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GAIA Exploring Sound (PDF) - Roland Corporation Australia

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Section 8<br />

Effects<br />

Now that we have discussed the role of the <strong>Sound</strong> Generator in<br />

Preset Patch A-7, it’s time to analyze the effects.<br />

Figure 12.10 Effects<br />

What effect settings have been used?<br />

The lack of Feedback in the Flanger would suggest the<br />

programmer preferred more of a stereo chorus effect. This,<br />

combined with the Panning Delay has increased spatial depth of<br />

the sound.<br />

Note: It could be said that TONES 2 and 3 might even be<br />

unnecessary. They might be considered to be so subtle that they are<br />

masked by the effects. As always, that is a matter of taste. We prefer<br />

the additional subtlety, no matter how small.<br />

There are three questions we need to ask ourselves when<br />

examining the effects:<br />

What types of effects have been used?<br />

In this case there is a combination of Flanging, Panning Delay<br />

and Reverb.<br />

What are the benefits of the effects?<br />

As we said, the Chorus (Flanger) and Panning Delay have added<br />

spatial depth. Having the Panning Delay synchronized to the<br />

master tempo adds to the “Dance” nature of the sound. The<br />

delays bounce along in time to the Arpeggiator.<br />

The Reverb is an interesting point though. In this case it is so<br />

subtle as to be almost unnecessary. Indeed, many synthesizer<br />

purists might say reverb is never necessary.<br />

So who decides? You, of course!<br />

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