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Media Policy and Globalization - Blogs Unpad

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108 MEDIA POLICY AND GLOBALIZATION<br />

Notes<br />

1. Routinely, claims for ‘cultural purity’ are utilized to maintain sexist<br />

<strong>and</strong> racist practices across many domains of public <strong>and</strong> private life<br />

throughout the world. Examples are found in elite <strong>and</strong> everyday<br />

politics, in the programmatic statements of (legal) British (British<br />

National Party), French (Le Front National), German (Nationaldemokratische<br />

Partei Deutschl<strong>and</strong>s) <strong>and</strong> other political parties in<br />

the West, concerned with cultural <strong>and</strong> racial ‘purity’ ( Jeffries<br />

2002). Examples are: the reports <strong>and</strong> critique in alternative presses<br />

<strong>and</strong> scholarly research about the Taliban in Afghanistan; Muslim<br />

fundamentalists who defend the ‘purity’ of Islam <strong>and</strong> Muslim culture<br />

when applying gender segregation (Appleton 2001; Hélie-Lucas<br />

2001); patriarchal societies defending the murder of women <strong>and</strong><br />

young girls as ‘restoring the family honour’ in ‘honour killings’; or<br />

even the question of ‘autonomy’ <strong>and</strong> independent ‘choice’ for body<br />

mutilation in the form of plastic surgery fiercely defended by the<br />

beauty industry in the West.<br />

2. One of the most recent examples was the 2004 distribution of radio<br />

frequencies to commercial radio stations in the Netherl<strong>and</strong>s that<br />

drove out of the frequencies long-st<strong>and</strong>ing Dutch pirate radios. See<br />

for example http://www.kuro5hin.org/story/2004/2/27/115517/137.<br />

Also see the call from the National Union of Journalists in the UK<br />

for a reorganization of the radio spectrum to allow pirate <strong>and</strong> community<br />

radio stations to continue transmissions http://www.nuj.org.<br />

uk/inner.php?docid=304. For a thorough discussion of the role of<br />

pirate radio see, for example, Soley (1999) or Grant (1990).<br />

3. One can recall the example of US public <strong>and</strong> commercial broadcasters<br />

offering up airtime to government propag<strong>and</strong>a for the building of patriotism<br />

<strong>and</strong> nationalism, with the rewriting of scripts to suit such visions<br />

in World War Two. Other examples would refer to the pressures<br />

exercised by the UK government upon the BBC during the Falkl<strong>and</strong><br />

War or in contrast the role of the French ORTF as de Gaulle’s<br />

spokesman. (We thank David Hutchison for alerting us to this point.)<br />

4. Time AOL Warner, Murdoch’s News Corporation, General Electric<br />

(see, for example, Sarikakis 2004b for British media ownership<br />

patterns) are some of the greatest media conglomerates.<br />

5. It is beyond the purpose of this chapter to provide a full <strong>and</strong> detailed<br />

account of the history of broadcasting policies in the EU. For that see<br />

Collins 1998; Hartcourt 2005; Sarikakis 2004c. It is widely accepted<br />

that some of the EU institutions are closer to the ideas of PSB <strong>and</strong><br />

the protection of cultural production, such as the majority of the<br />

European Parliament <strong>and</strong> the Directorate General for Audiovisual,

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