the mystical theology of valentin weigel - DataSpace at Princeton ...
the mystical theology of valentin weigel - DataSpace at Princeton ... the mystical theology of valentin weigel - DataSpace at Princeton ...
oyal family in France, whose encouragement of the cult of Dionysius (Denis, as he is called in French) served to endorse a particular vision of order. St. Denis became the patron saint of France around the seventh century, where his cult centred around the Basilica of St. Denis, located in the eponymous town just north of Paris (now a suburb of the city). The basilica and the abbey enjoyed the generous patronage of the French kings for more than a thousand years: beginning with Dagobert in 639, most of the French kings are buried in the crypt, 415 and the oriflamme, the sacred standard the French army carried into battle, was given to the monastery for safe-keeping. 416 How a town near Paris came to be the shrine of a saint said to have come from Athens (or, indeed, the shrine of a man who had not existed at all) is the result of intensive myth-building by those in charge of his cult. 417 At the beginning stands a triple case of mistaken identity, where the writings of the sixth century Greek/Syrian monk (for whom Dionysius was only a pseudonym) were attributed to another Dionysius (a missionary to Gaul martyred in Paris, who, for clarity’s sake, will be called Denis in this chapter), both of whom were then identified with the Dionysius mentioned in the Bible 415 Thomas Waldman, "Denis," in Medieval France: An Encyclopedia, 557-559 (New York: Garland Publishing, 1995), 558. 416 “A forked-tongue scarlet banner embroidered with golden flames, the Oriflamme was believed to have originated as Charlemagne's standard; it represented a flaming lance with which he could save the Holy Land from the Muslims. Hugh Capet later deposited it at the monastery of Saint-Denis, where it remained largely unheralded until Louis VI used it as his royal standard in battle in 1124 against Henry I of England. A century later, Louis IX received the Oriflamme from the abbot of Saint-Denis before going on his crusades. Although traditionally to be unfurled only in the face of enemies of Christianity, by the 14th and 15th centuries the Oriflamme had become the military standard of the French kings...After 1418, the use of the Oriflamme diminished, and it was returned to the monastery of Saint-Denis.” Kelly De Vries, "Oriflamme," in Medieval France: An Encyclopedia, 1291 (New York: Garland Publishing, 1995). Alternately, the oriflamme was actually the abbey’s flag, which Louis VI “took from the altar and “announced that the saint was the special protector of the realm,” and that the royal flag was identified with the abbey’s standard. Thomas Waldman, "Denis," in Medieval France: An Encyclopedia, 556-559 (New York: Garland Publishing, 1995), 558. At any rate, the abbey of St. Denis was seen as the guardian of France’s continued military success. 417 The most helpful introduction to the history of Dionyius’s myth is David Luscombe, “Denis the Pseudo- Areopagite in the Middle Ages from Hilduin to Lorenzo Valla”, Vol. 1, in Fälschungen im Mittelalter: Internationaler Kongress der Monumenta Germaniae Historica, München, 16.-19. September 1986 (Hannover: Hahnsche Buchhandlung, 1988). 158
(Acts 17: 15-34), one of the skeptical philosophers converted by Paul during a proselytizing visit to Athens. 418 The second of the three, Saint Denis, is supposed to have been sent to Gaul as a missionary in the third century, where he was martyred in Paris at Montmartre, probably around 250. In some versions of the story, a pious woman rescued the saint’s body and buried it at what is now the site of the cathedral of St. Denis. 419 In another version, Denis is beheaded at Montmartre, which, as the legend has it, is inconveniently located several miles from the site of St. Denis. 420 So, Denis miraculously picked up his severed head and walked to his chosen burial place (being the most famous of the cephalophorus saints), singing hymns of praise as he went. Protected and promoted by noble and royal patrons, 421 Denis’ shrine quickly became a basilica that drew many pilgrims. As for the other Dionysius (the pseudonymous one), his writings made their way to the West as early as 649, 422 but the copy of his works that resulted in his wide renown arrived in 827, when a volume of his works was gifted to King Louis the Pious by a 418 The context of the passage is a visit by the Apostle Paul to Athens. He initially tries to convert Epicurean and Stoic philosophers, who then bring him to speak at the Areopagus. Paul’s speech to the Areopagites is perhaps the reason the author of the CD picked Dionysius as his pseudonym. That is, Paul opens by referring to the altar “to an unknown god” he spotted on his way (the altar existing to ensure that no god was left unworshipped, even gods as yet unkown), and uses it to accuse the Athenians of worshipping in ignorance, which he has come to dispell: “in the past God overlooked such ignorance, but now he commands all people everywhere to repent.” (30) Some Athenians convert, “among them was Dionysius, a member of the Areopagus, also a woman named Damaris, and a number of others.” Perhaps it is from Paul’s accusation that the Athenians are “ignorant of the very thing [they] worship” that the author was inspired to write about the via negativa under the name of one who converted upon hearing those words. See also Charles M. Stang, "Dionysius, Paul and the Significance of the Pseudonym," Modern Theology 24, no. 4 (October 2008): 541-555. 419 Waldman, 557. 420 Ibid. 421 The first of whom is Paris’ other patron saint, Genevieve, member of a “grand lignage noble germanique” and of “dignitaires gallo-romains importants,” who began building a place of worship on the site of Denis’ grave in the middle of the 5 th century (the exact date is disputed). Geneviève was said to be passionately devoted to Denis, and was a forceful champion of her building project, which she finances by commanding the priests of Paris to come up with the requisite funding amongst themselves. The basilica later functioned as the focus of her campaign to rally the Christians of Paris against paganism. Roger and Pierre de Peretti Bourderon, Histoire de Saint-Denis (Toulouse: Editions Privat, 1988), 62-63. 422 Luscombe, 134. 159
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oyal family in France, whose encouragement <strong>of</strong> <strong>the</strong> cult <strong>of</strong> Dionysius (Denis, as he is<br />
called in French) served to endorse a particular vision <strong>of</strong> order. St. Denis became <strong>the</strong><br />
p<strong>at</strong>ron saint <strong>of</strong> France around <strong>the</strong> seventh century, where his cult centred around <strong>the</strong><br />
Basilica <strong>of</strong> St. Denis, loc<strong>at</strong>ed in <strong>the</strong> eponymous town just north <strong>of</strong> Paris (now a suburb <strong>of</strong><br />
<strong>the</strong> city). The basilica and <strong>the</strong> abbey enjoyed <strong>the</strong> generous p<strong>at</strong>ronage <strong>of</strong> <strong>the</strong> French kings<br />
for more than a thousand years: beginning with Dagobert in 639, most <strong>of</strong> <strong>the</strong> French<br />
kings are buried in <strong>the</strong> crypt, 415 and <strong>the</strong> oriflamme, <strong>the</strong> sacred standard <strong>the</strong> French army<br />
carried into b<strong>at</strong>tle, was given to <strong>the</strong> monastery for safe-keeping. 416<br />
How a town near Paris came to be <strong>the</strong> shrine <strong>of</strong> a saint said to have come from<br />
A<strong>the</strong>ns (or, indeed, <strong>the</strong> shrine <strong>of</strong> a man who had not existed <strong>at</strong> all) is <strong>the</strong> result <strong>of</strong><br />
intensive myth-building by those in charge <strong>of</strong> his cult. 417 At <strong>the</strong> beginning stands a triple<br />
case <strong>of</strong> mistaken identity, where <strong>the</strong> writings <strong>of</strong> <strong>the</strong> sixth century Greek/Syrian monk (for<br />
whom Dionysius was only a pseudonym) were <strong>at</strong>tributed to ano<strong>the</strong>r Dionysius (a<br />
missionary to Gaul martyred in Paris, who, for clarity’s sake, will be called Denis in this<br />
chapter), both <strong>of</strong> whom were <strong>the</strong>n identified with <strong>the</strong> Dionysius mentioned in <strong>the</strong> Bible<br />
415 Thomas Waldman, "Denis," in Medieval France: An Encyclopedia, 557-559 (New York: Garland<br />
Publishing, 1995), 558.<br />
416 “A forked-tongue scarlet banner embroidered with golden flames, <strong>the</strong> Oriflamme was believed to have<br />
origin<strong>at</strong>ed as Charlemagne's standard; it represented a flaming lance with which he could save <strong>the</strong> Holy<br />
Land from <strong>the</strong> Muslims. Hugh Capet l<strong>at</strong>er deposited it <strong>at</strong> <strong>the</strong> monastery <strong>of</strong> Saint-Denis, where it remained<br />
largely unheralded until Louis VI used it as his royal standard in b<strong>at</strong>tle in 1124 against Henry I <strong>of</strong> England.<br />
A century l<strong>at</strong>er, Louis IX received <strong>the</strong> Oriflamme from <strong>the</strong> abbot <strong>of</strong> Saint-Denis before going on his<br />
crusades. Although traditionally to be unfurled only in <strong>the</strong> face <strong>of</strong> enemies <strong>of</strong> Christianity, by <strong>the</strong> 14th and<br />
15th centuries <strong>the</strong> Oriflamme had become <strong>the</strong> military standard <strong>of</strong> <strong>the</strong> French kings...After 1418, <strong>the</strong> use <strong>of</strong><br />
<strong>the</strong> Oriflamme diminished, and it was returned to <strong>the</strong> monastery <strong>of</strong> Saint-Denis.” Kelly De Vries,<br />
"Oriflamme," in Medieval France: An Encyclopedia, 1291 (New York: Garland Publishing, 1995).<br />
Altern<strong>at</strong>ely, <strong>the</strong> oriflamme was actually <strong>the</strong> abbey’s flag, which Louis VI “took from <strong>the</strong> altar and<br />
“announced th<strong>at</strong> <strong>the</strong> saint was <strong>the</strong> special protector <strong>of</strong> <strong>the</strong> realm,” and th<strong>at</strong> <strong>the</strong> royal flag was identified with<br />
<strong>the</strong> abbey’s standard. Thomas Waldman, "Denis," in Medieval France: An Encyclopedia, 556-559 (New<br />
York: Garland Publishing, 1995), 558. At any r<strong>at</strong>e, <strong>the</strong> abbey <strong>of</strong> St. Denis was seen as <strong>the</strong> guardian <strong>of</strong><br />
France’s continued military success.<br />
417 The most helpful introduction to <strong>the</strong> history <strong>of</strong> Dionyius’s myth is David Luscombe, “Denis <strong>the</strong> Pseudo-<br />
Areopagite in <strong>the</strong> Middle Ages from Hilduin to Lorenzo Valla”, Vol. 1, in Fälschungen im Mittelalter:<br />
Intern<strong>at</strong>ionaler Kongress der Monumenta Germaniae Historica, München, 16.-19. September 1986<br />
(Hannover: Hahnsche Buchhandlung, 1988).<br />
158