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The Carpathians - University of British Columbia

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us up daily at the point<br />

<strong>of</strong> your prick before him<br />

whom prostitutes foretold<br />

who births himself <strong>of</strong> woman<br />

& is pulled bloody every day<br />

from bloody thighs messiah<br />

<strong>of</strong> women emancipator<br />

son <strong>of</strong> woman<br />

<strong>The</strong> presence here <strong>of</strong> both Low German<br />

and contemporary pr<strong>of</strong>anity in Poetker-<br />

Thiessen's poetry suggest an interest in<br />

"translating" metaphysical problems into a<br />

"vernacular".<br />

<strong>The</strong> answer to the metaphysical quest for<br />

home can be found in the physical: the<br />

speaker says, "my lover's thighs are two<br />

straight roads / that lead only home"<br />

("where the thistles grow & dandelions").<br />

Likewise, the speaker in "who is this coming<br />

from the wilderness" says to menno:<br />

i would<br />

fuck you dry<br />

<strong>of</strong> your pilgrim song<br />

& pour it out<br />

on troubled waters<br />

to smooth the way<br />

for your children<br />

to come home<br />

i would come home too<br />

Her reference to menno as "pilgrim" refers<br />

back to her epigraph from Pilgrim's Progress<br />

in which Atheist laughs at Christian for his<br />

journey, and tells him he's likely to only<br />

have "his travel" for his pains. On the<br />

book's back cover, Victor Doerksen comments<br />

that "[Poetker-Thiessen's]<br />

Mennonites are men and women, more<br />

sinning than sinned against, but on the<br />

heavenly journey nonetheless."<br />

Audrey Poetker-Thiessen's second collection<br />

<strong>of</strong> poetry explores the space between<br />

the "wilderness" and "home" the<br />

"stranger" and the "lover". <strong>The</strong> mythology<br />

she rewrites is not only the "unspoken<br />

mythology" (back cover) <strong>of</strong> the Mennonite<br />

community, but also the mythology <strong>of</strong><br />

Western Christianity and Western Canada,<br />

as is illustrated in the poem about the first<br />

woman and the first man and their naming<br />

<strong>of</strong> the world which is the prairie world<br />

("out <strong>of</strong> the earth"). This poetry, which<br />

might be termed "ethnic" by some critics<br />

because <strong>of</strong> its use <strong>of</strong> Mennonite history and<br />

low german, beautifully addresses the concerns<br />

<strong>of</strong> Poetker-Thiessen's particular identity<br />

and community (see "here is abram<br />

paetkau's place"), and is also accessible to a<br />

wide audience through its concerns with<br />

personal mythology and memory. (<strong>The</strong><br />

glossary at the back is helpful too.)<br />

One hopes that conservative readers both<br />

inside and outside <strong>of</strong> the Mennonite community<br />

will put aside their predictable<br />

shock at Poetker-Thiessen's fascinating<br />

blend <strong>of</strong> "the language <strong>of</strong> men" ("who is<br />

this coming from the wilderness") with the<br />

language <strong>of</strong> the Bible and will explore her<br />

subtle truths and paradoxes. Like the lover<br />

who describes menno's lips as "cracked<br />

open / sunflower seed / by my tongue..."<br />

("& i want to hear menno"), the reader<br />

must gently pry apart Poetker-Thiessen's<br />

metaphors and motifs; the result is pleasurable<br />

for both the flesh and the spirit.<br />

Direction & Clarity<br />

Russell Ferguson<br />

Discourses: Conversations in Postmodern Art and<br />

Culture. MIT $16.95<br />

Andrew Parker, Mary Russo, Doris<br />

Summer and Patricia Yaeger, eds.<br />

Nationalisms and Sexualities. Routledge $19.95<br />

Reviewed by Bernard Selinger<br />

Many believe that post-modern thought<br />

has provided little more than irresolution<br />

and confusion. <strong>The</strong>se two books, however,<br />

suggest that post-modern thinking just<br />

may be providing us with a fair amount <strong>of</strong><br />

direction and clarity.<br />

Discourses is a fine collection <strong>of</strong> interviews<br />

and discussions, all <strong>of</strong> which were

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