GAIA Exploring Sound (PDF) - Roland Corporation Australia
GAIA Exploring Sound (PDF) - Roland Corporation Australia
GAIA Exploring Sound (PDF) - Roland Corporation Australia
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Section 1<br />
A Dance/Trance Patch<br />
From the beginning of this book we have referred to the “Three<br />
Building Blocks” in the <strong>GAIA</strong>, or any Subtractive Synthesizer.<br />
Clearly, through the previous Lessons you will have realized that<br />
there are far more components. Low Frequency Oscillators,<br />
Effects, and so on.<br />
but by selecting Patch A-7 we have also chosen an Arpeggio<br />
pattern, and some dedicated effects. So a more complete<br />
Figure 12.1<br />
There is also a very powerful Arpeggiator in the <strong>GAIA</strong>, and a<br />
Phrase Recorder. Both of these greatly expand the possibilities of<br />
this instrument, but are not really the focus of this book.<br />
For a detailed explanation of the Arpeggiator and Phrase Recorder<br />
please see the <strong>GAIA</strong> owner’s manual.<br />
Even so, we’d now like to analyze one of the <strong>GAIA</strong>’s Preset<br />
Patches that happens to use the Arpeggiator.<br />
Please select Preset Patch A-7, and play the keyboard.<br />
It is immediately obvious that a “Patch” in the <strong>GAIA</strong> is much<br />
more than just the Three Building Blocks. Of course, the Patch is<br />
made up of three TONES, all with Three Building Blocks of their<br />
own. We could refer to all of these as being the <strong>Sound</strong> Generator,<br />
diagram of the structure of the <strong>GAIA</strong> would look more like this:<br />
Now that you understand programming we’d like you to examine<br />
this patch, but we will provide you with a list of questions to<br />
guide you.<br />
Let’s Begin.<br />
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