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Copyright, Panama-Pacific Internationa/ Exposition Co. Air I. The Hunters. On the edge of a thick wood, warm in the golden rays from the west, a party of primitive hunters are in the pursuit of game. Copyright, Panama-Pacific International Exposition Co. Water I. The Net. A group of fishermen hauling in the last net of the day. EIGHT DECORATIONS FRANK BRANGWYN BY FOR THE EAST COURT OF THE PANAMA-PACIFIC INTER NATIONAL EXPOSITION AT SAN FRANCISCO THE panels hang in an ambulatory that surrounds the open court, of which Louis Christian Mullgardt is the architect. They are placed in the four corners, one on each wall, where it makes the corner, and each measures twenty-five feet by twelve feet. The canvases reflect the spirit of humanity and of work. Mr. Brangwyn chose as subjects the four elements—Air, Earth, Fire, Water —each to be represented by two panels. With the exception of the general colors to be employed and the scale of the figures he had a free hand. 170
Copyright, Panama-Pacific International Exposition Co. Air II. The Windmill. " The Windmill " is a living spirit, rising into the cobalt skies, where the gray storm-clouds quiver, reflecting in their midst a solar rainbow. The golden color of the wood that age and sun have brought is in delightful harmony with the deep, pure blues. 171
- Page 31 and 32: SCHOOLS AND COLLEGES SEA PINES MASS
- Page 33 and 34: SCHOOLS AND COLLEGES DRAMATIC AND A
- Page 35 and 36: In the centre of Manhattan Island,
- Page 37 and 38: FIFTH AVENUE SECTION JM.GIDDING &CO
- Page 40 and 41: From a photograph by G. V. Buck, Wa
- Page 42 and 43: 130 Personality of Colonel Goethals
- Page 44 and 45: 132 Personality of Colonel Goethals
- Page 46 and 47: Colonel Goethals on the top of a lo
- Page 48 and 49: 136 Personality of Colonel Goethals
- Page 50 and 51: The Ancon in the west chamber of th
- Page 52 and 53: 140 The Ancon passing the foot of C
- Page 54 and 55: * The Ancon in the east chamber of
- Page 56 and 57: 144 Night view of a lighted lock-ch
- Page 58 and 59: 146 Personality of Colonel Goethals
- Page 60 and 61: Chief engineer's house at Culebra,
- Page 62 and 63: 150 Personality of Colonel Goethals
- Page 64 and 65: 152 Personality of Colonel Goethals
- Page 66 and 67: 154 The Freelands owned, of course,
- Page 68 and 69: 156 The Freelands ''But, my dear ch
- Page 70 and 71: 158 The Freelands eyes he had! But
- Page 72 and 73: 160 The Freelands Then Tod said: "G
- Page 74 and 75: 162 The Freelands magnificent that
- Page 76 and 77: 164 The Freelands course you don't
- Page 78 and 79: 166 The Freelands The one who was g
- Page 80 and 81: 168 The Freelands want every one in
- Page 84 and 85: Copyright, Panama-Pacific Internati
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- Page 88 and 89: Drawn by Charles E. Chambers. " Wha
- Page 90 and 91: 178 Arthur Orton's Career just made
- Page 92 and 93: 180 Arthur Orton's Career of Orton.
- Page 94 and 95: 182 Arthur Orton's Career " In what
- Page 96 and 97: THE HOME OF HORACE 1912 By George M
- Page 98 and 99: 186 The Motor in Warfare From a pho
- Page 100 and 101: From a photograph, copyright by M.
- Page 102 and 103: 190 From a photograph, copyright by
- Page 104 and 105: 192 The Motor in Warfare British eq
- Page 106 and 107: A big gun, crew, ammunition, and fo
- Page 108 and 109: 196 The Motor in Warfare From a pho
- Page 110 and 111: 198 The Motor in Warfare waste of t
- Page 112 and 113: 200 The Motor in Warfare grade, for
- Page 114 and 115: 202 Motoring in the High Sierras Yo
- Page 116 and 117: 204 The jagged summits of the Sierr
- Page 118 and 119: 206 A thousand sculptures of stone
- Page 120 and 121: 2oS The struggle between trees and
- Page 122 and 123: 210 A granite bowlful of cobalt-blu
- Page 124 and 125: 212 Motoring in the High Sierras st
- Page 126 and 127: THE WOMAN AT THE WHEEL By Herbert L
- Page 129 and 130: The Woman at the Wheel 217 Suburban
- Page 131 and 132: to exhaust the touring routes withi
Copyright, Panama-Pacific International Exposition Co.<br />
Air II. The Windmill.<br />
" The Windmill " is a living spirit, rising into the cobalt skies, where the gray storm-clouds quiver, reflecting in their midst a solar<br />
rainbow. The golden color of the wood that age and sun have brought is in delightful harmony with the deep, pure blues.<br />
171
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