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Bondarenko Dmitri M. Homoarchy

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51<br />

European visitor remarked that the Binis were not afraid of death at all<br />

(Nyendael 1705: 447). Indeed, for them death did not exist neither in the<br />

materialistic and atheistic sense – as the definite and final end of life, nor in the<br />

Christian one – as transition to completely different afterlife and separation<br />

from all what was dear in earthly life. For the Binis, there was no afterworld<br />

and afterlife in this sense: death meant continuation of life in, in the nutshell,<br />

the same world, among the same people and spirits and with the prospect of<br />

rebirth in the aspect of an offspring to the human-being life which yet was<br />

regarded as the best (Talbot 1926: II, 268).<br />

All this sounded axiomatically for the Binis because in their world<br />

outlook the universe embraced the domains of people, on the one hand, and<br />

ancestors’ spirits and deities, on the other, as mutually necessary and<br />

interpenetrable. The picture of the universe turned out socio-, i.e.,<br />

Beninocentric. It departed from ideas about the place of their own country and<br />

society in it based on the premise that Benin was the universe’s vitally<br />

important focal point, its center because it was held that just there precisely the<br />

Binis’ deities and ancestors had created the universe, the Earth, and the life<br />

(see, e.g., Ebohon 1972: 5; Eweka, E. B. 1992: 2–4; Isaacs, D, and E. Isaacs<br />

1994: 7–9; Ugowe 1997: 1). And the whole universe concentrated in one point.<br />

That point was eguae – the sovereign’s palace, the biggest building (or more<br />

precisely, architectural complex) in Benin City situated in her very center (see<br />

Roese et al. 2001). The erection of the palace on the present, central, spot was<br />

initiated by Oba Ewedo in the mid-13 th century and symbolized the supreme<br />

rulers’ eventual gaining independence of the Uzama in whose district of the<br />

city the first royal palace had been built (Melzian 1937: 43; Egharevba 1952:<br />

23; 1956: 39; 1960: 10, 92; 1965: 19; Akenzua, E. 1965: 248; Beier 1966: 57;<br />

McClelland 1971: 11; Connah 1972: 35; 1975: 89–97; Obayemi 1976: 248;<br />

Roese 1984: 204; 1988: 68; Sargent 1986: 408; Eweka, E. B. 1989: IV; 1992:<br />

28; Omoregie, O. S. B. 1992–1994: VI; Nevadomsky 1993: 72; <strong>Bondarenko</strong><br />

2001: 171–172).<br />

In popular mass consciousness, sacrality of the Oba and the city as, in<br />

the final analysis, the center of the universe were interrelated directly (see, e.g.<br />

Sidahome 1964: 192–194). It is highly remarkable that in the society in which<br />

each and every animated and inanimate object was declared belonging to the<br />

sovereign, the only what was regarded as common property was his palace.<br />

From the time of Oba Ewuare, i.e., from the mid-15 th century (Ben-Amos 1980:<br />

20), as the focal point of the whole universe’s focal point (Benin City), the<br />

palace was seen as the hub of the whole cosmos in which communication<br />

between the living and the spirits, deities was to be performed most actively<br />

and effectively. Just for integrating the two parts of the society as it was seen<br />

by the Binis –visible and invisible but yet not at all less real and even more<br />

important, the main inhabitant of the palace, the Oba, existed in the Binis’<br />

minds first and foremost. Without this task’s successful fulfilling by the Oba

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