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GAIA Exploring Sound (PDF) - Roland Corporation Australia

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Frequency<br />

Let’s re-phrase that. Firstly, as you played higher notes the waves<br />

appeared “more frequently!” Would that suggest that higher notes<br />

“have a higher frequency?” Of course!<br />

Secondly, each octave was an exact multiple of the first. Move up<br />

an octave and you’ve doubled the frequency. Move up two<br />

octaves and you’ve multiplied the frequency by 4. Exciting?<br />

To put that as a simple calculation, each time you move one<br />

octave higher you double the frequency of the waveform!<br />

By the way, we measure frequency in cycles per second. That is,<br />

if a tuning fork vibrates 440 times in each second we say it is<br />

vibrating at 440 cycles per second. We also use a specific name<br />

for this; the Hertz, named after a German physicist, Heinrich<br />

Hertz. 440 cycles per second equals 440 Hertz (or 440Hz for<br />

short).<br />

You have now seen, and can clearly understand, why we speak of<br />

musical notes of a higher, or lower, frequency. Why we say that<br />

musical notes have a mathematical relationship with each other.<br />

This is good stuff!<br />

Perhaps we have jumped a little too far ahead. We were talking<br />

about Pitch and Wave Shapes. Let’s just concentrate on the Pitch<br />

controls to begin with....<br />

19

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