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Media Policy and Globalization - Blogs Unpad

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94 MEDIA POLICY AND GLOBALIZATION<br />

defining everything from the appropriateness of technological st<strong>and</strong>ards<br />

to the terms of service provision (Canada 1997). The era of digital technology<br />

became the defining policy factor that directed policy discourse,<br />

object <strong>and</strong> objectives for both sides of the Atlantic. The 1990s witnessed<br />

the reorganization of the jurisdiction of the institutions designing policy<br />

for broadcasting <strong>and</strong> telecommunications. The previous authority for<br />

communications, the Department of Communications <strong>and</strong> Culture, became<br />

Industry Canada, responsible among others for policy-making for<br />

Telecommunications <strong>and</strong> the Information Society. Another authority, the<br />

Department of Canadian Heritage was put in charge of issues relating to<br />

content, broadcasting <strong>and</strong> culture. This sharp segregation of what used to<br />

be a more integrated institutional approach to communications <strong>and</strong> media<br />

comes in contrast to the claims that technological development drives<br />

policy. In this case, previous claims about the determining power of technological<br />

convergence raise the question whether the jurisdiction over<br />

communications would be more efficient had it ‘converged’ to address<br />

the technological realities of the new media. Indeed, this is one of the<br />

main recommendations of the report on cultural heritage commissioned<br />

by the House of Commons <strong>and</strong> completed in 2003. According to the<br />

1,000 page report, the recommendations, deriving from a wide consultation<br />

with community media <strong>and</strong> advocacy groups, media organizations<br />

<strong>and</strong> civil society organizations as well as academics <strong>and</strong> other consultants,<br />

stress that decisions about content should be made by a centralized<br />

body. Furthermore, it is recommended that the public service broadcaster,<br />

the Canadian Broadcasting Corporation (CBC), is guaranteed long-term<br />

funding with a clear plan for the transition to digital made available.<br />

The CBC has not been helped by state policies <strong>and</strong> debates that emphasize<br />

as a measuring st<strong>and</strong>ard of success the popularity of content <strong>and</strong> the<br />

proportion of audience share in comparison to commercial media. Moreover,<br />

the Canadian PSB in general has not been supported in its aims of<br />

universality <strong>and</strong> catering for minorities due to the fragmentation of policy.<br />

Again, as a remedial procedure, the report recommends the treatment of<br />

the broadcasting system as a single system with further recommendations<br />

for the creation of appropriate mechanisms <strong>and</strong> independent bodies that<br />

can promote the development of local programming <strong>and</strong> regional broadcasting<br />

policy (Canada 2003). 9 Canada, as does the EU, has a wide array<br />

of institutions <strong>and</strong> policies supporting cultural <strong>and</strong> media production,<br />

such as the National Film Board <strong>and</strong> the Council of the Arts, while it also<br />

has a dedicated regulator, the Canadian Radio-television <strong>and</strong> Telecommunications<br />

Commission (CRTC). However, despite its positive image<br />

in international circles, the Canadian state has allowed further disintegration<br />

of its ‘social contract’ with citizens, through the gradual slippage of

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