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Press release_Ausstellung ´Helmut Newton ... - Nadine Dinter PR

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The Helmut <strong>Newton</strong> Foundation presents<br />

The Museum of Fine Arts Houston show:<br />

'HELMUT NEWTON:<br />

WHITE WOMEN / SLEEPLESS NIGHTS / BIG NUDES'<br />

<strong>Press</strong> conference:<br />

Opening:<br />

Friday, June 1 st , 2012, 11 am<br />

Friday, June 1 st , 2012, 8 pm<br />

Duration: June 2 nd - November 18 th , 2012<br />

Helmut <strong>Newton</strong>, They are coming, Paris 1981, © Helmut <strong>Newton</strong> Estate<br />

On June 1 st , 2012 the new Helmut <strong>Newton</strong> exhibition will be opened under the title 'White<br />

Women / Sleepless Nights / Big Nudes'.<br />

Originally conceived for and presented at the Museum of Fine Arts Houston, this exhibition at the<br />

Helmut <strong>Newton</strong> Foundation is dedicated to <strong>Newton</strong>’s first three legendary publications. The motifs<br />

published in the books have been transformed into exhibition prints. During <strong>Newton</strong>’s lifetime,<br />

these photographs bordering between fashion and nude photography were never displayed<br />

together.


His first photography book, White Women, was published when <strong>Newton</strong> was already 56 years<br />

old, in 1976. The book received the Kodak Photobook Award shortly thereafter and has enjoyed<br />

numerous reprints ever since. In White Women, <strong>Newton</strong> used nudity within the visual world of<br />

fashion. While such unusual pictures both astonished and provoked the scene, above all, they<br />

revolutionized fashion photography. Furthermore, <strong>Newton</strong>’s photographs both reflect and<br />

comment on the transformation of the role of women in western society at the time. Inevitably,<br />

<strong>Newton</strong> makes us observers into voyeurs.<br />

Just as perfectly arranged were the black and white and color photographs in <strong>Newton</strong>’s 1978<br />

book Sleepless Nights. Previously published in various magazines, these were also all about<br />

women, their bodies and their clothes; fashion shots that are simultaneously portraits, or which<br />

could double as crime scene documentation photos. Here for the first time are also three smaller<br />

series, which would later be counted among <strong>Newton</strong>’s iconic images: half-naked, female models<br />

in orthopedic body braces or wearing leather saddles by Hermès, as well as the so-called<br />

“dummies.” His second publication Sleepless Nights also features mannequins that are mostly in<br />

amorous combination with a person. For Helmut <strong>Newton</strong>, fashion often seems to be an excuse to<br />

realize something different and very individual.<br />

At the latest with his third publication Big Nudes, Helmut <strong>Newton</strong> had secured his seat atop the<br />

Mount Olympus of photography. Since its first publication in 1981, the book has been reprinted<br />

thousands of times, by several publishing houses and in multiple languages. Soon after their<br />

creation the monumental pictures were shown in various museums; with his Big Nudes and the<br />

subsequent life-sized images from his Naked and Dressed series, <strong>Newton</strong> had opened up a new<br />

dimension of the photographic human image.<br />

In parallel to the exhibition 'Helmut <strong>Newton</strong>: White Women / Sleepless Nights / Big Nudes' the<br />

Dutch photographer Jan de Wit will be presenting his show 'Journey to the Past' in June´s<br />

Room; featuring photographs from a shared trip with Helmut <strong>Newton</strong> through Brandenburg and to<br />

the Baltic Sea, in 1999, tracing <strong>Newton</strong>s childhood.<br />

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