The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
The Carpathians - University of British Columbia
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and the goddesses as viewed from a matrifocal<br />
perspective, in which they appear<br />
powerful and wise in their own right rather<br />
than petty adjuncts to supreme male<br />
deities.<br />
Since myths and archetypes transmit<br />
"cultural possibilities," the reinterpretation<br />
<strong>of</strong> the Goddess myths <strong>of</strong>fers to contemporary<br />
culture mytho-religious figures which<br />
present alternatives to patriarchal socialization<br />
and values. "<strong>The</strong> reemergence <strong>of</strong><br />
Goddess spirituality has never been a simple<br />
attempt to reinstate the Goddess religion <strong>of</strong><br />
the Neolithic era, about which we have limited<br />
knowledge," she writes. "Rather, the<br />
contemporary movement is based on creative<br />
expressions <strong>of</strong> continuity with the cultural<br />
presence <strong>of</strong> the Goddess... regarded as<br />
a potent metaphor for both the immanence<br />
<strong>of</strong> the divine and the transcendence that is<br />
the larger reality, the sacred whole."<br />
In the "Preface" to a new edition <strong>of</strong> <strong>The</strong><br />
Sacred Hoop: Recovering the Feminine in<br />
Native American Traditions, a series <strong>of</strong><br />
essays exploring a matrifocal feminine spirituality<br />
in the context <strong>of</strong> Native American<br />
traditions," Paula Gunn Allen writes that<br />
"as we enter the year that marks five centuries<br />
<strong>of</strong> European-Native contact, the<br />
recovery <strong>of</strong> American Indian culture and<br />
tradition proceeds ever more rapidly." With<br />
the resurgence in Native cultural restoration<br />
comes a resounding affirmation <strong>of</strong><br />
survival and endurance, an affirmation <strong>of</strong><br />
"tribal values, tribal thought, and tribal<br />
understanding." Both Gunn Allen and<br />
Spretnak discern a convergence <strong>of</strong><br />
advanced science and cosmology with<br />
ancient understandings. ".. .<strong>The</strong> new dedication<br />
to restoring the entire planet, and<br />
the new findings <strong>of</strong> the advanced sciences,<br />
which resemble more and more the old<br />
understandings <strong>of</strong> the nature <strong>of</strong> life and the<br />
universe, all these bear witness to something<br />
sacred happening," writes Gunn<br />
Allen. In Sacred Hoop, she describes the<br />
gynocratic, mother-right aspects <strong>of</strong> traditional<br />
Native culture, linking these with the<br />
primary power <strong>of</strong> creation, the power to<br />
give life which is the "source and model for<br />
all ritual magic... It is the power <strong>of</strong> Thought,<br />
or Mind, which gives rise to all things, creating<br />
the hoop <strong>of</strong> being." Mothering, she<br />
writes, is the power to make, create and<br />
transform.<br />
With European colonization has come a<br />
devaluation <strong>of</strong> the matrifocal, matrilineal<br />
traditions among contemporary Native<br />
Americans. Gunn Allen discusses the great<br />
differences in world view between tribal<br />
understandings and Western culture,<br />
emphasizing the different purposes, structures,<br />
symbols, time orientation, and<br />
themes <strong>of</strong> the Native oral tradition's ritual,<br />
ceremonial stories in comparison with<br />
Anglo-European literature. A pr<strong>of</strong>essor <strong>of</strong><br />
English at the <strong>University</strong> <strong>of</strong> California, Los<br />
Angeles, she combines a feminist approach<br />
with keen insight into the underlying<br />
mechanisms <strong>of</strong> both tribal and European<br />
storytelling conventions. Several essays in<br />
this collection explore the time, space, and<br />
motifs <strong>of</strong> ritual literature and detail the<br />
effects patriarchal themes <strong>of</strong> violence, conflict<br />
and heroism. Many <strong>of</strong> the tribes,<br />
including her Keres (Pueblo) people, she<br />
writes, valued balance and harmony, an<br />
orderly transfer <strong>of</strong> power through "the<br />
peaceful exchange <strong>of</strong> dominance," mediated<br />
by and through women. <strong>The</strong> theme <strong>of</strong><br />
overlooked gender patterns and possibilities<br />
runs through all three works. As does<br />
Spretnak, Gunn Allen stresses the power <strong>of</strong><br />
literature to point to these other possibilities.<br />
<strong>The</strong> power <strong>of</strong> literature is its power <strong>of</strong><br />
image, its ability to arouse the imagination,<br />
she writes. Through its imaging qualities,<br />
literature has the power to change a people's<br />
fate; the resurgence <strong>of</strong> Native literature<br />
and writers is evidence that tribal cultures<br />
have survived and endured.<br />
In <strong>The</strong> Spirit and the Flesh: Sexual<br />
Diversity in American Indian Culture,<br />
anthropologist Walter L. Williams explores