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GAIA Exploring Sound (PDF) - Roland Corporation Australia

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ucket and throw the water towards the fire. That would have a<br />

quick result, but may waste a lot of water if he missed.<br />

A better alternative would be to have five firemen, all standing a<br />

meter apart. The first would fill the bucket, then pass it to the<br />

second, and on to the third, and so on. Eventually the fifth fireman<br />

would be close enough to accurately douse the fire.<br />

However, the only downfall is that it will take a little longer.<br />

This recording is incredibly accurate, and can simply be “told” to<br />

replay itself when needed. Complicated circuitry, but a very<br />

simple result.<br />

So switch on the Delay (either method) and try playing the Simple<br />

Guitar sound.<br />

Figure 10.5 Delay<br />

This is the whole idea behind a circuit created to reproduce an<br />

electronic Delay. Instead of the signal being passed directly to the<br />

output, it would be sent to a small circuit that took a finite amount<br />

of time to process it. That circuit would pass it on to another<br />

similar circuit with the same processing delay problem. Then on<br />

to another. And another. Finally the signal would be sent to the<br />

output having been delayed by all the previous circuitry.<br />

An electronic Bucket Brigade.<br />

The <strong>GAIA</strong> Delay<br />

The <strong>GAIA</strong> Delay, however, is something quite different. Modern<br />

technology has brought another idea called Digital Sampling.<br />

With Digital Sampling the <strong>GAIA</strong> can make an exact digital<br />

“recording” of the sound, much like what you hear when you play<br />

a CD or an mp3.<br />

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