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Media Policy and Globalization - Blogs Unpad

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88 MEDIA POLICY AND GLOBALIZATION<br />

not only within the EU or the wider European space but also within<br />

the international terrain of trade agreements <strong>and</strong> the emerging global<br />

governance of content.<br />

The battlefield where public service broadcasters<br />

were (nearly) slaughtered<br />

It is true that PSB is greeted as a European institution, which, free from<br />

the pressures of market competition, bases its foundational principles on<br />

the noble ideals of education, information <strong>and</strong> high-quality entertainment.<br />

Or at least this is part of the myth of PSBs. An integral part of<br />

the European model of welfare society, the PSB emerged at different<br />

times in Europe (with the first one being the BBC in the 1920s) under<br />

the organized efforts of European governments to use radio <strong>and</strong> television<br />

for the education of their citizens. Programming was meant to bring<br />

the arts to those with the least knowledge about – <strong>and</strong> possibly lowest<br />

interest in – high culture, informational programmes for farmers, morning<br />

household-focused magazines for housewives, children’s programmes<br />

<strong>and</strong> a variety of other genres of information <strong>and</strong> entertainment. Public<br />

<strong>and</strong> state-owned media also served to reinforce a sense of homogenous<br />

national culture – a tangible imagined community – by bringing home<br />

the government’s voice as news, transmitting Sunday Mass <strong>and</strong> broadcasting<br />

speeches of royalty, colonizers <strong>and</strong> political strongmen. It is of<br />

no surprise then that commercial broadcasting became partly associated<br />

with the negative freedoms associated with the free print press in the<br />

late 1980s <strong>and</strong> 1990s. From the prime minister’s hour in London to the<br />

oath to the Führer in Nazi Berlin, <strong>and</strong> from the Armed Forces-run television<br />

channel in Athens to the Franco-ruled television in Barcelona,<br />

state-controlled PSBs provided plenty of examples of unfree media <strong>and</strong> a<br />

range of propag<strong>and</strong>a strategies. Overt propag<strong>and</strong>a as well as covert persuasion<br />

has been used as one of the main functions of public service media,<br />

despite differences in the political principles behind totalitarian regimes<br />

<strong>and</strong> liberal democracies. State actors have repeatedly demonstrated hostility<br />

to community, pirate <strong>and</strong> citizens’ media throughout the twentieth<br />

century by criminalizing radio transmission on unlicensed frequencies.<br />

This situation continues today whereby government policies push pirate<br />

radio stations out of available frequencies, in order either to make room<br />

for commercial enterprises or otherwise to control the distribution of<br />

airwaves. 2 Even in the era of digital, infinite spectrum for broadcasting,<br />

spaces for non commercial media are neither guaranteed nor protected.<br />

Despite their various degrees of autonomy, PSBs were rather closer to<br />

the government than to ‘impartiality’. 3 Having been financially supported

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