Media Policy and Globalization - Blogs Unpad
Media Policy and Globalization - Blogs Unpad
Media Policy and Globalization - Blogs Unpad
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100 MEDIA POLICY AND GLOBALIZATION<br />
of intensified globalization have proved to be too powerful to disregard.<br />
The combination of deregulation (<strong>and</strong> subsequent reregulation in favour<br />
of the private media) <strong>and</strong> the heavy dependence on competition policy<br />
to deal with the consequences of liberalization have led to intensified<br />
concentration of ownership not only in the EU space but also within the<br />
newly acceded countries. Ownership concentration is reaching alarming<br />
levels in Central <strong>and</strong> Eastern European countries, where major German,<br />
US <strong>and</strong> other transnationals are acquiring local <strong>and</strong> national media <strong>and</strong><br />
establishing themselves in the audience market.<br />
Deregulation has benefited the major transnational media corporations<br />
through their expansion of ownership <strong>and</strong> programming into national<br />
markets. Obviously US-based corporations from films to Internet<br />
providers have seized the opportunity for which they have been waiting.<br />
National capital, however, also needs to care for its interests <strong>and</strong> in this<br />
effort very often alliances are formed among cultural <strong>and</strong> media workers,<br />
producers <strong>and</strong> national capital that in most cases are not comparable to<br />
the size <strong>and</strong> influence of Hollywood. For these countries, broadcasting<br />
policy has to be accompanied by measures that offer some protection <strong>and</strong><br />
establish a ‘favourable’ position in the market. Possibly the best example<br />
of national policy that reached the supranational <strong>and</strong> international level<br />
has been the insistence of France on excluding cultural goods from international<br />
trade agreements. Although it has been the will of the vast<br />
(but not ‘absolute’) 10 majority of the European Parliament to include the<br />
content quotas in the TVWF directive, a clause which would have forced<br />
commercial broadcasters to seek out <strong>and</strong> promote indigenous (European)<br />
content for at least half of the airtime, France’s role was central in this battle.<br />
The defeat of the EP’s noble cause to protect domestic cultural products<br />
vis-à-vis the Hollywood industry was neither easy nor smooth, as the<br />
tensions between ‘protectionists’ <strong>and</strong> liberalists resurfaced as fiercely as<br />
ever. Despite the rather vague formulation of the TVWF directive about<br />
content quota, which left it up to the individual broadcasters to deem<br />
when it is ‘practicable’ to devote the majority of programming to domestic<br />
content, the objections against unregulated liberalization of cultural<br />
goods continued. Broadcasting (liberalizing) policy for most countries<br />
did not automatically provide their national cultural or media industries<br />
with access to borderless markets.<br />
One of the few ways for media companies to survive <strong>and</strong> indeed exp<strong>and</strong><br />
in the market is by the concentration of ownership, through mergers<br />
<strong>and</strong> acquisitions, that rationalizes (that is, reduces costs) in areas of production<br />
<strong>and</strong> distribution whether vertically, horizontally or both. Crossownership<br />
has gradually become the accepted norm in policy terms,<br />
despite strong opposition by civil society about the detrimental effects