GAIA Exploring Sound (PDF) - Roland Corporation Australia
GAIA Exploring Sound (PDF) - Roland Corporation Australia
GAIA Exploring Sound (PDF) - Roland Corporation Australia
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Section 8<br />
Effects<br />
Now that we have discussed the role of the <strong>Sound</strong> Generator in<br />
Preset Patch A-7, it’s time to analyze the effects.<br />
Figure 12.10 Effects<br />
What effect settings have been used?<br />
The lack of Feedback in the Flanger would suggest the<br />
programmer preferred more of a stereo chorus effect. This,<br />
combined with the Panning Delay has increased spatial depth of<br />
the sound.<br />
Note: It could be said that TONES 2 and 3 might even be<br />
unnecessary. They might be considered to be so subtle that they are<br />
masked by the effects. As always, that is a matter of taste. We prefer<br />
the additional subtlety, no matter how small.<br />
There are three questions we need to ask ourselves when<br />
examining the effects:<br />
What types of effects have been used?<br />
In this case there is a combination of Flanging, Panning Delay<br />
and Reverb.<br />
What are the benefits of the effects?<br />
As we said, the Chorus (Flanger) and Panning Delay have added<br />
spatial depth. Having the Panning Delay synchronized to the<br />
master tempo adds to the “Dance” nature of the sound. The<br />
delays bounce along in time to the Arpeggiator.<br />
The Reverb is an interesting point though. In this case it is so<br />
subtle as to be almost unnecessary. Indeed, many synthesizer<br />
purists might say reverb is never necessary.<br />
So who decides? You, of course!<br />
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