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GAIA Exploring Sound (PDF) - Roland Corporation Australia

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Section 1<br />

A Dance/Trance Patch<br />

From the beginning of this book we have referred to the “Three<br />

Building Blocks” in the <strong>GAIA</strong>, or any Subtractive Synthesizer.<br />

Clearly, through the previous Lessons you will have realized that<br />

there are far more components. Low Frequency Oscillators,<br />

Effects, and so on.<br />

but by selecting Patch A-7 we have also chosen an Arpeggio<br />

pattern, and some dedicated effects. So a more complete<br />

Figure 12.1<br />

There is also a very powerful Arpeggiator in the <strong>GAIA</strong>, and a<br />

Phrase Recorder. Both of these greatly expand the possibilities of<br />

this instrument, but are not really the focus of this book.<br />

For a detailed explanation of the Arpeggiator and Phrase Recorder<br />

please see the <strong>GAIA</strong> owner’s manual.<br />

Even so, we’d now like to analyze one of the <strong>GAIA</strong>’s Preset<br />

Patches that happens to use the Arpeggiator.<br />

Please select Preset Patch A-7, and play the keyboard.<br />

It is immediately obvious that a “Patch” in the <strong>GAIA</strong> is much<br />

more than just the Three Building Blocks. Of course, the Patch is<br />

made up of three TONES, all with Three Building Blocks of their<br />

own. We could refer to all of these as being the <strong>Sound</strong> Generator,<br />

diagram of the structure of the <strong>GAIA</strong> would look more like this:<br />

Now that you understand programming we’d like you to examine<br />

this patch, but we will provide you with a list of questions to<br />

guide you.<br />

Let’s Begin.<br />

159

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