<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
The Lily Pond, Knightshayes Date of print: 1986<br />
<strong>Artist</strong>:<br />
Hilary Adair<br />
Date of election: 1987<br />
Accession no:<br />
RE689<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
48/75<br />
<strong>Title</strong>d bottom middle below plate -<br />
-The Lily Pond, Knightshayes -<br />
Signed and dated bottom right below plate -<br />
Hilary Adair '86<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Analogue Date of print: 1985<br />
<strong>Artist</strong>:<br />
Ted Atkinson, R.B.S.<br />
Date of election: 1987<br />
Accession no:<br />
RE693<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
26/65 Analogue<br />
Signed bottom right below plate -<br />
Ted Atkinson<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Fishermen's Huts, Southwold Date of print: 1986<br />
<strong>Artist</strong>:<br />
Anthony Dawson<br />
Date of election: 1987<br />
Accession no:<br />
RE694<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
40/80. Fishermens Huts, Southwold.<br />
Initialled and dated bottom right below plate<br />
-<br />
ARD<br />
86<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Pumpkins, Gourds and Squashes<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Peter Ford<br />
Date of election: 1987<br />
Accession no:<br />
RE691<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>'s Proof 1<br />
<strong>Title</strong>d bottom middle below plate -<br />
Pumpkins, Gourds and Squashes<br />
Signed bottom right below plate -<br />
Peter Ford.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Kapital City (4)<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Peter Freeth, R.A.<br />
Date of election: 1987<br />
Accession no:<br />
RE690/1<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Kapital City (4)<br />
Numbered bottom middle below plate -<br />
1/4<br />
Signed bottom right below plate -<br />
P. Freeth<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Shadows over the City Date of print: 1988<br />
<strong>Artist</strong>:<br />
Peter Freeth, R.A.<br />
Date of election: 1987<br />
Accession no:<br />
RE690/2<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Text across bottom of print -<br />
DOMINEDIRIGENOS<br />
<strong>Title</strong>d bottom left below plate -<br />
Shadows over the City<br />
Numbered bottom middle below plate -<br />
10/20<br />
Signed and dated bottom right below plate -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Untitled (Moonscape) Date of print: 1985<br />
<strong>Artist</strong>:<br />
Terence Greaves<br />
Date of election: 1987<br />
Accession no:<br />
RE695<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/50<br />
Signed and dated bottom right below plate -<br />
Terry Greaves 1985<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Untitled<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Paul Hawdon<br />
Date of election: 1987<br />
Accession no:<br />
RE696<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
11/25<br />
Signed bottom right below plate -<br />
Paul Hawdon<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Graduation Date of print: 1986<br />
<strong>Artist</strong>:<br />
Theo Olive<br />
Date of election: 1987<br />
Accession no:<br />
RE692<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
8/30 Graduation<br />
Signed and dated bottom right below plate -<br />
T. Olive '86<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Hainton Track, Snow Date of print: 1986<br />
<strong>Artist</strong>:<br />
Melyvn Petterson<br />
Date of election: 1987<br />
Accession no:<br />
RE697<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Hainton Track, Snow 9/50<br />
Signed and dated bottom right below plate -<br />
M [h] Petterson 86.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Rosso Veronese Date of print: 1984<br />
<strong>Artist</strong>:<br />
Sharon Aivaliotis<br />
Date of election: 1988<br />
Accession no:<br />
RE699<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
5/50 Rosso Veronese<br />
Signed and dated bottom right below plate -<br />
Sharon [illegible] Aivaliotis 1984<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
A Good Read Date of print: 1988<br />
<strong>Artist</strong>:<br />
Jane Anderson<br />
Date of election: 1988<br />
Accession no:<br />
RE698<br />
Technique used<br />
Lithograph<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Bonne Année Date of print: 1990<br />
<strong>Artist</strong>:<br />
Mario Avati<br />
Date of election: 1988<br />
Accession no:<br />
RE718<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Signed middle of print -<br />
AVATI<br />
<strong>Title</strong>d and signed middle right of print -<br />
BONNE ANNEE<br />
AVATI<br />
[check measurements]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Genesis II: Noah's Ark<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Richard Black<br />
Date of election: 1988<br />
Accession no:<br />
RE700<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/30<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Genesis II: Noah's Ark"<br />
Signed bottom right below plate -<br />
R. Black<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Statues, No.1 Date of print: 1988<br />
<strong>Artist</strong>:<br />
James Boyd-Brent<br />
Date of election: 1988<br />
Accession no:<br />
RE720<br />
Technique used<br />
Aquatint<br />
Drypoint<br />
Notes on print:<br />
Signed bottom right below plate -<br />
J B[illegible]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Blue Table<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Jane Brigstock<br />
Date of election: 1988<br />
Accession no:<br />
RE721<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
AP<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
"Blue Table"<br />
Signed bottom right below plate -<br />
JBrigstock<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Extreme Date of print: 2001<br />
<strong>Artist</strong>:<br />
Harry Brockway<br />
Date of election: 1988<br />
Accession no:<br />
RE721B/2<br />
Technique used<br />
Silkscreen<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
13/20<br />
<strong>Title</strong>d bottom middle below plate -<br />
Extreme<br />
Signed, dated and inscribed bottom right<br />
below plate -<br />
Harvey Daniels 2001<br />
RE diploma Collection<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
Cows at Evening Date of print: 1964<br />
<strong>Artist</strong>:<br />
Bernard Cheese<br />
Date of election: 1988<br />
Accession no:<br />
RE706<br />
Technique used<br />
Lithograph<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below plate<br />
-<br />
Cows at Evening 25/30<br />
Signed bottom right below plate -<br />
Bernard Cheese<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Village Weding<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Deanne Coleborn<br />
Date of election: 1988<br />
Accession no:<br />
RE722<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left below plate<br />
-<br />
10/30 "Village Wedding"<br />
Inscribed bottom right of print -<br />
Deanne<br />
Signed bottom right below plate -<br />
Deanne C<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Chapel Mews Suite VI - Celebrate<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Harvey Daniels<br />
Date of election: 1988<br />
Accession no:<br />
RE721B/1<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
29/46<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
Chapel Mews Suite VI "Celebrate"<br />
Signed bottom left below plate -<br />
Harvey Daniels<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
Central School of Art & Design Date of print: 1988<br />
<strong>Artist</strong>:<br />
Anne Desmet<br />
Date of election: 1988<br />
Accession no:<br />
RE723<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Text across top of print -<br />
THE LONDON INSTITUTE<br />
Text across bottom of print -<br />
CENTRAL SCHOOL OF ART + DESIGN<br />
by Anne Desmet 1988<br />
Inscribed bottom left below plate -<br />
A/P<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Girdlers<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Donald Hamilton Fraser, R.A.<br />
Date of election: 1988<br />
Accession no:<br />
RE707<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
AP XIX/XXV<br />
Signed bottom right below plate -<br />
Fraser<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Italian Still Life Date of print: 1994<br />
<strong>Artist</strong>:<br />
David Glück, R.W.S.<br />
Date of election: 1988<br />
Accession no:<br />
RE721C<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Italian Still Life"<br />
Inscribed, signed and dated bottom right<br />
below plate -<br />
A/P David Gluck 1996<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Disappearing World<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Michael Harrison<br />
Date of election: 1988<br />
Accession no:<br />
RE727<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left below<br />
plate -<br />
<strong>Artist</strong>s Proof 1/10<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Disappearing World"<br />
Signed bottom right below plate -<br />
Harrison<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Prelude I Date of print: 1988<br />
<strong>Artist</strong>:<br />
Brenda Hartill<br />
Date of election: 1988<br />
Accession no:<br />
RE701<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
5/150<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
Prelude I<br />
Signed and dated bottom right below plate -<br />
Brenda Hartill '88<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Farm Oast House near Shoreham, Kent Date of print: 1984<br />
<strong>Artist</strong>:<br />
Rowland Hilder, O.B.E., P.R.I.<br />
Date of election: 1988<br />
Accession no:<br />
RE708<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s' proof 7th state<br />
Signed and dated bottom right below plate -<br />
Rowland Hilder 1984<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
The Mavrogeni Fountain<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Paul Hogarth, O.B.E., R.A.<br />
Date of election: 1988<br />
Accession no:<br />
RE709<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Signed, inscribed, numbered and titled<br />
bottom left below plate -<br />
Paul HOGARTH AP XIII/20 The Mavrogeni<br />
Fountain<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Before Marriage, After Marriage Date of print: 1985<br />
<strong>Artist</strong>:<br />
Panayiotis Kalorkoti<br />
Date of election: 1988<br />
Accession no:<br />
RE724<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Print can be viewed either way up. Using<br />
this alignment<br />
Signed and dated top left above plate -<br />
P. Kalorkoti 1985<br />
Inscribed and numbered top right above<br />
plate -<br />
A.P. V/VII<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
St. Joseph's Church, Highgate III<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Deirdre Kelly<br />
Date of election: 1988<br />
Accession no:<br />
RE725<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
<strong>Title</strong>d bottom middle over plate -<br />
Archangel St. Joseph's Church Highgate<br />
Initialled bottom right corner over plate -<br />
DK<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
37 Beaumont Street - Ian Lowe Date of print: 1987<br />
<strong>Artist</strong>:<br />
Jean Lodge<br />
Date of election: 1988<br />
Accession no:<br />
RE702<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/15<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
"37 Beaumont Street, Ian Lowe"<br />
Signed and dated bottom right below plate -<br />
Jean Lodge 1987<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 3
<strong>Title</strong>:<br />
Electric Avenue Date of print: 1987<br />
<strong>Artist</strong>:<br />
Toni Martina<br />
Date of election: 1988<br />
Accession no:<br />
RE755/1<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed, titled and dated bottom left below<br />
plate -<br />
A/P - electric Ave. 1987<br />
Signed bottom right below plate -<br />
Toni Martina<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
New York Subway<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Toni Martina<br />
Date of election: 1988<br />
Accession no:<br />
RE755/2<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered and titled bottom left corner<br />
below plate -<br />
18/75 N.Y. Subway<br />
Signed bottom right corner below plate -<br />
Toni Martina<br />
[needs re-photographing]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Château Guirand<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Terence Milllington<br />
Date of election: 1988<br />
Accession no:<br />
RE712<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
<strong>Title</strong>d bottom middle below plate -<br />
Chateau Guirand<br />
Signed bottom right below plate -<br />
Terence Millington<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Plaza Date of print: 1988<br />
<strong>Artist</strong>:<br />
Prof. Brendan Neiland, R.A.<br />
Date of election: 1988<br />
Accession no:<br />
RE713<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
Plaza<br />
Signed and inscribed bottom right below<br />
plate -<br />
Brendan Neiland A/P<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Was Bach Happy in Leipzig? Date of print: 1996<br />
<strong>Artist</strong>:<br />
Prof. Christopher Orr, R.A.<br />
Date of election: 1988<br />
Accession no:<br />
RE714<br />
Technique used<br />
Counterproof<br />
Etching<br />
Lithograph<br />
Notes on print:<br />
[no image?]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Auctions Speak Louder than Words<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Tom Phillips, R.A.<br />
Date of election: 1988<br />
Accession no:<br />
RE716<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Inscribed on headstone in print -<br />
VINCENT<br />
1853-90<br />
AUCTIONS<br />
SPEAK LOUDER<br />
THAN WORDS<br />
Numbered bottom left below plate -<br />
95/120<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Wychert Wall Date of print: 1986<br />
<strong>Artist</strong>:<br />
Peter Rhoades<br />
Date of election: 1988<br />
Accession no:<br />
RE703<br />
Technique used<br />
Photolithograph<br />
Notes on print:<br />
<strong>Title</strong>d and numbered bottom left below<br />
plate -<br />
Wychert Wall 3/25<br />
Signed and dated bottom right below plate -<br />
Peter Rhoades '86<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Worgret Viaduct Date of print: 1988<br />
<strong>Artist</strong>:<br />
Nicholas Ward<br />
Date of election: 1988<br />
Accession no:<br />
RE726<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
13/36<br />
Signed and dated bottom right below plate -<br />
N. Ward 88.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Wind on Browsholme Lake Date of print: 1988<br />
<strong>Artist</strong>:<br />
Richard Wardle<br />
Date of election: 1988<br />
Accession no:<br />
RE728<br />
Technique used<br />
Relief<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Wind on Browsholme Lake<br />
Numbered bottom middle below plate -<br />
95/150<br />
Signed and dated bottom right below plate -<br />
Richard Wardle 1988<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Ship Building No.1 Date of print: 1988<br />
<strong>Artist</strong>:<br />
Peter Wray<br />
Date of election: 1988<br />
Accession no:<br />
RE704<br />
Technique used<br />
Collograph<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>'s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Shipbuilding No.1<br />
Signed and dated bottom right below plate -<br />
P Wray 1988<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Nettlecombe Date of print: 1987<br />
<strong>Artist</strong>:<br />
Stephen Hoskins<br />
Date of election: 1989<br />
Accession no:<br />
RE729<br />
Technique used<br />
Lithograph<br />
Notes on print:<br />
Numbered, titled and inscribed middle<br />
across plate -<br />
5/7 Nettlecombe Stone Litho<br />
Signed bottom right across plate -<br />
[signature illegible]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Three Crowned Cranes<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Mark Millmore<br />
Date of election: 1989<br />
Accession no:<br />
RE730<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
[no image]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
Promised Land Date of print: 1988<br />
<strong>Artist</strong>:<br />
Laura Reiter<br />
Date of election: 1989<br />
Accession no:<br />
RE731/1<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Searching for Balance Date of print: 1989<br />
<strong>Artist</strong>:<br />
Laura Reiter<br />
Date of election: 1989<br />
Accession no:<br />
RE731/2<br />
Technique used<br />
Screenprint<br />
Notes on print:<br />
Inscribed bottom left over plate -<br />
ARCHES<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
Black Box Throws Light<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Ann Westley<br />
Date of election: 1989<br />
Accession no:<br />
RE732<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
[no image]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
The Foundry I<br />
Date of print:<br />
<strong>Artist</strong>:<br />
John Howard<br />
Date of election: 1990<br />
Accession no:<br />
RE733<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left below<br />
plate -<br />
A/P I/X<br />
Signed bottom right below plate -<br />
J[illegible]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
The Pink Carnation Date of print: 1989<br />
<strong>Artist</strong>:<br />
Christopher Van Niekerk<br />
Date of election: 1990<br />
Accession no:<br />
RE735<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
THE PINK CARNATION<br />
Signed, dated and numbered bottom right<br />
below plate -<br />
CHRIS VAN NIEKERK '88 6/20<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Portrait Date of print: 1989<br />
<strong>Artist</strong>:<br />
Simon Redington<br />
Date of election: 1990<br />
Accession no:<br />
RE734<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
[no image]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas Box 4
<strong>Title</strong>:<br />
Young Britons Date of print: 1992<br />
<strong>Artist</strong>:<br />
Prof. Bartolomeu dos Santos<br />
Date of election: 1990<br />
Accession no:<br />
RE736<br />
Technique used<br />
Intaglio<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
5/50<br />
<strong>Title</strong>d bottom middle/right below plate -<br />
Young Britons<br />
Signed and dated bottom right below plate -<br />
Bartolomeu 92<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
"Conception No.6" Date of print: 1990<br />
<strong>Artist</strong>:<br />
Konstantyn Chmutin<br />
Date of election: 1991<br />
Accession no:<br />
RE746<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
E.A.<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Conception N 6"<br />
Initialled and dated bottom right below plate<br />
-<br />
KC 90<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Rugby Figure I Date of print: 1991<br />
<strong>Artist</strong>:<br />
John Duffin<br />
Date of election: 1991<br />
Accession no:<br />
RE742<br />
Technique used<br />
Drypoint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A.P<br />
<strong>Title</strong>d bottom middle below plate -<br />
Rugby Figure I.<br />
Signed and dated bottom right below plate -<br />
John Duffin 1991.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
The Horseman of Casale Date of print: 1989<br />
<strong>Artist</strong>:<br />
Stuart Duffin, A.R.S.A.<br />
Date of election: 1991<br />
Accession no:<br />
RE743<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Text across print top left -<br />
.C.S.<br />
Text across print top right -<br />
.C.V.<br />
Text across the bottom section of the print -<br />
NOW.SEE.THAT.THE.HOPE.AND.DESIRE.<br />
OF.RETURNING.TO.THE.FIRST.CHAOS<br />
SEEMS.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Christ Appears in the Factory Date of print: 1978-1981<br />
<strong>Artist</strong>:<br />
Brian Hanscomb<br />
Date of election: 1991<br />
Accession no:<br />
RE747<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Initialled, dated and inscribed bottom right of<br />
plate -<br />
BH '78-'81<br />
Frome<br />
<strong>Title</strong>d and inscribed bottom left below plate -<br />
Christ appears in the factory - Dedicated to<br />
the memory of my father,<br />
A print worker for 45 years<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2A
<strong>Title</strong>:<br />
Self Portrait Date of print: 1932<br />
<strong>Artist</strong>:<br />
Edgar Holloway<br />
Date of election: 1991<br />
Accession no:<br />
RE741/1<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered, titled and dated bottom left<br />
below plate -<br />
27/50 SELF PORTRAIT 1932<br />
Signed bottom right below plate -<br />
Edgar Holloway<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
The Afghan Hat<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Edgar Holloway<br />
Date of election: 1991<br />
Accession no:<br />
RE741/2<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
THE AFGHAN HAT<br />
Signed and dated bottom right below plate -<br />
Edgar Holloway 1991<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Day at the Pool Date of print: 1989<br />
<strong>Artist</strong>:<br />
Anita Klein<br />
Date of election: 1991<br />
Accession no:<br />
RE744<br />
Technique used<br />
Drypoint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
Signed and dated bottom right below plate -<br />
Anita Klein '89<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Palm Sunday Date of print: 1992<br />
<strong>Artist</strong>:<br />
Simon Casson<br />
Date of election: 1992<br />
Accession no:<br />
RE750<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
<strong>Artist</strong> Proof. Palm Sunday<br />
Signed and dated bottom right below plate -<br />
Simon Casson '92<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Big Red Rock Date of print: 1991<br />
<strong>Artist</strong>:<br />
Katie Clemson<br />
Date of election: 1992<br />
Accession no:<br />
RE751<br />
Technique used<br />
Relief<br />
Notes on print:<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Temple Date of print: 1992<br />
<strong>Artist</strong>:<br />
Trevor Frankland, R.W.S.<br />
Date of election: 1992<br />
Accession no:<br />
RE749<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
2/75<br />
Signed bottom right below plate -<br />
Trevor Frankland<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 2
<strong>Title</strong>:<br />
Fish Flying into Double Landscape Date of print: 1990<br />
<strong>Artist</strong>:<br />
Konstantin Kalinovich<br />
Date of election: 1992<br />
Accession no:<br />
RE753<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Signed and dated bottom middle below<br />
plate -<br />
K. Kalinovich [illegible] 1990<br />
Numbered bottom left below plate -<br />
12/20<br />
Initialled bottom right below plate -<br />
K.K.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
South-East from Charing Cross Date of print: 1990<br />
<strong>Artist</strong>:<br />
Saša Marinkov<br />
Date of election: 1992<br />
Accession no:<br />
RE748<br />
Technique used<br />
Relief<br />
Notes on print:<br />
[no image]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Napuśteni Grod Date of print: 1992<br />
<strong>Artist</strong>:<br />
Vladan P. Micić<br />
Date of election: 1992<br />
Accession no:<br />
RE754<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left corner below plate -<br />
AS. A[illegible]tints<br />
<strong>Title</strong>d bottom middle below plate -<br />
~ Napusteni Grod ~<br />
Signed and dated bottom right below plate -<br />
V. Micic, a. [y]. e. 92<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Killer Manillas Date of print: 1992<br />
<strong>Artist</strong>:<br />
Rosemary Benson<br />
Date of election: 1993<br />
Accession no:<br />
RE757<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
A/P<br />
<strong>Title</strong>d bottom middle below plate -<br />
Killer Manillas<br />
Signed and dated bottom right below plate -<br />
R/Benson 92<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Shoreline, Tyddyn Cynal Date of print: 1993<br />
<strong>Artist</strong>:<br />
David Mortimer-Jones<br />
Date of election: 1993<br />
Accession no:<br />
RE756<br />
Technique used<br />
Etching<br />
Drypoint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
11/25<br />
Initialled and dated bottom right below plate<br />
-<br />
DMJ '93<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Fire Hydrant Date of print: 1991<br />
<strong>Artist</strong>:<br />
Jacqueline Newell<br />
Date of election: 1993<br />
Accession no:<br />
RE758<br />
Technique used<br />
Soft Ground<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
2/25<br />
Signed and dated bottom right below plate -<br />
Jacqueline Newell 91<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Woman Reading<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Patrick Procktor, R.A., Hon. R.W.S.<br />
Date of election: 1993<br />
Accession no:<br />
RE740<br />
Technique used<br />
Aquatint<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s Proof RE Diploma work<br />
Signed bottom right below plate -<br />
Patrick Procktor<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
Narcissi Date of print: 1993<br />
<strong>Artist</strong>:<br />
Jim Anderson<br />
Date of election: 1994<br />
Accession no:<br />
RE766<br />
Technique used<br />
Linoblock/Linocut<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
2/15<br />
<strong>Title</strong>d bottom middle below plate -<br />
NARCISSI<br />
Signed and dated bottom right below plate -<br />
- J[W] Anderson 93<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 3
<strong>Title</strong>:<br />
Untitled<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Elizabeth Blackadder, O.B.E., R.A., Hon. R.W.S., R.S.A.<br />
Date of election: 1994<br />
Accession no:<br />
RE773<br />
Technique used<br />
Intaglio<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
XXV/XXV<br />
Signed bottom right below plate -<br />
Elizabeth Blackadder<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Lamu No.17 Date of print: 1993<br />
<strong>Artist</strong>:<br />
Mandy Bonnell<br />
Date of election: 1994<br />
Accession no:<br />
RE767<br />
Technique used<br />
Etching<br />
Collage<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
A/P Lamu no 17.<br />
Signed and dated bottom right below plate -<br />
Mandy Bonnell'93<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
The Great Divide I Date of print: 1987<br />
<strong>Artist</strong>:<br />
Anthony Davies<br />
Date of election: 1994<br />
Accession no:<br />
RE765<br />
Technique used<br />
Lithograph<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
41/60<br />
<strong>Title</strong>d bottom middle below plate -<br />
"THE GREAT DIVIDE"- 1<br />
Signed and dated bottom right below plate -<br />
A Davies '87<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Time Bytes Date of print: 2000<br />
<strong>Artist</strong>:<br />
Dr. Anthony Dyson<br />
Date of election: 1994<br />
Accession no:<br />
RE839<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
AP<br />
<strong>Title</strong>d bottom middle below plate -<br />
Time-bytes<br />
Signed and dated bottom right below plate -<br />
Anthony Dyson 2000<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Peter and the Wolf (The Music of What Happens)<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Roger Harris<br />
Date of election: 1994<br />
Accession no:<br />
RE768<br />
Technique used<br />
Aquatint<br />
Stencil<br />
Notes on print:<br />
Inscribed and titled bottom left/middle below<br />
plate -<br />
A/P IV/X Peter and the Wolf. (The music of<br />
what happens)<br />
Signed bottom right below plate -<br />
Roger Harris<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Brecon Beacons from Llanbury Date of print: 1994<br />
<strong>Artist</strong>:<br />
Jason Hicklin<br />
Date of election: 1994<br />
Accession no:<br />
RE769<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Inscribed bottom left below plate -<br />
<strong>Artist</strong>s Proof<br />
<strong>Title</strong>d bottom middle below plate -<br />
Brecon Beacons from Llanbury<br />
Signed and dated bottom right below plate -<br />
J.B. Hicklin Jan 94.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
After Dark<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Magnus Irvin<br />
Date of election: 1994<br />
Accession no:<br />
RE770<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
9/16<br />
<strong>Title</strong>d bottom middle below plate -<br />
Afterdark<br />
Signed bottom right below plate -<br />
M. Irvin<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Coiré Lagan<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Paul Kershaw<br />
Date of election: 1994<br />
Accession no:<br />
RE775<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
48/95<br />
<strong>Title</strong>d bottom middle below plate -<br />
Coire Lagan<br />
Signed bottom right below plate -<br />
Paul L. Kershaw<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Morning<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Pavel Makov<br />
Date of election: 1994<br />
Accession no:<br />
RE776<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed and numbered bottom left below<br />
plate -<br />
A/P V/(X)<br />
<strong>Title</strong>d bottom middle below plate -<br />
"[illegible]" - [check on print as doesn't seem<br />
to match title in catalogue]<br />
Signed bottom right below plate -<br />
[illegible]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Tulips Date of print: 1995<br />
<strong>Artist</strong>:<br />
Prof. Leonard McComb, R.A., R.W.S.<br />
Date of election: 1994<br />
Accession no:<br />
RE764<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Inscribed and titled bottom left below plate -<br />
A/P2. Tulips<br />
Signed and dated bottom right below plate -<br />
McComb 1995<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Metal Drawer 1
<strong>Title</strong>:<br />
Dream Date of print: 1993<br />
<strong>Artist</strong>:<br />
Chippa Sudhakar<br />
Date of election: 1994<br />
Accession no:<br />
RE771<br />
Technique used<br />
Etching<br />
Stencil<br />
Notes on print:<br />
Numbered and inscribed bottom left below<br />
plate -<br />
4/6 Etching & stencil<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Dream"<br />
Signed and dated bottom right below plate -<br />
Chippa Sudhakar / 93<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
George Grosz with Boxer Date of print: 1984<br />
<strong>Artist</strong>:<br />
Prof. James Todd<br />
Date of election: 1994<br />
Accession no:<br />
RE772<br />
Technique used<br />
Woodcut<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
George Grosz with Boxer<br />
Numbered bottom middle below plate -<br />
15/HP<br />
Signed and dated bottom right below plate -<br />
TODD '84<br />
Monogram to the right of signature -<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 3A
<strong>Title</strong>:<br />
Cause and Effect II Date of print: 1993<br />
<strong>Artist</strong>:<br />
Charles Beauchamp<br />
Date of election: 1995<br />
Accession no:<br />
RE782<br />
Technique used<br />
Drypoint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
2/30<br />
<strong>Title</strong>d bottom left/middle below plate -<br />
"Cause and Effect" II<br />
Signed bottom right below plate -<br />
Charles Beauchamp<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Derbyshire Peak Farm<br />
Date of print:<br />
<strong>Artist</strong>:<br />
John Brunsdon<br />
Date of election: 1995<br />
Accession no:<br />
RE779<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Derbyshire Peak Farm<br />
Numbered bottom middle below plate -<br />
36/150<br />
Signed bottom right below plate -<br />
John Brunsdon<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Casares Date of print: 1994<br />
<strong>Artist</strong>:<br />
Peter Dover<br />
Date of election: 1995<br />
Accession no:<br />
RE783<br />
Technique used<br />
Relief<br />
Notes on print:<br />
Numbered bottom left over plate -<br />
3/3<br />
Signed bottom right over plate -<br />
Dover<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 3A
<strong>Title</strong>:<br />
Herald Angels Date of print: 1994<br />
<strong>Artist</strong>:<br />
Linda Anne Landers<br />
Date of election: 1995<br />
Accession no:<br />
RE780<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
2/75<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Herald Angels"<br />
Signed and dated bottom right below plate -<br />
L.A. Landers 1994.<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Thorn Tree II Date of print: 1995<br />
<strong>Artist</strong>:<br />
Dr. Irvine Stewart Lees Loudon<br />
Date of election: 1995<br />
Accession no:<br />
RE784<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
3/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
ThORN TREE 2<br />
Initialled bottom right below plate -<br />
[illegible]<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Topiary with Curious Gardener Date of print: 1993<br />
<strong>Artist</strong>:<br />
Tiffany McNab<br />
Date of election: 1995<br />
Accession no:<br />
RE777<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
47/150<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Topiary with curious Gardener<br />
Signed bottom right below plate -<br />
Tiffany McNab<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Canary Wharf Date of print: 1990<br />
<strong>Artist</strong>:<br />
Stephen Mumberson<br />
Date of election: 1995<br />
Accession no:<br />
RE745<br />
Technique used<br />
Relief<br />
Notes on print:<br />
Numbered and dated bottom left below plate<br />
-<br />
1/10 1990<br />
<strong>Title</strong>d bottom middle below plate -<br />
"Canary Wharf"<br />
Signed bottom right below plate -<br />
S Mumberson<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 4
<strong>Title</strong>:<br />
A Twist in the Tail (Proverbs series) Date of print: 1992<br />
<strong>Artist</strong>:<br />
Trevor Price<br />
Date of election: 1995<br />
Accession no:<br />
RE778<br />
Technique used<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
23/150<br />
<strong>Title</strong>d bottom middle below plate -<br />
"A twist in the tail"<br />
Signed bottom right below plate -<br />
Trevor Price<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
A Moment of Tension in Battersea Date of print: 1993<br />
<strong>Artist</strong>:<br />
Max Werner<br />
Date of election: 1995<br />
Accession no:<br />
RE781<br />
Technique used<br />
Aquatint<br />
Etching<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
4/40<br />
<strong>Title</strong>d bottom middle below plate -<br />
A moment of tension in Battersea<br />
Signed and dated bottom right below plate -<br />
M. Werner 93<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5
<strong>Title</strong>:<br />
Diary of a Has-been Date of print: 1995<br />
<strong>Artist</strong>:<br />
Dale Devereux Barker<br />
Date of election: 1996<br />
Accession no:<br />
RE791<br />
Technique used<br />
Reduction lino<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
7/12<br />
<strong>Title</strong>d bottom middle below plate -<br />
Diary of a has-been<br />
Signed and dated bottom right below plate -<br />
Dale Devereux Barker '95<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 3A
<strong>Title</strong>:<br />
Primeval Forest Date of print: 1986<br />
<strong>Artist</strong>:<br />
Piotr Ciesielski<br />
Date of election: 1996<br />
Accession no:<br />
RE739<br />
Technique used<br />
Etching<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Primeval forest<br />
Inscribed and numbered bottom middle<br />
below plate -<br />
etching 58/m<br />
Inscribed, signed and dated bottom right<br />
below plate -<br />
imp. Piotr Ciesielski 1986<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2J
<strong>Title</strong>:<br />
Coup de Grâce<br />
Date of print:<br />
<strong>Artist</strong>:<br />
Judith Jaidinger<br />
Date of election: 1996<br />
Accession no:<br />
RE789<br />
Technique used<br />
Wood engraving<br />
Notes on print:<br />
<strong>Title</strong>d bottom left below plate -<br />
Coup de Grâce<br />
Numbered bottom middle below plate -<br />
36/150<br />
Signed and inscribed bottom right below<br />
plate -<br />
Jaidinger IMP©<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room 2K
<strong>Title</strong>:<br />
Capital Growth Date of print: 1996<br />
<strong>Artist</strong>:<br />
Martin Langford<br />
Date of election: 1996<br />
Accession no:<br />
RE792<br />
Technique used<br />
Mezzotint<br />
Notes on print:<br />
Numbered bottom left below plate -<br />
1/50<br />
<strong>Title</strong>d bottom middle below plate -<br />
CAPITAL GROWTH<br />
Signed and dated bottom right below plate -<br />
Martin Langford '96<br />
Location:<br />
Ashmolean Museum, Western Art Print<br />
Room Atlas 5