Arts and Cultural Education in Iceland : Professor Anne Bamford
Arts and Cultural Education in Iceland : Professor Anne Bamford
Arts and Cultural Education in Iceland : Professor Anne Bamford
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Figure 3.3.6 Pupil performances <strong>in</strong> a school year <strong>in</strong> music schools<br />
In addition to the pupils participat<strong>in</strong>g directly <strong>in</strong> performances <strong>and</strong> exhibitions of their<br />
learn<strong>in</strong>g, pupils can hone their performance <strong>and</strong> presentational skills through attend<strong>in</strong>g<br />
professional performances <strong>and</strong> exhibitions of others.<br />
Figure 3.3.7 Places students <strong>in</strong> compulsory school visit<br />
Opportunities to attend such events tended to be more readily available for pupils <strong>in</strong> the<br />
Reykjavik than <strong>in</strong> the more isolated locations. The exception to this seemed to be the Symphony<br />
Orchestra <strong>and</strong> Music for All programmes that ensured – through travell<strong>in</strong>g performances – that<br />
children had the opportunity to attend a concert. Though these experiences may not have the<br />
same ‘feel’ as see<strong>in</strong>g a symphony play<strong>in</strong>g <strong>in</strong> a major concert hall, they provide a valuable chance<br />
for pupils to be exposed to professional performance. This is exemplified <strong>in</strong> comments made by<br />
school pr<strong>in</strong>cipal <strong>in</strong> relation to these opportunities:<br />
The musicians from the symphony orchestra came <strong>and</strong> played for all the children. The children were most<br />
<strong>in</strong>terested <strong>in</strong> the classical pieces. It was the first time ever the children had heard a real orchestra live. They just<br />
don’t usually get the opportunity. Two or three musicians came from the 'Music for All' programme.<br />
Other people <strong>in</strong>terviewed highlighted the structures that limit the possibility of tak<strong>in</strong>g<br />
children to performances. Tim<strong>in</strong>g of concerts <strong>and</strong> the cost were seen as major factors, as the<br />
follow<strong>in</strong>g comments expla<strong>in</strong>:<br />
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