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PROMOCIJA TALENATA EUROPSKE ANIMACIJE<br />
Cartoon d’Or europska je nagrada za kratki animirani<br />
film. Utemeljena je 1991. i do danas je jedina isključivo<br />
europska nagrada za animaciju. Svake godine nagrađuje<br />
najbolje od najboljeg, jer se mogu natjecati samo<br />
nagrađeni filmovi s 29 partnerskih festivala. S te kratke<br />
liste žiri izabire pet filmova koji se prikazuju tijekom<br />
Cartoon Foruma kako bi se svake godine promoviralo pet<br />
redatelja i samo jedan od njih primio nagradu Cartoon<br />
d’Or. Dva su glavna razloga zašto je međunarodna organizacija<br />
CARTOON utemeljila nagradu. Ponajprije zato<br />
što je europsku animaciju trebalo oplemeniti radom<br />
kreativnih filmaša. Europske televizijske serije trebale<br />
su kreativnost i privlačnost da bi se mogle natjecati s<br />
ponudom iz SAD-a i Japana, a najviše je umjetnika radilo<br />
u području kratkog filma. Drugi je razlog taj što animacija<br />
nije imala posebno mjesto ni nagrade na glavnim<br />
europskim festivalima, primjerice u Cannesu, Berlinu,<br />
Veneciji ili pri Europskim filmskim nagradama, iako se<br />
animaciji davala velika financijska podrška. Cartoon d’Or<br />
postala je prestižna nagrada, a takvom je smatra i struka.<br />
Prvi Cartoon d’Or osvojio je tada nepoznati britanski<br />
redatelj Nick Park za film Životinjsko carstvo (Creature<br />
Comforts). Uslijedila su mnoga sjajna imena: Sylvain<br />
Chomet, Jacques-Rémy Girerd, Mark Baker, Michaël<br />
Dudok de Wit, Abi Feijó, Virgil Widrich, Marc Craste,<br />
Joanna Quinn, Luis Cook i David O'Reilly. Godine 2010.<br />
žiri u sastavu Joanna Quinn, Valérie Schermann i Géza<br />
M. Tóth izabrao je pet finalista, a pobjednik je Kaspar<br />
Jancis i film Krokodil.<br />
Promoting the talents of European animation<br />
The Cartoon d’Or is the pan-European award for animation<br />
short films. Founded in 1991, to this day it remains<br />
the only completely European animation prize. It<br />
rewards each year the best of the best since only prizewinning<br />
films from the 29 partner festivals can compete.<br />
Amongst this short list, a jury selects 5 films that will be<br />
screened during the Cartoon Forum (in order to promote<br />
5 filmmakers each year) and one film will receive the<br />
Cartoon d’Or. There were two reasons why CARTOON created<br />
this award. Firstly, the European animation industry<br />
needed to be nourished by work from creative filmmakers.<br />
European television series needed to be creative and<br />
attractive in order to compete with programming on offer<br />
from the USA and Japan, and most artists were working<br />
in the short film sector. Secondly, although major financial<br />
support was being given to develop European animation,<br />
no special place was made for it at major European<br />
festivals and awards (Cannes, Berlin, Venice, European<br />
Film Awards, etc.). The Cartoon d’Or is a prestigious prize<br />
and is recognised as such within the industry. The first<br />
Cartoon d’Or went to British director Nick Park, still unknown<br />
at the time, for his film Creature Comforts. Other<br />
great names have followed: Sylvain Chomet, Jacques-<br />
Rémy Girerd, Mark Baker, Michaël Dudok de Wit, Abi<br />
Feijó, Virgil Widrich, Marc Craste, Joanna Quinn, Luis<br />
Cook and David O'Reilly. In 2010 the jury composed of<br />
Joanna Quinn, Valérie Schermann and Géza M. Tóth has<br />
selected the 5 finalists, and the winner is Kaspar Jancis,<br />
for his short film Crocodile.<br />
cartoon d'or 2010<br />
76—77
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