The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
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us up daily at the point<br />
<strong>of</strong> your prick before him<br />
whom prostitutes foretold<br />
who births himself <strong>of</strong> woman<br />
& is pulled bloody every day<br />
from bloody thighs messiah<br />
<strong>of</strong> women emancipator<br />
son <strong>of</strong> woman<br />
<strong>The</strong> presence here <strong>of</strong> both Low German<br />
and contemporary pr<strong>of</strong>anity in Poetker-<br />
Thiessen's poetry suggest an interest in<br />
"translating" metaphysical problems into a<br />
"vernacular".<br />
<strong>The</strong> answer to the metaphysical quest for<br />
home can be found in the physical: the<br />
speaker says, "my lover's thighs are two<br />
straight roads / that lead only home"<br />
("where the thistles grow & dandelions").<br />
Likewise, the speaker in "who is this coming<br />
from the wilderness" says to menno:<br />
i would<br />
fuck you dry<br />
<strong>of</strong> your pilgrim song<br />
& pour it out<br />
on troubled waters<br />
to smooth the way<br />
for your children<br />
to come home<br />
i would come home too<br />
Her reference to menno as "pilgrim" refers<br />
back to her epigraph from Pilgrim's Progress<br />
in which Atheist laughs at Christian for his<br />
journey, and tells him he's likely to only<br />
have "his travel" for his pains. On the<br />
book's back cover, Victor Doerksen comments<br />
that "[Poetker-Thiessen's]<br />
Mennonites are men and women, more<br />
sinning than sinned against, but on the<br />
heavenly journey nonetheless."<br />
Audrey Poetker-Thiessen's second collection<br />
<strong>of</strong> poetry explores the space between<br />
the "wilderness" and "home" the<br />
"stranger" and the "lover". <strong>The</strong> mythology<br />
she rewrites is not only the "unspoken<br />
mythology" (back cover) <strong>of</strong> the Mennonite<br />
community, but also the mythology <strong>of</strong><br />
Western Christianity and Western Canada,<br />
as is illustrated in the poem about the first<br />
woman and the first man and their naming<br />
<strong>of</strong> the world which is the prairie world<br />
("out <strong>of</strong> the earth"). This poetry, which<br />
might be termed "ethnic" by some critics<br />
because <strong>of</strong> its use <strong>of</strong> Mennonite history and<br />
low german, beautifully addresses the concerns<br />
<strong>of</strong> Poetker-Thiessen's particular identity<br />
and community (see "here is abram<br />
paetkau's place"), and is also accessible to a<br />
wide audience through its concerns with<br />
personal mythology and memory. (<strong>The</strong><br />
glossary at the back is helpful too.)<br />
One hopes that conservative readers both<br />
inside and outside <strong>of</strong> the Mennonite community<br />
will put aside their predictable<br />
shock at Poetker-Thiessen's fascinating<br />
blend <strong>of</strong> "the language <strong>of</strong> men" ("who is<br />
this coming from the wilderness") with the<br />
language <strong>of</strong> the Bible and will explore her<br />
subtle truths and paradoxes. Like the lover<br />
who describes menno's lips as "cracked<br />
open / sunflower seed / by my tongue..."<br />
("& i want to hear menno"), the reader<br />
must gently pry apart Poetker-Thiessen's<br />
metaphors and motifs; the result is pleasurable<br />
for both the flesh and the spirit.<br />
Direction & Clarity<br />
Russell Ferguson<br />
Discourses: Conversations in Postmodern Art and<br />
Culture. MIT $16.95<br />
Andrew Parker, Mary Russo, Doris<br />
Summer and Patricia Yaeger, eds.<br />
Nationalisms and Sexualities. Routledge $19.95<br />
Reviewed by Bernard Selinger<br />
Many believe that post-modern thought<br />
has provided little more than irresolution<br />
and confusion. <strong>The</strong>se two books, however,<br />
suggest that post-modern thinking just<br />
may be providing us with a fair amount <strong>of</strong><br />
direction and clarity.<br />
Discourses is a fine collection <strong>of</strong> interviews<br />
and discussions, all <strong>of</strong> which were