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The Carpathians - University of British Columbia

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gender formation, gender roles and sexual<br />

diversity, expressed in the Native berdache<br />

tradition. In the six years since his book's<br />

first publication, the study <strong>of</strong> gender possibilities<br />

and variance has greatly expanded,<br />

he notes in his "Preface." At the same time,<br />

he poses new avenues and questions for<br />

additional study and fieldwork. His extensive<br />

investigation <strong>of</strong> the "he-she male" as an<br />

important figure in many Native societies<br />

has contributed to both an understanding<br />

<strong>of</strong> gender role construction, which in at<br />

least some societies may be independent, to<br />

a certain degree, <strong>of</strong> morphological sexual<br />

characteristics, and to a theory <strong>of</strong> sexual<br />

diversity which encompasses more possibilities<br />

than conventional opposition <strong>of</strong> male<br />

and female. Usually identified in childhood<br />

by an interest in feminine pursuits, the<br />

berdache, or feminized male, assumed a<br />

woman's persona in dress, habits, work and<br />

sexual role. Valued for his/her special relationship<br />

to masculine and feminine spiritual<br />

power, the berdache <strong>of</strong>ten became a<br />

shaman or healer. <strong>The</strong>se persons held a<br />

special ceremonial position; were esteemed<br />

for their community service and prosperity;<br />

<strong>of</strong>ten married as second wives; or<br />

served as an alternative sexual partners for<br />

males. According to Williams, their traditional<br />

mediating role between male and<br />

female spiritual powers <strong>of</strong>ten extends today<br />

to balancing and integrating Western and<br />

traditional Indian cultural values.<br />

Like Gunn Allen, Williams traces the<br />

strong repressive influence <strong>of</strong> European<br />

values on Native traditions, noting as do<br />

Gunn Allen and Spretnak the effect <strong>of</strong> religion<br />

and mythology on gender social status.<br />

Degraded by Christianity, which<br />

emphasized a male creator God, the<br />

berdache was no longer valued for spiritual<br />

powers but was seen as subverting natural<br />

male superiority by adopting an inferior<br />

female form. Williams also describes the<br />

effects <strong>of</strong> the Western bias for "normality,"<br />

as constructed by European standards and<br />

transmitted through the influence <strong>of</strong> missionaries,<br />

government agents, boarding<br />

schools and European education. At the<br />

same time, he, too, asserts that forms <strong>of</strong><br />

traditional Native culture, including linkages<br />

between berdache/amazon traditions<br />

and current gay/lesbian activism, have persisted<br />

into modernity. <strong>The</strong> exploration <strong>of</strong><br />

flexible gender and sexual roles as evidenced<br />

in Native cultures makes Williams'<br />

study a contribution to the on-going construction<br />

<strong>of</strong> gender theory. <strong>The</strong> importance<br />

<strong>of</strong> cross-cultural research in developing<br />

theories <strong>of</strong> human gender and sexual variance<br />

is underscored by his closing summary<br />

<strong>of</strong> various berdache, amazon,<br />

woman-centered, and male-male bonding<br />

patterns in cultures world-wide, including<br />

not only tribal cultures but those <strong>of</strong> ancient<br />

Greece, medieval Japan, and the modern<br />

Ottoman empire.<br />

Southern Dreaming<br />

Elizabeth Hay<br />

<strong>The</strong> Only Snow in Havana. Cormorant Books<br />

$14-95<br />

Stephen Henighan<br />

Nights in the Yungas. Thistledown Press n.p.<br />

Reviewed by Catherine Addison<br />

<strong>The</strong> central motif shared by these two collections<br />

is the opposition between north<br />

and south. In both, the Canadian dream <strong>of</strong><br />

the Other is projected onto more southern<br />

parts <strong>of</strong> the Americas, from Florida to Peru.<br />

Both invoke many colonial clichs, but in<br />

Elizabeth Hay's <strong>The</strong> Only Snow in Havana<br />

these function dynamically as elements <strong>of</strong> a<br />

complex personal symbolism, whereas in<br />

Stephen Henighan's Nights in the Yungas<br />

they represent a somewhat naif dabbling in<br />

the exotic.<br />

Hay's book is not so much a collection <strong>of</strong><br />

stories as a series <strong>of</strong> short lyrical passages<br />

which "Draw a line from Yellowknife to

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