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THE GENTLEMAN'S STYLE JOURNAL MEDIA KIT 2010 - Rockmedia

THE GENTLEMAN'S STYLE JOURNAL MEDIA KIT 2010 - Rockmedia

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FANTASTIC<br />

MAN<br />

<strong>THE</strong> GENTLEMAN’S <strong>STYLE</strong> <strong>JOURNAL</strong><br />

<strong>MEDIA</strong> <strong>KIT</strong> <strong>2010</strong>


An ARR AY Of Ple AsinG s T Y les T HAT jus T sO HAPPen TO be RendeRed<br />

in T He bl AckesT Of le AT HeR<br />

PHOTOGR APH Y ........................................................................................................ WillY VAndeRPeRRe<br />

s T Y linG ........................................................................................................................... OliVieR Riz zO<br />

H A i R — PA u l H A n l O n AT j u l i A n WAT s O n . M A k e- u P — s A l lY b R A n k A AT j u l i A n WAT s O n<br />

P H O T O G R A P H i c A s s i s TA n c e — A n T O i n e b R é A n T A n d R O M A i n d u b u s . s T Y l i n G A s s i s TA n c e — c H A R l O T T e b R i è R e A n d A n T O n i n T R O n<br />

M O d e l s — A l e x A n d c l e M e n T AT s u c c e s s, b A s T i A A n AT b A n A n A s, A n T O n i n, A n T O i n e, PA u l A n d R O M A i n<br />

f O R A d d i T i O n A l c R e d i T s s e e PA G e 182...<br />

– 76 –<br />

ALEX is wearing a uniform cap<br />

from the archives of WARNER BROS.<br />

STUDIOS in Los Angeles.<br />

– 77 –<br />

w<br />

mr. roBert wyatt was interviewed by aleX needham<br />

and photographed by Paul wetherell<br />

– 78 – – 79 –<br />

fa n ta s t ic man<br />

– 60 –<br />

profile<br />

Text .................................................................................................................................................................................................................. Paul Flynn<br />

Photography .................................................................................................................................................................................... Alasdair McLellan<br />

Styling ......................................................................................................................................................................................................... Olivier Rizzo<br />

– 61 –<br />

JAKE has thrown a POLO RALPH<br />

LAUREN cashmere sweater over<br />

a yellow-and-blue cotton shirt by<br />

VIKTOR & ROLF that reads in its<br />

repeated print “MONSIEUR”. The<br />

cotton trousers by J.LINDEBERG<br />

prove how delicious a tone the palest<br />

grey can be, while it’s MANO-<br />

LO BLAHNIK who is responsible<br />

for the shoes once more—this time<br />

in desirable salmon.<br />

SUPER...<br />

With its glossy, frond-like appearance,<br />

the VENUS HAIR FERN has often<br />

been used to treat hair loss—although<br />

there is no scientific evidence that it actually<br />

works. It blooms in the summer<br />

with a rather boring white flower.<br />

Far more practical is its partner pictured<br />

here: the FENNEL plant. FENNEL<br />

seeds should be planted in the middle<br />

of summer to be harvested in autumn.<br />

All parts of the FENNEL plant are edible<br />

and they’re great for treating yellow<br />

jaundice, too!<br />

The gentleman is called<br />

MAT<strong>THE</strong>W MONEYPENNY<br />

and he is wearing a black suit<br />

by PRADA. The double-breasted<br />

buttoning is both functional<br />

and for decoration, since the highest<br />

button is too far away to be<br />

used for closure. The white shirt<br />

and black-and-white check tie<br />

are both by RALPH LAUREN.<br />

The brown brogues, visible on the<br />

previous page, are the result of<br />

DUCKIE BROWN’s collaboration<br />

with FLORSHEIM.<br />

A carnival of colour: JAKE is<br />

wearing a quite remarkable jacket<br />

from BROOKS BRO<strong>THE</strong>RS<br />

BLACK FLEECE in the shades of<br />

various faded felt-tipped pens. It<br />

is worn over a yellow polo shirt by<br />

MULBERRY that has on it the unseen<br />

detail of a soft pink trim that<br />

goes marvellously with the warm<br />

pink jeans by PAUL SMITH. The<br />

stand-out leather belt is by VER-<br />

SACE, while the grey lace-up<br />

shoes are by RAF SIMONS for Dr.<br />

MARTENS. For a pastel conversation<br />

with JAKE, see page 173,<br />

and flip to page 182 for additional<br />

credits...<br />

– 148 – – 149 –<br />

– 74 –<br />

– 120 – – 121 –<br />

ci t y sui t s<br />

– 174 –<br />

t rue masculini t y re ve aled by five bri t ish men in incredibly fi t t ing cu t s<br />

PhOtOgr aPh y ..................................................................................................................... al asdair mclell an<br />

s t y ling ....................................................................................................................................... simOn fOX tOn<br />

m O d e l s — J a s O n c a s t l e t O n, s i m O n c l a r K , Pa u l s c u l f O r a n d c h r i s Wa lt e r s, a l l at s e l e c t, a n d W e s l e y m O r g a n at n e v s<br />

P r O d u c t i O n — r O s c O P r O d u c t i O n . P h O t O g r a P h i c a s s i s ta n c e — g a r e t h P O W e l l , s i m O n b r e m n e r a n d r O b e r t n e t h e r y<br />

s t y l i n g a s s i s ta n c e — e l g a r J O h n s O n a n d r u fa i a J a l a . m a K e- u P — h i r O m i u e d a at J u l i a n Wat s O n . h a i r — m at t m u l h a l l at c a r e n<br />

m a K e- u P a s s i s ta n c e — n O b u KO m a e K aWa . t h a n K s t O s P r i n g s t u d i O s<br />

– 182 –<br />

This grey TRUSSARDI 1911<br />

suit has a fine check in its weave.<br />

The striped shirt is by MARC<br />

JACOBS, and so are the lace-up<br />

shoes. The black-and-white<br />

striped tie is from RALPH<br />

LAUREN PURPLE LABEL and<br />

the scarf is by J.LINDEBERG.<br />

The black briefcase is by RALPH<br />

LAUREN. The leather-handle<br />

umbrella is by TOM FORD.<br />

JASON<br />

Mr. JASON CASTLETON is<br />

wearing a deliciously light herringbone<br />

suit by ADAM KIMMEL,<br />

which is secured by a single deck<br />

of double-breasted buttoning.<br />

It’s a clever design trick, heightening<br />

the triangularity of the suit’s<br />

shape without having too many<br />

buttons. His shirt and tie are also<br />

by ADAM KIMMEL.<br />

– 75 –<br />

– 175 –<br />

– 183 –<br />

Mr. Rem Koolhaas photographed by Wolfgang Tillmans<br />

Chanel for Men photographed by Scott Schuman<br />

Pastel Masterclass photographed by Ben Weller<br />

fa n ta s t ic<br />

m a n<br />

The Shirt photographed by Maurice Scheltens<br />

Mr. Helmut Lang photographed by Bruce Weber<br />

Super Positive Plants by Anuschka Blommers and Niels Schumm<br />

T HE SUN<br />

Le Créateur photographed by Daniel Riera<br />

Camel Galore photographed by Paul Wetherell<br />

Here Comes the Sun photographed by Wolfgang Tillmans<br />

fa n ta s t ic<br />

m a n<br />

wyatt<br />

and the stunningly touching voice<br />

the intriguing mr. roBert<br />

from the north...<br />

HeAdGeAR<br />

Headgear photographed by Willy Vanderperre<br />

Mr. Robert Wyatt photographed by Paul Wetherell<br />

City Suits photographed by Daniel Riera<br />

man suits<br />

Mr.<br />

McGREGOR<br />

The handsome actor Mr. EWAN McGREGOR and<br />

his new wave of fantastic films...<br />

Recommendations photographed by Daniel Riera Mr. Ewan McGregor photographed by Alasdair McLellan Man Suits photographed by Alasdair McLellan


<strong>THE</strong> MAGAZINE<br />

FANTASTIC MAN is the gentleman’s style journal that continues to break new ground in magazine publishing. In the past year<br />

FANTASTIC MAN has grown from a staple-bound publication to perfect-bound, booming in strength without any compromise<br />

on quality. International distribution through COMAG has rocketed and advertising is up, while the boundaries of editorial possibilities<br />

continue to expand with FANTASTIC MAN’s intelligent, insightful and highly journalistic approach that has no room<br />

for clichés. FANTASTIC MAN places equal importance on communicating through its celebrated design, and in each issue, the<br />

award-winning layouts and specially commissioned photography help tell the story of what it is to be a man today. The ethos<br />

of FANTASTIC MAN is as clear now as it was when the magazine was founded in 2005: that fashion is both entertaining and<br />

important and that personal style can be effortless, obsessive, inquisitive and even infectious, all at the same time.<br />

<strong>THE</strong> CONTENT<br />

FANTASTIC MAN is a magazine that sees its readers and its subject matter as its contemporaries. At the centre of the magazine<br />

are in-depth, definitive interviews with men from across the genres, giving each issue a mix of culture with design, fashion with<br />

politics, art and thought. It’s a meeting of minds, accompanied by exclusive images from the best photographers in the business,<br />

which helps build FANTASTIC MAN’s unique world view. Woven into this are the magazine’s fashion pages, making men’s<br />

style intrinsic to a progressive, intelligent life. FANTASTIC MAN’s fashion relates absolutely to the man that wears it, and the<br />

realisation of his own taste and refinement.<br />

Left: Mr. Stefano Pilati by Inez van Lamsweerde & Vinoodh Matadin, Right: Mr. Helmut Lang by Bruce<br />

Weber<br />

Left: Mr. Bret Easton Ellis by Jeff Burton, Right: Mr. Ewan McGregor by Alasdair McLellan


<strong>THE</strong> READERS<br />

FANTASTIC MAN is read and loved by a loyal, culture-hungry, international audience of independent thinkers who embrace<br />

and relish art, fashion, travel, music, film, design and personal style. Survey shows that while FANTASTIC MAN’s readers have<br />

sufficient self-confidence to know what they like and appreciate the iconic and the classic, they are also eager to be surprised<br />

and inspired by new ideas, honest recommendations and unfamiliar points of view. It’s what excites those that contribute to the<br />

magazine, and it’s a joy to know that it’s what engages the reader, too.<br />

FANTASTIC MAN READERSHIP…<br />

Median age ............................................................. 34 years<br />

76% ................................................................................ male<br />

24% ............................................................................ female<br />

87% .................................................. between 28–48 years<br />

96% ..................... keep the magazine in their collection<br />

EVENTS<br />

FANTASTIC MAN is proud to have a life outside of the pages of the magazine, with collaborations and high-profile launch<br />

events that focus on what a fantastic man can be. FANTASTIC MAN has hosted several events for the highly sought-after international<br />

audience, such as high-tea parties, dinners and late-night cocktails in Paris, London, New York, Milan, Amsterdam and<br />

Stockholm... As new issues appear, there will be even more opportunities to become part of FANTASTIC MAN.<br />

Clockwise from top left: presentation of The Gentleman’s Jeans with ACNE, Paris, March 2008; four guests at FANTASTIC<br />

MAN’s London dinner during Frieze Art Fair, October 2008; invitation for London party in collaboration with ABSOLUT,<br />

September 2009; guests at the Savile Club party, London, September 2009.<br />

<strong>THE</strong> DESIGN<br />

Groundbreaking both in its design and tone of voice, FANTASTIC MAN was honoured with the British D&AD award for<br />

Best Magazine & Newspaper design 2008.


INCREASED DISTRIBUTION<br />

After having shown the most confident growth throughout 2009 in the international men’s style press market, FANTASTIC<br />

MAN has established an increased print run of 72,000 copies to facilitate an even greater distribution across the globe. Major<br />

fashion cities such as London, Paris, New York, Milan, Berlin and Copenhagen form a particular target, while the biggest market<br />

is the UK, where 41% of the circulation is currently distributed.<br />

The magazine is available in quality newsstands such as R.D. Franks, Borders and Barnes & Noble, combined with more exclusive<br />

displays at acclaimed fashion stores such as Dover Street Market (London) and Colette (Paris).<br />

Each new issue of FANTASTIC MAN is released with an extensive promotional programme in all major markets. Complimentary<br />

issues are available to all guests at a selection of quality hotels such as The Mercer (New York), Chateau Marmont (Los<br />

Angeles) and The Dylan (Amsterdam).<br />

WORLDWIDE CIRCULATION<br />

72.000 COPIES<br />

DIFFUSION PLAN<br />

COPIES<br />

UK 41%<br />

80.000<br />

70.000<br />

US 19%<br />

60.000<br />

50.000<br />

France 11%<br />

Others 3%<br />

Germany 5% Italy 9%<br />

Benelux 12%<br />

40.000<br />

30.000<br />

20.000<br />

10.000<br />

0<br />

2005 2006 2007 2008 2009 <strong>2010</strong><br />

ADVERTISERS<br />

Many advertisers from the fields of fashion and design, as well as from cultural and art institutions, have embraced FANTASTIC<br />

MAN as a revolutionary and effective new voice in publishing and as a highly efficient way of reaching their target audience. Not<br />

only do campaigns look their best in the FANTASTIC MAN environment, but the magazine is also a space where innovation is<br />

possible. FANTASTIC MAN welcomes new ideas for inserts and promotions.<br />

FANTASTIC PRESS<br />

“One of the most remarkable magazines of this era.”<br />

– Interview Magazine<br />

“A watershed moment in the menswear industry.”<br />

– The International Herald Tribune<br />

“More mature than glossy style magazines, more genuinely interested in sartorial points.”<br />

– T, the New York Times Style Magazine


CALENDAR <strong>2010</strong><br />

FANTASTIC MAN #11, Spring/Summer <strong>2010</strong><br />

Closing Date: 19 February <strong>2010</strong> – On Sale: 5 April <strong>2010</strong><br />

FANTASTIC MAN #12, Autumn/Winter <strong>2010</strong><br />

Closing Date: 9 July <strong>2010</strong> – On Sale: 10 September <strong>2010</strong><br />

ADVERTISING RATES <strong>2010</strong><br />

1st Double Page Spread ................................ € 17.500<br />

DPS Specified Position .............................. € 14.500<br />

Double Page Spread ...................................... € 13.500<br />

Page Facing Masthead/TOC ........................ € 9.500<br />

Page Run of Magazine .................................. € 8.500<br />

Outside Back Cover ...................................... € 20.500<br />

For enquiries regarding promotions and special projects call Adam Saletti +31. 20. 320 9032<br />

TERMS AND CONDITIONS<br />

All advertisement rates are subject to VAT. Agency discount 10%. Payment terms for advertising 30 days.<br />

Cancellations must be received 6 weeks prior to artwork deadline or are payable in full. In cases where space is booked but<br />

usable artwork does not reach the publisher by art deadline space must be paid for.<br />

ART WORK SPECS<br />

Double page ad: 470 x 300 mm (plus 3 mm bleed)<br />

Single page ad: 1/1 page: 300 x 235 mm (plus 3 mm bleed)<br />

Digital requirements: CMYK, 300 dpi, PDF, In-Design, Photoshop or Illustrator documents. In Illustrator all text should be<br />

outlined. Please provide a full color proof print of your ad with register marks top, bottom and sides as well as bleed and trim<br />

crops. All physical material should be sent to Amsterdam office, see address below.<br />

CONTACT<br />

Sales & Marketing Director Worldwide: Adam Saletti<br />

adamsaletti@fantasticman.com • M +31. 621 521 799<br />

AMSTERDAM HEADQUARTERS<br />

Kleine-Gartmanplantsoen 21 • 1017 RP • Amsterdam • The Netherlands<br />

T +31. 20. 320 9032 • F +31. 842. 24 8511<br />

LONDON OFFICE<br />

Studio 1 • 60 Great Eastern Street • EC2A 3QR • London • UK<br />

T +44. 207 033 9781<br />

Sales Representative USA: Michael Bullock<br />

195 Chrystie Street, suite 700 C • NY 10002 • NYC • USA<br />

michael@fantasticman.com • T +1. 917. 349 0417

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