The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
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gender formation, gender roles and sexual<br />
diversity, expressed in the Native berdache<br />
tradition. In the six years since his book's<br />
first publication, the study <strong>of</strong> gender possibilities<br />
and variance has greatly expanded,<br />
he notes in his "Preface." At the same time,<br />
he poses new avenues and questions for<br />
additional study and fieldwork. His extensive<br />
investigation <strong>of</strong> the "he-she male" as an<br />
important figure in many Native societies<br />
has contributed to both an understanding<br />
<strong>of</strong> gender role construction, which in at<br />
least some societies may be independent, to<br />
a certain degree, <strong>of</strong> morphological sexual<br />
characteristics, and to a theory <strong>of</strong> sexual<br />
diversity which encompasses more possibilities<br />
than conventional opposition <strong>of</strong> male<br />
and female. Usually identified in childhood<br />
by an interest in feminine pursuits, the<br />
berdache, or feminized male, assumed a<br />
woman's persona in dress, habits, work and<br />
sexual role. Valued for his/her special relationship<br />
to masculine and feminine spiritual<br />
power, the berdache <strong>of</strong>ten became a<br />
shaman or healer. <strong>The</strong>se persons held a<br />
special ceremonial position; were esteemed<br />
for their community service and prosperity;<br />
<strong>of</strong>ten married as second wives; or<br />
served as an alternative sexual partners for<br />
males. According to Williams, their traditional<br />
mediating role between male and<br />
female spiritual powers <strong>of</strong>ten extends today<br />
to balancing and integrating Western and<br />
traditional Indian cultural values.<br />
Like Gunn Allen, Williams traces the<br />
strong repressive influence <strong>of</strong> European<br />
values on Native traditions, noting as do<br />
Gunn Allen and Spretnak the effect <strong>of</strong> religion<br />
and mythology on gender social status.<br />
Degraded by Christianity, which<br />
emphasized a male creator God, the<br />
berdache was no longer valued for spiritual<br />
powers but was seen as subverting natural<br />
male superiority by adopting an inferior<br />
female form. Williams also describes the<br />
effects <strong>of</strong> the Western bias for "normality,"<br />
as constructed by European standards and<br />
transmitted through the influence <strong>of</strong> missionaries,<br />
government agents, boarding<br />
schools and European education. At the<br />
same time, he, too, asserts that forms <strong>of</strong><br />
traditional Native culture, including linkages<br />
between berdache/amazon traditions<br />
and current gay/lesbian activism, have persisted<br />
into modernity. <strong>The</strong> exploration <strong>of</strong><br />
flexible gender and sexual roles as evidenced<br />
in Native cultures makes Williams'<br />
study a contribution to the on-going construction<br />
<strong>of</strong> gender theory. <strong>The</strong> importance<br />
<strong>of</strong> cross-cultural research in developing<br />
theories <strong>of</strong> human gender and sexual variance<br />
is underscored by his closing summary<br />
<strong>of</strong> various berdache, amazon,<br />
woman-centered, and male-male bonding<br />
patterns in cultures world-wide, including<br />
not only tribal cultures but those <strong>of</strong> ancient<br />
Greece, medieval Japan, and the modern<br />
Ottoman empire.<br />
Southern Dreaming<br />
Elizabeth Hay<br />
<strong>The</strong> Only Snow in Havana. Cormorant Books<br />
$14-95<br />
Stephen Henighan<br />
Nights in the Yungas. Thistledown Press n.p.<br />
Reviewed by Catherine Addison<br />
<strong>The</strong> central motif shared by these two collections<br />
is the opposition between north<br />
and south. In both, the Canadian dream <strong>of</strong><br />
the Other is projected onto more southern<br />
parts <strong>of</strong> the Americas, from Florida to Peru.<br />
Both invoke many colonial clichs, but in<br />
Elizabeth Hay's <strong>The</strong> Only Snow in Havana<br />
these function dynamically as elements <strong>of</strong> a<br />
complex personal symbolism, whereas in<br />
Stephen Henighan's Nights in the Yungas<br />
they represent a somewhat naif dabbling in<br />
the exotic.<br />
Hay's book is not so much a collection <strong>of</strong><br />
stories as a series <strong>of</strong> short lyrical passages<br />
which "Draw a line from Yellowknife to