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The Carpathians - University of British Columbia

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and the goddesses as viewed from a matrifocal<br />

perspective, in which they appear<br />

powerful and wise in their own right rather<br />

than petty adjuncts to supreme male<br />

deities.<br />

Since myths and archetypes transmit<br />

"cultural possibilities," the reinterpretation<br />

<strong>of</strong> the Goddess myths <strong>of</strong>fers to contemporary<br />

culture mytho-religious figures which<br />

present alternatives to patriarchal socialization<br />

and values. "<strong>The</strong> reemergence <strong>of</strong><br />

Goddess spirituality has never been a simple<br />

attempt to reinstate the Goddess religion <strong>of</strong><br />

the Neolithic era, about which we have limited<br />

knowledge," she writes. "Rather, the<br />

contemporary movement is based on creative<br />

expressions <strong>of</strong> continuity with the cultural<br />

presence <strong>of</strong> the Goddess... regarded as<br />

a potent metaphor for both the immanence<br />

<strong>of</strong> the divine and the transcendence that is<br />

the larger reality, the sacred whole."<br />

In the "Preface" to a new edition <strong>of</strong> <strong>The</strong><br />

Sacred Hoop: Recovering the Feminine in<br />

Native American Traditions, a series <strong>of</strong><br />

essays exploring a matrifocal feminine spirituality<br />

in the context <strong>of</strong> Native American<br />

traditions," Paula Gunn Allen writes that<br />

"as we enter the year that marks five centuries<br />

<strong>of</strong> European-Native contact, the<br />

recovery <strong>of</strong> American Indian culture and<br />

tradition proceeds ever more rapidly." With<br />

the resurgence in Native cultural restoration<br />

comes a resounding affirmation <strong>of</strong><br />

survival and endurance, an affirmation <strong>of</strong><br />

"tribal values, tribal thought, and tribal<br />

understanding." Both Gunn Allen and<br />

Spretnak discern a convergence <strong>of</strong><br />

advanced science and cosmology with<br />

ancient understandings. ".. .<strong>The</strong> new dedication<br />

to restoring the entire planet, and<br />

the new findings <strong>of</strong> the advanced sciences,<br />

which resemble more and more the old<br />

understandings <strong>of</strong> the nature <strong>of</strong> life and the<br />

universe, all these bear witness to something<br />

sacred happening," writes Gunn<br />

Allen. In Sacred Hoop, she describes the<br />

gynocratic, mother-right aspects <strong>of</strong> traditional<br />

Native culture, linking these with the<br />

primary power <strong>of</strong> creation, the power to<br />

give life which is the "source and model for<br />

all ritual magic... It is the power <strong>of</strong> Thought,<br />

or Mind, which gives rise to all things, creating<br />

the hoop <strong>of</strong> being." Mothering, she<br />

writes, is the power to make, create and<br />

transform.<br />

With European colonization has come a<br />

devaluation <strong>of</strong> the matrifocal, matrilineal<br />

traditions among contemporary Native<br />

Americans. Gunn Allen discusses the great<br />

differences in world view between tribal<br />

understandings and Western culture,<br />

emphasizing the different purposes, structures,<br />

symbols, time orientation, and<br />

themes <strong>of</strong> the Native oral tradition's ritual,<br />

ceremonial stories in comparison with<br />

Anglo-European literature. A pr<strong>of</strong>essor <strong>of</strong><br />

English at the <strong>University</strong> <strong>of</strong> California, Los<br />

Angeles, she combines a feminist approach<br />

with keen insight into the underlying<br />

mechanisms <strong>of</strong> both tribal and European<br />

storytelling conventions. Several essays in<br />

this collection explore the time, space, and<br />

motifs <strong>of</strong> ritual literature and detail the<br />

effects patriarchal themes <strong>of</strong> violence, conflict<br />

and heroism. Many <strong>of</strong> the tribes,<br />

including her Keres (Pueblo) people, she<br />

writes, valued balance and harmony, an<br />

orderly transfer <strong>of</strong> power through "the<br />

peaceful exchange <strong>of</strong> dominance," mediated<br />

by and through women. <strong>The</strong> theme <strong>of</strong><br />

overlooked gender patterns and possibilities<br />

runs through all three works. As does<br />

Spretnak, Gunn Allen stresses the power <strong>of</strong><br />

literature to point to these other possibilities.<br />

<strong>The</strong> power <strong>of</strong> literature is its power <strong>of</strong><br />

image, its ability to arouse the imagination,<br />

she writes. Through its imaging qualities,<br />

literature has the power to change a people's<br />

fate; the resurgence <strong>of</strong> Native literature<br />

and writers is evidence that tribal cultures<br />

have survived and endured.<br />

In <strong>The</strong> Spirit and the Flesh: Sexual<br />

Diversity in American Indian Culture,<br />

anthropologist Walter L. Williams explores

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