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BOOKING CATALOGUE 2009-2010 - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

Travelling Exhibition Program<br />

<strong>BOOKING</strong> <strong>CATALOGUE</strong><br />

<strong>2009</strong>-<strong>2010</strong><br />

ART GALLERY OF ALBERTA


Region Map<br />

REGION 2 (Edmonton)<br />

Participating Communities 2000-<strong>2009</strong><br />

<strong>Alberta</strong> Beach<br />

Alix<br />

Atikameg<br />

Athabasca<br />

Barrhead<br />

Beaumont<br />

Bonnyville<br />

Busby<br />

Calmar<br />

Camrose<br />

Caslin<br />

Cold Lake<br />

Donalda<br />

Dewberry<br />

Drayton Valley<br />

Duffield<br />

Edberg<br />

Edmonton<br />

Edson<br />

Fishing Lake<br />

Fort Saskatchewan<br />

Fort McMurray<br />

Gift Lake<br />

Hardisty<br />

Hobbema<br />

Holden<br />

Killam<br />

Kitscoty<br />

Lac La Biche<br />

22 exhibitions were available for booking during<br />

2008/09 and were organized by:<br />

Prairie <strong>Art</strong> <strong>Gallery</strong><br />

Photographic Light Experiments<br />

Lines <strong>of</strong> Communication<br />

Teachers as <strong>Art</strong>ists<br />

Wildlife Excursions<br />

Brainstorm<br />

<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong><br />

Urbanscapes<br />

From the Ground Up<br />

Domestic Bliss<br />

Collectables<br />

Standing Still<br />

<strong>Alberta</strong> Society <strong>of</strong> <strong>Art</strong>ists<br />

Mainly Masks<br />

Eternal Symbols<br />

Generation Gap<br />

Leduc<br />

Lloydminster<br />

Mayerthorpe<br />

Millet<br />

Morinville<br />

Mundare<br />

Namao<br />

New Sarepta<br />

Niton Junction<br />

Plamondon<br />

Ponoka<br />

Rimbey<br />

Redwater<br />

Sedgewich<br />

Sherwood Park<br />

Slave Lake<br />

Spruce Grove<br />

St Albert<br />

St Paul<br />

Stony Plain<br />

Thorhild<br />

Thorsby<br />

Tolfield<br />

Vegreville<br />

Vermillion<br />

Wainwright<br />

Wandering River<br />

Whitecourt<br />

Esplande <strong>Art</strong>s & Heritage Centre<br />

The Hat <strong>Art</strong> Club<br />

Helen Mackie<br />

Sources <strong>of</strong> Inspiration<br />

Flights <strong>of</strong> Imagination<br />

The Home Show<br />

Fellow Creatures<br />

Essence <strong>of</strong> Landscape<br />

The Greying Nation<br />

Half-Breed Mythology<br />

REGION 1<br />

REGION 3<br />

REGION 2<br />

REGION 4<br />

REGION 1: PRAIRIE ART GALLERY, Grande Prairie<br />

Todd Schaber, Program Manager/Curator<br />

REGION 2: ART GALLERY OF ALBERTA, Edmonton<br />

Shane Golby, Program Manager/Curator<br />

REGION 3: ALBERTA SOCIETY OF ARTISTS, Calgary<br />

Les Pinter, Program Manager/Curator<br />

REGION 4: ESPLANADE ARTS & HERITAGE CENTRE,<br />

Medicine Hat, Dean Tatum Reeves, Program Manager/Curator


ART GALLERY OF ALBERTA<br />

Enterprise Square, 100, 10230 Jasper Avenue,<br />

Edmonton, AB T5J 4P6<br />

Phone: 780.422.6223 | Fax: 780.421.3056<br />

www.artgalleryalberta.com<br />

Welcome<br />

Randall Stout Architects Inc.<br />

In April 2007 the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong> relocated to Enterprise<br />

Square while construction <strong>of</strong> a new building began at the gallery’s<br />

former site. The gallery will be located at Enterprise Square until<br />

December <strong>of</strong> <strong>2009</strong>. The new and exciting <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong> will<br />

open at #2 Sir Winston Churchill Square in January <strong>of</strong> <strong>2010</strong>.<br />

Booking Catalogue<br />

The <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong> is pleased to present this selection <strong>of</strong> travelling exhibitions for the <strong>2009</strong>-<strong>2010</strong> season.<br />

Currently the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong> serves over 50 venues in approximately 35 communities. Exhibitions on tour<br />

from the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong> will easily adapt to the space requirements <strong>of</strong> smaller venues: schools, libraries,<br />

museums, health care centres and other community facilities. The exhibitions are organized in such a manner<br />

as to make unpacking, packing, hanging and shipping as easy as possible. An educational Interpretive Guide<br />

is developed for each show. These materials enable teachers to use the exhibition within the school curriculum.<br />

The Interpretive Guides can be kept by each venue for further reference. Along with the exhibition, each venue<br />

receives an evaluation package to be completed at the close <strong>of</strong> the exhibition and returned to the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong><br />

<strong>Alberta</strong>.<br />

Venue cost: $60 (includes GST) per exhibition booking. Freight is arranged for and paid by the <strong>Art</strong> <strong>Gallery</strong><br />

<strong>of</strong> <strong>Alberta</strong>. During the month <strong>of</strong> the booking the venue contact will receive information regarding shipping<br />

arrangements. Booking invoices for each exhibition are issued at the beginning <strong>of</strong> each booking period.<br />

The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Collection is the primary source <strong>of</strong> works featured in the travelling exhibitions.<br />

Other sources for exhibitions include community partners, archives, private collections and loans from artists. Each<br />

year we welcome new venues to enrich their community art through the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Travelling<br />

Exhibition Program. Please look through this year’s selection <strong>of</strong> exhibitions to plan an exciting visual experience<br />

for your facility. A booking form is included with the catalogue to enable you to request exhibitions by fax or mail.<br />

Venue Obligations:<br />

• provide a protected & monitored display area<br />

• install & dismantle exhibitions safely & efficiently<br />

• ensure shipping is done in a timely fashion using directives & complete ALL<br />

necessary forms related to shipping and evaluation <strong>of</strong> the program<br />

• communicate and enjoy!<br />

Trex Contact: Shane Golby, Manager/Curator, AFA Travelling Exhibition Program-Region 2<br />

10550-107 Street, Edmonton, AB T5H 2Y6<br />

Phone: 780.428.3830 | Fax: 780.421.0479 | e-mail: golby@artgalleryalberta.com<br />

ART GALLERY OF ALBERTA • 2


this village<br />

Available September <strong>2009</strong><br />

to August <strong>2010</strong><br />

The term ‘global village’ has been used to describe a world<br />

without borders; a world where ideas, beliefs and cultures<br />

intermingle. Canada may be a perfect example <strong>of</strong> this concept,<br />

becoming in 1971 the first country in the world to adopt a<br />

policy <strong>of</strong> multiculturalism where all cultures and ethnic groups<br />

are encouraged to share their cultural expressions with other<br />

Canadians.<br />

The exhibition this village presents art work created by five<br />

immigrants to <strong>Alberta</strong>. Practicing artists in their home countries,<br />

these artists have brought their creativity with them and through<br />

their work introduce <strong>Alberta</strong> to new people, places and ideas and, in<br />

the words <strong>of</strong> Pierre Elliot Trudeau, so contribute to a richer life<br />

for us all.<br />

Akiko Taniguchi<br />

Essence <strong>of</strong> Water II, 2004<br />

Photo-Intaglio, Etching, Drypoint, Chine Colle<br />

Collection <strong>of</strong> the <strong>Art</strong>ist<br />

Curated by Shane Golby, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>, for the <strong>Alberta</strong> Foundation<br />

for the <strong>Art</strong>s Travelling Exhibition Program.<br />

Exhibition Info<br />

• 2 medium crates (225lbs)<br />

• 14 - 2D works/ 5 - 3D works in plexi containers/<br />

2 text panels<br />

• 5 artists<br />

• 75 running feet<br />

ABOUT FACE<br />

Available September <strong>2009</strong><br />

to August <strong>2010</strong><br />

The quest for personal identity is one which all people come face<br />

to face with in the course <strong>of</strong> their lives. How do we define and<br />

represent ourselves? Who actually determines how we are seen?<br />

The exhibiton ABOUT FACE examines these questions from the<br />

perspective <strong>of</strong> First Nations artists. In a quest for selfdetermination<br />

and self-identity, the artists in this exhibition re-define<br />

traditional, Euro-Canadian artistic perceptions <strong>of</strong> First Nations<br />

peoples. Through the lens <strong>of</strong> a camera or in paint, pastel and pencil<br />

they perform an ‘about face’ and through their works invite the<br />

viewer to re-examine perceptions <strong>of</strong> First Nations peoples.<br />

ABOUT FACE presents images created by Terrance Houle, Alex<br />

Janvier, Duane Linklater, George Littlechild, April Mercredi,<br />

Frederick McDonald, Henry Nanooch, and Pat Nokomis.<br />

Frederick McDonald<br />

Big Bear Contemplates His Home and<br />

Native Land, 1996<br />

Acrylic on Canvas<br />

Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

3 • ART GALLERY OF ALBERTA<br />

Curated by Shane Golby, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>, for the <strong>Alberta</strong> Foundation<br />

for the <strong>Art</strong>s Travelling Exhibition Program.<br />

Exhibition Info<br />

• 2 medium crates (225lbs)<br />

• 17 works/2 text panels<br />

• 8 artists<br />

• 65 - 75 running feet


A Bird in the Hand<br />

Available September <strong>2009</strong><br />

to August <strong>2010</strong><br />

Since early man first saw birds take flight, these winged creatures<br />

have captured the imagination. Birds have featured in the religious<br />

symbolism <strong>of</strong> many <strong>of</strong> the world’s cultures; inspired the musings <strong>of</strong><br />

philosophers, poets and other writers; motivated the investigations<br />

<strong>of</strong> scientists, architects and engineers; and have been a constant<br />

subject in the visual arts.<br />

The art works in the exhibition A Bird in the Hand examine the<br />

many ways that the subject <strong>of</strong> birds has been approached by visual<br />

artists. Featuring art work produced in a variety <strong>of</strong> media by some <strong>of</strong><br />

<strong>Alberta</strong>’s most renowned artists and art educators, this exhibition<br />

examines how birds have been portrayed and also explores some<br />

<strong>of</strong> the reasons for, and possible meanings behind, these<br />

investigations.<br />

Marcia Perkins<br />

Dreamless, 1994<br />

Oil on Canvas Board<br />

Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

print-write<br />

Curated by Shane Golby, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>, for the <strong>Alberta</strong> Foundation<br />

for the <strong>Art</strong>s Travelling Exhibition Program.<br />

Exhibition Info<br />

• 2 medium crates (225lbs)<br />

• 21 works (19 framed; 2 3D<br />

works)/2 text panels<br />

• 17 artists<br />

• 60 - 70 running feet<br />

Available September <strong>2009</strong><br />

to August <strong>2010</strong><br />

print-write is an exhibition developed by Dr. Mark Morris and<br />

Pr<strong>of</strong>essor Sean Caulfield from the University <strong>of</strong> <strong>Alberta</strong> to reflect<br />

the increasing interest in creative projects that cross both traditional<br />

artistic and educational boundaries.<br />

print-write features collaborative projects created by Dr. Morris’s<br />

Advanced Writing students and Senior Printmaking students under<br />

the instruction <strong>of</strong> Sean Caulfield. Collaboration is a useful skill for<br />

young artists and writers to experience, and the projects developed<br />

from this interaction confirm this inventive and valuable experience.<br />

The exhibition print-write has extended the boundaries <strong>of</strong> both<br />

the writers’ and printmakers’ skills and the viewers own awareness<br />

<strong>of</strong> the limitlessness <strong>of</strong> artistic expression.<br />

Mark Morris/Iain Gillis<br />

On Kurt Weill’s Second Symphony, 2007<br />

Digital Photo Collage<br />

Collection <strong>of</strong> the University <strong>of</strong> <strong>Alberta</strong><br />

This exhibition was developed by Mark Morris and Sean Caulfield, University<br />

<strong>of</strong> <strong>Alberta</strong>, and organized by Shane Golby, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>, for<br />

the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Travelling Exhibition Program.<br />

Exhibition Info<br />

• 2 medium crates (225lbs)<br />

• 18 works/2 text panels<br />

• 20 artists<br />

• 60 - 70 running feet<br />

ART GALLERY OF ALBERTA • 4


Maskwacîs (Bear Hills)<br />

Available January <strong>2010</strong><br />

to December <strong>2010</strong><br />

A public narrative surrounds Hobbema, known to the Nehiyaw (Cree)<br />

who live there as Maskwacîs. The community is <strong>of</strong>ten painted with one<br />

brush: a place from which only one story has been told to <strong>Alberta</strong>ns<br />

and Canada as a whole. For the Nehiyaw, however, the dynamics <strong>of</strong><br />

Maskwacîs are much greater and more diverse than what stereotypes<br />

allow. The exhibition Maskwacîs examines the framework <strong>of</strong> representation<br />

and authorship through narratives constructed by those who<br />

acutally ‘live the story’. Presenting an eclectic mix <strong>of</strong> art works created<br />

by both young artists and pr<strong>of</strong>essionals, this exhibition reflects upon<br />

the attributes important to the Nehiyaw and their individual stories.<br />

Shawn Rabbit<br />

Untitled, 2008<br />

Tempera Paint on Paper<br />

Private Collection<br />

Maskwacîs was curated by Garry Louis, Tribal Councilor <strong>of</strong> Montana First<br />

Nation, and Myra Saddleback, and coordinated by Sandi Hiemer <strong>of</strong> Meskanahk<br />

Ka Nipa Wit School, Montana First Nation, and Shane Golby, Manager/Curator<br />

for the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Travelling Exhibition Program for the<br />

<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>.<br />

Maskwacîs (Bear Hills) was generously funded by Syncrude Canada.<br />

Exhibition Info<br />

• 2 medium crates (250 lbs)<br />

• 15-20 works/2 text panels<br />

• approx. 10 artists<br />

• 65-75 running feet<br />

Checkerboard and<br />

Other Patterns<br />

Available October <strong>2009</strong><br />

to March <strong>2010</strong><br />

Checkerboard and Other Patterns presents an eclectic group<br />

<strong>of</strong> art works by a variety <strong>of</strong> <strong>Alberta</strong> artists. The emphasis is on<br />

pattern and colour. By definition a pattern is anything repeated in a<br />

predicatable combination, and is usually made up <strong>of</strong> lines that are<br />

linear, curvilinear, geometric or pictorial in nature. This exhibition<br />

will provide artistic insights into the use and effects <strong>of</strong> these visual<br />

elements.<br />

Drawn from the collections <strong>of</strong> the <strong>Alberta</strong> Government, the <strong>Alberta</strong><br />

Foundation for the <strong>Art</strong>s and the Prairie <strong>Art</strong> <strong>Gallery</strong>, this exhibition<br />

features work from Helen Archer, Michael Burns, Daniel Campbell,<br />

David Crockett, John Esler, Francine Gravel, Ruth Haley, Bill<br />

McCarroll, C.S. McConnell, Katie Ohe, Lyndal Osborne, Garry<br />

Newton, John Reading, Harry Savage, and John Snow. The artists<br />

have used a variety <strong>of</strong> processes to produce their works including<br />

printmaking, drawing, painting, and mixed media.<br />

Bill McCarroll<br />

X Series ‘72, 1972<br />

Lacquer on Plexiglass<br />

Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

Curated by Todd Schaber, Prairie <strong>Art</strong> <strong>Gallery</strong><br />

Exhibition Info<br />

• 2 medium crates (240lbs)<br />

• 20 works<br />

• 19 artists<br />

5 • ART GALLERY OF ALBERTA


Common Threads:<br />

Textiles in <strong>Art</strong><br />

Available September <strong>2009</strong><br />

to February <strong>2010</strong><br />

Common Threads presents artists that use textiles in the creative<br />

process and formulation <strong>of</strong> their work. The line between Fine <strong>Art</strong><br />

and Craft is getting narrower all the time and today artists from both<br />

genres are starting to cross that line in the creative process. In the<br />

past the use <strong>of</strong> textiles was traditionally craft based in nature, but<br />

this attitude is evolving into unique styles <strong>of</strong> fine art.<br />

This exhibition introduces six visual artists that have either experimented<br />

with textiles in the past or have recently begun working in<br />

textiles. The art works produced vary in nature from traditional quilts<br />

to the use <strong>of</strong> textiles as a vector to another form <strong>of</strong> fine art.<br />

Common Threads features work from Lena Gilje (Wembley),<br />

Melanie Jenner (Grande Prairie), Sabine Schneider (Sexsmith),<br />

Lorraine Thies and her son Logan (Calgary), Laura Vickerson<br />

(Calgary), and Doug Wills (Grande Prairie).<br />

.<br />

Laura Vickerson<br />

El Pulmon, 2007<br />

Guaze, Silk, Chiffon, Sequins<br />

Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

Collective Soul:<br />

PNCR 2007<br />

Curated by Todd Schaber, Prairie <strong>Art</strong> <strong>Gallery</strong><br />

Exhibition Info<br />

• 3 medium crates (260lbs)<br />

• 23 works<br />

• 6 artists<br />

• 1 Educational Felf Board<br />

Available September <strong>2009</strong><br />

to February <strong>2010</strong><br />

Imagine the possibilities <strong>of</strong> having 14 days <strong>of</strong> freedom to express<br />

your creativity, with guidance from internationally acclaimed artists<br />

Harold Klunder and Laura Vickerson.<br />

Prairie North presents an environment where artists can work on<br />

projects and share ideas in an informal studio setting. The residency<br />

is a collective feeding frenzy where participants gain insight and<br />

inspiration from the energy emitted from the others around them.<br />

The Prairie North Creative Residency is held every two years in<br />

Grande Prairie. The Exhibition “Creative Soul” provides a sampling<br />

<strong>of</strong> the works created during and as a result <strong>of</strong> the 2007 residencey.<br />

Prairie North Creative Residency is hosted by Grande Prairie<br />

Regional College and coordinated with the tireless enthusiasm <strong>of</strong><br />

Ken HouseGo and Tina Martel.<br />

Curated by Todd Schaber, Prairie <strong>Art</strong> <strong>Gallery</strong><br />

Peter von Tiesenhausen<br />

Twelve Years<br />

Burnt wood, mud and oil<br />

Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

Exhibition Info<br />

• 3 medium crates (280lbs)<br />

• 21 works<br />

• 21 artists<br />

ART GALLERY OF ALBERTA • 6


Horse Power<br />

Available September <strong>2009</strong><br />

to February <strong>2010</strong><br />

For three centuries the evolution <strong>of</strong> prairie culture in North America<br />

relied greatly on horse power. The enduring bond between horses<br />

and people is explored through archival photographs from the<br />

Glenbow Museum and artworks from the collection <strong>of</strong> the <strong>Alberta</strong><br />

Foundation for the <strong>Art</strong>s. This travelling exhibition promotes<br />

discussion about the role <strong>of</strong> horses in law enforcement, ranching,<br />

transportation, sport and entertainment.<br />

W.J. Oliver<br />

Lewis Welsh Jumping ‘Barra Lad’, n.d.<br />

Digital Reproduction <strong>of</strong> Archival Photograph<br />

Glenbow Photographic Archives<br />

Horse Power reflects the strength, speed, agility and grace <strong>of</strong><br />

the horse in motion. It also reveals memorable stories from the<br />

past about unique relationships between rider and horse. This is<br />

achieved through wonderful examples <strong>of</strong> documentary photographs<br />

by historically significant photographers like W.J. Oliver,<br />

L.A. Huffman and O.B. Buell.<br />

Curated by Les Pinter, <strong>Alberta</strong> Society <strong>of</strong> <strong>Art</strong>ists<br />

Exhibition Info<br />

• 2 medium crates (280lbs)<br />

• 25 works (15 framed units)<br />

• 13 known artists<br />

• approx. 75 running feet<br />

Expedition:<br />

Dan Hudson<br />

Available March <strong>2010</strong><br />

to August <strong>2010</strong><br />

Expedition: Dan Hudson contains a mix <strong>of</strong> paintings and photographs<br />

that highlight the themes <strong>of</strong> adventure and travel. As a photo<br />

journalist, Hudson provides unique perspectives on the natural<br />

environment and urban culture. He has been sent on assignment<br />

around the world and his photographs have been published in<br />

prominent magazines such as National Geographic, Rolling Stone,<br />

Outside, Powder, Snowboarder and Explore. The artist has assembled<br />

the best <strong>of</strong> his assignment photography into photo collages that<br />

featue expeditions to Russia, Japan, Iceland, Chile, Argentina and<br />

Canada. An extraordinary journey <strong>of</strong> discovery from city streets to<br />

mountain summits is presented.<br />

Dan Hudson<br />

Expedition: Japan (detail), 2008<br />

Colour Photograph<br />

Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

7 • ART GALLERY OF ALBERTA<br />

The paintings in Expedition: Dan Hudson reveal a more personal<br />

involvement with nature. Based on Hudson’s participation in outdoor<br />

adventures, the paintings explore the fine line that exists between<br />

exhilaration, loss <strong>of</strong> control and danger. Expedition: Dan Hudson<br />

enables us to think about our own adventures, both big and small, in<br />

new and exciting ways.<br />

Curated by Les Pinter, <strong>Alberta</strong> Society <strong>of</strong> <strong>Art</strong>ists<br />

Exhibition Info<br />

• 2 medium crates (220 lbs)<br />

• 12 works<br />

• 1 artist<br />

• approx. 65 running feet


Local Colour:<br />

Photographs by George Webber<br />

Available March <strong>2010</strong> to<br />

August <strong>2010</strong><br />

Local Colour: Photographs by George Webber consists <strong>of</strong> a<br />

selection <strong>of</strong> 22 colour photographs from Webber’s <strong>Alberta</strong> Colour<br />

1978-2001 Portfolio, acquired by the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

in 2004. This body <strong>of</strong> work depicts the disappearing face <strong>of</strong> <strong>Alberta</strong><br />

communities scattered throughout south and central <strong>Alberta</strong>. The<br />

photographs speak to us about what has been left behind over time:<br />

derelict service stations, shauttered banks and abandoned hardware<br />

stores <strong>of</strong> Ranfurly, Empress, Granum, and many other locations.<br />

George Webber<br />

Craigmyle, <strong>Alberta</strong>, 1987<br />

Colour Photograph on Paper<br />

Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

George Webber’s work reveals his deep fascination with the<br />

people and landscape <strong>of</strong> the Canadian West. Webber was born<br />

in the town <strong>of</strong> Drumheller in 1952, and since the early 1980s he<br />

has photographed this region extensively. “My concern is one <strong>of</strong><br />

photography’s most fundamental, the impulse to seize and arrest<br />

what is passing away....this desire seems to be felt most keenly<br />

when dealing with an aspect <strong>of</strong> one’s own history and culture. In the<br />

prairies, all that is human is ephemeral.” George Webber<br />

Curated by Dean Tatum Reeves, Esplanade <strong>Art</strong>s & Heritage Centre<br />

Exhibition Info<br />

• 2 medium crates (250 lbs)<br />

• 22 works/2 text panels<br />

• 1 artist<br />

• 85 running feet<br />

The Cone Box Show<br />

Available April <strong>2010</strong> to<br />

September <strong>2010</strong><br />

Celebrating the 40th anniversary <strong>of</strong> the <strong>Alberta</strong> Potters’ Association,<br />

The Cone Box Show features miniature ceramic artworks by forty<br />

members from across <strong>Alberta</strong> and Saskatchewan.<br />

The unique concept behind the exhibition is that the size <strong>of</strong> each<br />

work is limited to the dimensions <strong>of</strong> an Orton Standard Pyrometric<br />

Cone Box (50 large cones), i.e. 3” x 3” x 6”. All components <strong>of</strong> the<br />

artworks fit into the box. Though the exhibition is primarily based on<br />

ceramic media, other materials have been employed as part <strong>of</strong> the<br />

work.<br />

Jane MacKay<br />

A Crowded Party, 2008<br />

Acrylic decorated, wheel-thrown clay<br />

Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

This exhibition was organized by Allan Jensen and developed by the<br />

Esplanade <strong>Art</strong>s & Heritage Centre with the assistance <strong>of</strong> the <strong>Alberta</strong> Potter’s<br />

Association.<br />

Exhibition Info<br />

• 2 medium crate (175 lbs)<br />

• 40 3-dimensional artworks/2 text panels<br />

• 40 artists<br />

• Display: on shelves/plynths/tables<br />

ART GALLERY OF ALBERTA • 8


Remnants <strong>of</strong> Community<br />

by Simon Wroot<br />

Available May <strong>2010</strong> to<br />

October <strong>2010</strong><br />

There is a simple and powerful presence in hundreds <strong>of</strong> scattered<br />

places in <strong>Alberta</strong>. These are the sites where the settlers, Métis,<br />

some First Nations people and missionaries all channelled their<br />

faith, their devotion, and their need for a spiritual home into the<br />

energy to build themselves a church.<br />

Simon Wroot<br />

Hillcrest United Church, 1987<br />

Sterling Silver, Copper, Bronze, Sttl, Nickel mounted on<br />

slate<br />

Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

Exhibition Info<br />

• 2 medium crates (230lbs)<br />

• 15 works/5 didactic panels/2 TREX panels<br />

• 1 artist<br />

• 100 running feet<br />

Pursuing a long-held dream, Calgary metal artist Simon Wroot<br />

embarked on an extensive tour <strong>of</strong> <strong>Alberta</strong> churches. In Remnants<br />

<strong>of</strong> Community the artist records this human presence by creating<br />

miniature landscapes out <strong>of</strong> four different metals. These pieces<br />

are then pinned together in layers to create a low-relief view <strong>of</strong> the<br />

buildings and their surroundings. The work is then mounted on a<br />

piece <strong>of</strong> slate.<br />

Each <strong>of</strong> the fifteen pieces in the exhibition is accompanied by its<br />

story: who created it, where and when, what denomination, and<br />

where and what is it now.<br />

Curated by Dean Tatum Reeves, Esplanade <strong>Art</strong>s & Heritage Centre<br />

In Your Own Words<br />

Fellow Creatures<br />

We have always had a great experience with the AFA Travelling Exhibition Programs. Robert Rundle School<br />

The Home Show<br />

Students loved the variety <strong>of</strong> medium and age group <strong>of</strong> the artists. Ecole des Beaux Lacs<br />

Essence <strong>of</strong> Landscape<br />

The AFA is a wonderful experience for the promotion <strong>of</strong> different forms and styles <strong>of</strong> art for students.<br />

Nipisihkopahk Elementary School<br />

Collectables<br />

Our experience with the AFA TREX Program was excellent! Communication was good - everything happened<br />

when we were told it would. We will not hesitate to book another exhibit. Thank You. Devon Public Library<br />

Collectables was EXCELLENT! I really enjoy participating in this program and the community has many positive<br />

comments. Chuck MacLean <strong>Art</strong>s Centre<br />

Half-Breed Mythology<br />

The Interpretive Kit was excellent and we loved the pamphlet with this exhibit. This exhibition was the best/awesome...every<br />

single person loved it and we wish we could keep it at our school. The AFA program is a 10/10. Our<br />

students really enjoy the experience with each exhibit. Archbishop Jordan High School<br />

9 • ART GALLERY OF ALBERTA


The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s Travelling Exhibition Program<br />

<strong>BOOKING</strong> REQUEST<br />

FORM<br />

PLEASE COMPLETE THIS FORM & SUBMIT IT TO:<br />

Shane Golby, Program Manager/Curator<br />

FAX : 780-421-0479 Phone: 428-3830<br />

EMAIL: golby@artgalleryalberta.com<br />

MAIL: 10550-107 Avenue, Edmonton, AB T5H 2Y6<br />

VENUE REQUESTING EXHIBITION: _________________________________________________________________<br />

CONTACT PERSON: _____________________________________________________________________________<br />

MAILING ADDRESS: _____________________________________________________________________________<br />

SHIPPING ADDRESS: _____________________________________________________________________________<br />

PHONE: _______________________ EXT: _____________<br />

FAX: _______________________<br />

*E-MAIL:_________________________________________________________________________________________<br />

<strong>BOOKING</strong> DETAILS<br />

• How many bookings do you wish to make from your selection? ______<br />

EXHIBITION TITLE PREFERED DATE/S ALTERNATE DATE/S<br />

1)___________________________________________________________________________________________<br />

2)___________________________________________________________________________________________<br />

3)___________________________________________________________________________________________<br />

PLEASE NOTE<br />

• The booking fee is $60 (including GST) per booking.<br />

• Bookings last approximately 3 weeks.<br />

• Venues will be invoiced at the beginning <strong>of</strong> the month <strong>of</strong> the booking.<br />

• ALL freight costs are covered by the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>.<br />

Funding for this program is provided by The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s.


The <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

Travelling Exhibition Program<br />

Our thanks to the many individuals,<br />

organizations and communities who have<br />

contributed to the success <strong>of</strong> the<br />

<strong>Alberta</strong> Foundation for the<br />

<strong>Art</strong>s Travelling Exhibition Program.<br />

ON THE FRONT COVER<br />

Ljubomir Ilic, Calm Hands, (top right), 1997/<strong>2009</strong>. wood, Collection <strong>of</strong> the <strong>Art</strong>ist<br />

Grant Leier, Sister Loves the Zoo, (center), 1983. Acrylic, Oil, Ink on Illustration Board, Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

Terrance Houle, Urban Indian #5, (bottom right), 1992. Digital C-Print on Paper, Collection <strong>of</strong> the <strong>Alberta</strong> Foundation for the <strong>Art</strong>s<br />

Danielle Degen/Angela Stewart, Untitled, (top left), 2007, Digital Photograph, Collection <strong>of</strong> the University <strong>of</strong> <strong>Alberta</strong><br />

Shawn Rabbit, Untitled, (bottom left, detail), 2008, Tempera Paint on Paper, Private Collection<br />

ART GALLERY OF ALBERTA

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