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son and G. Roy Partridge.<br />
The irresistible charm<br />
of Notre Dame has been<br />
rendered by many:<br />
Meryon, Rochebrune,<br />
Goeneutte, Webster, Armington,<br />
Hedley Fitton<br />
(who did " The Rose Window"),<br />
George T. Plowman,<br />
Hornby, Vaughan<br />
Trowbridge, Simon, D. S.<br />
MacLaughlan. Mac-<br />
Laughlan offers quite a<br />
personal and special view,<br />
of a precise truthfulness,<br />
in his pictures of quays<br />
and bridges, of corners<br />
in the Bievre and elsewhere,<br />
obtaining, as<br />
Uzanne said," expressions<br />
of a mellow, balanced<br />
art full of distinction."<br />
It is the architectural<br />
aspects of the city which<br />
principally have occupied<br />
many artists. Others have seen these buildings<br />
merely as a background for the life of the<br />
city. Felix Buhot, with a style both vivacious<br />
and forcible, peopled his views of Paris streets<br />
with characteristic figures. We see the holiday<br />
crowd on the Boulevard de Clichy,<br />
on June 30 (la fete Nationale), a funeral or<br />
a moving-van wending its way on a rainy<br />
day, or a string of cab-horses shivering on a<br />
gloomy, wet winter's morning, or slipping<br />
Reproduced by the courtesy of Frederick Keppel & Co.<br />
The Place Breda.<br />
The Field of Art 261<br />
Reproduced by the courtesy of Frederick Keppel & Co.<br />
By Felix Buhut.<br />
Pont St. Bernard.<br />
By Eugene Bejot.<br />
and falling in the Place Breda in snow. To<br />
Norbert Goeneutte Paris seemed to exist<br />
mainly in combination with the'' eternal feminine."<br />
Plates such as the "Woman on the<br />
Pont de l'Europe,"or the "Woman Entering<br />
a Vehicle," are quite characteristic of place<br />
and time (the '8o's) in type and costume.<br />
However, he also showed the attractiveness<br />
of locality under particular conditions—the<br />
Boulevard de Clichy on a snowy day, or the<br />
Palais de Justice.<br />
Somewhat later there<br />
appears the freer,<br />
quivering line of Raffaelli,<br />
with which he<br />
peoples the Madeleine,<br />
the Invalides,<br />
and other places with<br />
little figures that<br />
fairly move and have<br />
their being in surroundings<br />
to which'<br />
the artist has added<br />
color accents deftly<br />
and discreetly.<br />
Quite in our own day,<br />
Edgar Chahine has<br />
drawn the people of<br />
the slums and boulevards.<br />
As different as pos-