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Play in the EYFS Contents - Practical Pre-School Books

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Introduc<strong>in</strong>g sensory play<br />

understand snow by actually feel<strong>in</strong>g it <strong>the</strong>mselves. No<br />

amount of stories and pictures will convey its essence or<br />

replace <strong>the</strong> magic of encounter<strong>in</strong>g snow first hand.<br />

Activity<br />

Imag<strong>in</strong>e describ<strong>in</strong>g snow, ice, or couscous to a visitor<br />

from ano<strong>the</strong>r world for whom words have limited<br />

mean<strong>in</strong>g. See how difficult it is to do, how many different<br />

words you need to use and how far <strong>the</strong> visitor is from<br />

understand<strong>in</strong>g <strong>the</strong> sensation of touch<strong>in</strong>g <strong>the</strong>se first-hand.<br />

Tapp<strong>in</strong>g <strong>in</strong>to this amaz<strong>in</strong>g connectivity, richness and<br />

immediacy of thought is key to br<strong>in</strong>g<strong>in</strong>g a curriculum to<br />

life. As we shall discover <strong>in</strong> chapter five, <strong>the</strong> senses can<br />

help make learn<strong>in</strong>g relevant and real. The draft framework<br />

of <strong>the</strong> revised <strong>EYFS</strong> highlights <strong>the</strong> need for explorative<br />

play, active learn<strong>in</strong>g and critical th<strong>in</strong>k<strong>in</strong>g, recognis<strong>in</strong>g <strong>the</strong><br />

importance of “ignit<strong>in</strong>g children’s curiosity and enthusiasm<br />

for learn<strong>in</strong>g, and for build<strong>in</strong>g <strong>the</strong>ir capacity to learn and to<br />

thrive” (Department for Education, July 2011, p.5). Crowe<br />

recognises that “without mean<strong>in</strong>g words are useless ...<br />

words are connectors ... children’s senses cry out to be used<br />

first to provide <strong>the</strong> experiences that <strong>the</strong>y will later need <strong>in</strong><br />

order to connect. Children must feel <strong>the</strong>ir world, listen to it,<br />

see it, taste it, smell it, ‘know’ it...That takes time and a great<br />

deal of silent <strong>in</strong>vestigation <strong>in</strong> peace and privacy” (Brenda<br />

Crowe, 1983, p.39). We return to focussed <strong>in</strong>vestigations <strong>in</strong><br />

chapter three, as children explore unusual natural objects<br />

with sand and water.<br />

Different parts of <strong>the</strong> bra<strong>in</strong> are associated with different<br />

functions and are broadly responsible for process<strong>in</strong>g<br />

different sensory <strong>in</strong>formation from <strong>the</strong> eyes, ears etc. But<br />

as we shall discover <strong>in</strong> chapter two this does not happen<br />

<strong>in</strong> isolation. The bra<strong>in</strong> <strong>in</strong>tegrates all of <strong>the</strong> different pieces<br />

of <strong>in</strong>formation <strong>in</strong> order to make sense of <strong>the</strong> world.<br />

Experiments have shown just how powerful <strong>the</strong> different<br />

senses are <strong>in</strong> ultimately decod<strong>in</strong>g experiences. For example,<br />

Activity<br />

Try <strong>the</strong> experiment opposite yourself by add<strong>in</strong>g food<br />

colour or flavour<strong>in</strong>gs to dr<strong>in</strong>ks to see if it changes o<strong>the</strong>r<br />

people’s perceptions of taste. Always check allergies first.<br />

Sensory <strong>Play</strong> 5

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