Media Policy and Globalization - Blogs Unpad
Media Policy and Globalization - Blogs Unpad
Media Policy and Globalization - Blogs Unpad
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108 MEDIA POLICY AND GLOBALIZATION<br />
Notes<br />
1. Routinely, claims for ‘cultural purity’ are utilized to maintain sexist<br />
<strong>and</strong> racist practices across many domains of public <strong>and</strong> private life<br />
throughout the world. Examples are found in elite <strong>and</strong> everyday<br />
politics, in the programmatic statements of (legal) British (British<br />
National Party), French (Le Front National), German (Nationaldemokratische<br />
Partei Deutschl<strong>and</strong>s) <strong>and</strong> other political parties in<br />
the West, concerned with cultural <strong>and</strong> racial ‘purity’ ( Jeffries<br />
2002). Examples are: the reports <strong>and</strong> critique in alternative presses<br />
<strong>and</strong> scholarly research about the Taliban in Afghanistan; Muslim<br />
fundamentalists who defend the ‘purity’ of Islam <strong>and</strong> Muslim culture<br />
when applying gender segregation (Appleton 2001; Hélie-Lucas<br />
2001); patriarchal societies defending the murder of women <strong>and</strong><br />
young girls as ‘restoring the family honour’ in ‘honour killings’; or<br />
even the question of ‘autonomy’ <strong>and</strong> independent ‘choice’ for body<br />
mutilation in the form of plastic surgery fiercely defended by the<br />
beauty industry in the West.<br />
2. One of the most recent examples was the 2004 distribution of radio<br />
frequencies to commercial radio stations in the Netherl<strong>and</strong>s that<br />
drove out of the frequencies long-st<strong>and</strong>ing Dutch pirate radios. See<br />
for example http://www.kuro5hin.org/story/2004/2/27/115517/137.<br />
Also see the call from the National Union of Journalists in the UK<br />
for a reorganization of the radio spectrum to allow pirate <strong>and</strong> community<br />
radio stations to continue transmissions http://www.nuj.org.<br />
uk/inner.php?docid=304. For a thorough discussion of the role of<br />
pirate radio see, for example, Soley (1999) or Grant (1990).<br />
3. One can recall the example of US public <strong>and</strong> commercial broadcasters<br />
offering up airtime to government propag<strong>and</strong>a for the building of patriotism<br />
<strong>and</strong> nationalism, with the rewriting of scripts to suit such visions<br />
in World War Two. Other examples would refer to the pressures<br />
exercised by the UK government upon the BBC during the Falkl<strong>and</strong><br />
War or in contrast the role of the French ORTF as de Gaulle’s<br />
spokesman. (We thank David Hutchison for alerting us to this point.)<br />
4. Time AOL Warner, Murdoch’s News Corporation, General Electric<br />
(see, for example, Sarikakis 2004b for British media ownership<br />
patterns) are some of the greatest media conglomerates.<br />
5. It is beyond the purpose of this chapter to provide a full <strong>and</strong> detailed<br />
account of the history of broadcasting policies in the EU. For that see<br />
Collins 1998; Hartcourt 2005; Sarikakis 2004c. It is widely accepted<br />
that some of the EU institutions are closer to the ideas of PSB <strong>and</strong><br />
the protection of cultural production, such as the majority of the<br />
European Parliament <strong>and</strong> the Directorate General for Audiovisual,