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Pre-‐visit Pack for Workshops - Frantic Assembly

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<strong>Pre</strong>-­‐visit <strong>Pack</strong> <strong>for</strong> <strong>Workshops</strong> <br />

A <strong>Frantic</strong> <strong>Assembly</strong> workshop will be primarily movement based and will focus on the skills <br />

and techniques used to devise physical theatre. It is helpful to read through this pack in <br />

order to prepare <strong>for</strong> our visit. <br />

In our experience participants get much more out of our workshops if they know a bit <br />

about who we are and what we do in advance. <br />

Why not take a look at our website and online profiles by visiting <br />

franticassembly.co.uk <br />

youtube.com/franticassembly <br />

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Check List <strong>for</strong> <strong>Workshops</strong> and Residencies <br />

PLEASE READ CAREFULLY <br />

<strong>Pre</strong>pare the paperwork <br />

• Read, sign and return your contract. <br />

• Check the invoice total and pass on to your finance department <strong>for</strong> payment. <br />

<strong>Pre</strong>pare your participants <br />

• 10-­‐24 people per group (even numbers is preferable). <br />

• Participants should be aged 14 upwards. <br />

• Be<strong>for</strong>e our visit make sure participants are aware of the following: <br />

-­‐the physical and movement based nature of the workshop <br />

-­‐they must wear loose and com<strong>for</strong>table clothing and trainers suitable <strong>for</strong> exercise (no short skirts, jeans or jewellery). <br />

-­‐look at our website ahead of our visit. <br />

• You must in<strong>for</strong>m <strong>Frantic</strong> <strong>Assembly</strong> of any special needs or medical requirements in advance. <br />

• You may find it useful to look at our resource packs to support further learning about the company and our work. You <br />

can download these <strong>for</strong> FREE at franticassembly.co.uk/resources. <br />

<strong>Pre</strong>pare you studio <br />

• Your studio should be at least 10m x 10m. The larger the better, but no concrete or carpeted floors (wooden floor or <br />

dance mat preferable). <br />

• Ensure the room is warm, the floor is clean and that there are no hazards in the space –you will be running around <br />

and rolling on the floor! <br />

• We will need a loud sound system with a CD player and MP3 connection in the room. <br />

On the day <br />

• Please meet our practitioner at reception at least 10 minutes be<strong>for</strong>e the start of the workshop. <br />

• It would be great if you could show the practitioner where to find the toilets and the studio/room <strong>for</strong> the workshop. <br />

• Don’t <strong>for</strong>get that you are responsible <strong>for</strong> first aid and health and safety so it is essential that a member of your staff/ <br />

group leader is present throughout the workshop. <br />

• If the workshop is 6 hours or more you should provide lunch and refreshments <strong>for</strong> the practitioner. <br />

• Whilst all of our practitioners are fully trained to work with young people, if your participants are under 18, we find <br />

that the support of teachers or group leaders is invaluable during our visits. Please feel free to join in with the <br />

workshops and support our practitioners by encouraging the participants to stay focused, get involved and above all <br />

HAVE FUN! <br />

Evaluating <br />

• Complete and return the evaluation <strong>for</strong>m that we email to you or email your comments to <br />

inga@franticassembly.co.uk. <br />

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Production History <br />

Lovesong by Abi Morgan (2011) <br />

A haunting and beautiful tale of togetherness, intertwining a couple in their 20s with the same man and woman a lifetime later. <br />

<strong>Frantic</strong> <strong>Assembly</strong> and Drum Theatre Plymouth in association with Chichester Festival Theatre and UK tour. <br />

‘I’ve never seen such an instantaneous standing ovation’ The Daily Telegraph <br />

Beautiful Burnout by Bryony Lavery (2010) <br />

A thrilling piece of highly physical theatre immersing the audience in the explosive world of boxing. <br />

A <strong>Frantic</strong> <strong>Assembly</strong> and National Theatre of Scotland production and UK Tour <br />

‘This is stunning. Literally and metaphorically’ The Independent on Sunday <br />

Othello by William Shakespeare adapted by Scott Graham and Steven Hoggett (2008) <br />

An electrifying take on Shakespeare’s most brutal and gripping thriller-­‐tragedy of paranoia, jealousy, sex and murder. <br />

<strong>Frantic</strong> <strong>Assembly</strong> and Theatre Royal Plymouth in association with Royal & Derngate Northampton and UK tour. <br />

'The tragedy gains an electrifying new vigor and relevance' The Independent on Sunday ★★★★★ <br />

Stockholm by Bryony Lavery (2007) <br />

Treading a fine line between tenderness and cruelty, Stockholm reveals a relationship unravelling. It’s beautiful, but it’s not <br />

pretty. <br />

A <strong>Frantic</strong> <strong>Assembly</strong> and Drum Theatre Plymouth production and UK tour. Revived <strong>for</strong> per<strong>for</strong>mances at Brighton Festival and <br />

Hampstead Theatre in 2008. <br />

‘This latest show from <strong>Frantic</strong> <strong>Assembly</strong> comes together like a perfectly designed piece of flat packed furniture and is a <br />

sinister joy’ The Guardian <br />

pool (no water) by Mark Ravenhill (2006) <br />

A visceral and shocking play about the fragility of friendship and the jealousy and resentment inspired by success. <br />

A <strong>Frantic</strong> <strong>Assembly</strong>, Drum Theatre Plymouth and Lyric Hammersmith production and UK tour. <br />

‘This is a tough, moving, scorching play’ The Sunday Times <br />

Dirty Wonderland scripted by Michael Wynne and devised by the Company (2005) <br />

A unique guided tour of excess through the ballrooms and bedrooms of a Brighton hotel <br />

Commissioned by the Brighton Festival, a sell out production at the Grand Ocean Hotel, Saltdean. <br />

‘Faultless and mesmerising. This production is a triumphant show’ The Guardian ★★★★★ <br />

Hymns by Chris O’Connell (1999/2000, revived in 2005) <br />

A sadistic hunt <strong>for</strong> weakness, four friends push each other until something snaps. <br />

Original production commissioned by the Gantry, Southampton Arts Centre and produced in association with Lyric <br />

Hammersmith. Toured the UK, Columbia, Italy Ireland and Taiwan after a sell out run in London. <br />

‘A startling match of sober subject matter and dazzling choreography’ Time Out Critic’s Choice <br />

On Blindness by Glyn Cannon (2004) <br />

A serious comedy about the complications of perception and desire. <br />

A <strong>Frantic</strong> <strong>Assembly</strong>, Paines Plough and Graeae production which toured to Birmingham Rep, West Yorkshire Playhouse and <br />

Soho Theatre London. <br />

‘Enriching, explorative and slick…Pioneering’ The Independent on Sunday <br />

Rabbit by Brendan Cowell (2003) <br />

A snappy, surreal farce in which <strong>Frantic</strong> tackles the dysfunctional family and brings it to its knees. <br />

A <strong>Frantic</strong> <strong>Assembly</strong> and Drum Theatre Plymouth production supported by Lakeside Arts Centre. <br />

‘Once again <strong>Frantic</strong> <strong>Assembly</strong> proves why it is the company of the moment with a production of stunning physicality. The <br />

per<strong>for</strong>mances are to die <strong>for</strong>’ The Guardian <br />

Peepshow by Isabel Wright (2002) <br />

A musical which tells the story of seven little lives in one big city. <br />

<strong>Frantic</strong> <strong>Assembly</strong> in association with the Drum Theatre Plymouth and Lyric Hammersmith. Supported by Barclays Stage <br />

Partners. Toured the UK and sold out during three week London run. <br />

‘Thrilling, vigorous, tough and funny… one of the best pieces of physical theatre I’ve seen’ The Sunday Times <br />

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Heavenly by Scott Graham, Steven Hoggett and Liam Steel (2002) <br />

59 things that will never happen to you again once you are dead. <br />

Toured the UK, played London’s West End and after several international dates played off-­‐Broadway <strong>for</strong> three weeks. <br />

‘Inspired… it makes the afterlife look divine’ Time Out New York <br />

Tiny Dynamite by Abi Morgan (2001) <br />

An impossible love story is given a second chance and three scorched characters learn that lightning does strike twice. <br />

Paines Plough and <strong>Frantic</strong> <strong>Assembly</strong> with Contact. Winner of Best Fringe Production Manchester Evening News Awards and <br />

Best Theatre Show, City Life Magazine. Toured UK, Edinburgh Festival, London, Bulgaria, Lithuania and Italy. <br />

‘This is surely the bright new future of theatre’ The Independent <br />

Underworld by Nicola McCartney (2001) <br />

Hard, dark, fast and frightening. A ghost story <strong>for</strong> the 21 st century with a breathtaking mix of touching realism and bruising <br />

physicality. <br />

Toured the UK, London and Slovakia. <br />

‘A breakthrough – an old fashioned (that’s to say tight and exciting) horror story given wings by supple gymnastic technique’ <br />

The Observer <br />

Sell Out by Michael Wynne (1998) <br />

An argument grows from an honest word among friends. And it grows quickly. Sell Out starts with a whisper snowballing to an <br />

irresistible <strong>for</strong>ce spiralling out of control. <br />

A UK tour culminated in a West End run at the New Ambassadors Theatre, <strong>for</strong> which it won the Time Out Live Theatre Award. <br />

Toured Finland, France, Zimbabwe, Lebanon, Syria and Ireland. <br />

‘A knockout piece of theatre – brilliantly written and per<strong>for</strong>med, savagely perceptive, cutting edgy stuff’ <br />

Manchester Evening News <br />

Generation Trilogy (1998) <br />

Klub, Flesh and Zero toured throughout the UK in summer 1998. <br />

Zero devised by the company (1998) <br />

The house party where all is revealed be<strong>for</strong>e the clock strikes in the new millennium <br />

<strong>Pre</strong>miered at the 1998 Edinburgh Festival and toured the UK Holland, Switzerland, Austria, Singapore and Hungary. <br />

‘This is work of startling originality, this is breathtaking new ground…the bleeding edge of contemporary theatre’ The Stage <br />

Flesh by Spencer Hazel (1996/97) <br />

Four per<strong>for</strong>mers offer their bodies <strong>for</strong> the price of a ticket. <br />

Toured the UK and Europe, a huge hit at the Edinburgh Festival and in Germany Italy, Spain, Hungary and Holland. <br />

‘Interesting, intelligent, sexy and sad: a lippy, witty 80 minutes of dynamic dance theatre. A brash, confident shove-­‐it-­‐in-­‐yer-­face<br />

show. Highly recommended’ The Guardian <br />

Klub by Spencer Hazel (1995/96) <br />

A relentless look at the importance of club culture in mid-­‐nineties Britain. <br />

<strong>Pre</strong>miered at the Edinburgh Festival, Toured the UK and played Ecuador with the British Council. <br />

‘Not theatre <strong>for</strong> the faint hearted. An exhilarating spectacle… terrifically enjoyable theatre that really engages with an <br />

audience’ Time Out <br />

Look Back In Anger by John Osbourne adapted by Spencer Hazel (1994) <br />

A new version of the 1960’s classic ‘angry young man’ drama. <br />

<strong>Pre</strong>miered at the Edinburgh Festival and toured the UK until September 1995. <br />

‘Believe me it’s amazing… a fantastically physical piece of theatre’ Steven Berkoff <strong>for</strong> BBC’s Edinburgh Night <br />

4


FRANTIC ASSEMBLY RESOURCES <br />

franticassembly.co.uk/resources <br />

To accompany our Creative Learning Programme and our productions, we have a range of resources available <strong>for</strong> teachers, <br />

students and anyone who wants to find out more about <strong>Frantic</strong> <strong>Assembly</strong>. <br />

To find all of the resources listed below, please visit franticassembly.co.uk/resources <br />

Free Resource <strong>Pack</strong>s <br />

A Guide to <strong>Frantic</strong> <strong>Assembly</strong> <br />

A Guide to Lovesong <br />

A Guide to Beautiful Burnout <br />

A Guide to Othello <br />

A Guide to Stockholm <br />

A Guide to pool (no water) <br />

A Guide to Hymns <br />

A Guide to Peepshow <br />

A Guide to Rabbit <br />

e-­‐learning <br />

Free online resources such as production media, audio blogs, rehearsal diaries, and the <strong>Frantic</strong> Forum. <br />

The <strong>Frantic</strong> <strong>Assembly</strong> Book of Devising Theatre <br />

Available to buy on Amazon. <br />

Written by artistic directors Scott Graham and Steven Hoggett, The <strong>Frantic</strong> <strong>Assembly</strong> Book of Devising Theatre is the first book <br />

to reflect on the history and practice of their remarkable, award-­‐winning company. An essential resource <strong>for</strong> teachers <br />

exploring physical theatre techniques, particularly <strong>for</strong> the devised and physical components of A-­‐Level AQA and Edexcel, it <br />

includes: <br />

• practical exercises <br />

• essays on film, music and physical theatre <br />

• inspiration <strong>for</strong> devising, writing and choreographing per<strong>for</strong>mance <br />

• suggestions <strong>for</strong> scene development <br />

• an anthology of <strong>Frantic</strong> <strong>Assembly</strong> productions <br />

• an eight page colour section, and illustrations throughout. <br />

Playtexts, DVDs and other merchandise <br />

Lovesong Playtext: £4.00 <br />

Beautiful Burnout Playtext: £4.00 <br />

Othello playtext with FREE DVD: £10.00 <br />

Stockholm playtext with FREE DVD: £10.00 <br />

Hymns playtext: £3.50 <br />

Hybrid ‘I Choose Noise’ CD: £11.00 <br />

(includes music from Othello) <br />

<strong>Frantic</strong> T-­‐Shirt: £8.00 <br />

5


In<strong>for</strong>mation <strong>for</strong> Teachers <br />

AQA AS / A Level Drama and Theatre Studies <br />

<strong>Frantic</strong> <strong>Assembly</strong> is thrilled to be included as a recommended theatre company <strong>for</strong> students to study in the AQA syllabus <br />

(AS Unit 2 – DRAM2: Practical). <br />

The company’s Learn Programme and Touring Productions are brilliantly relevant to students’ understanding of contemporary <br />

theatre and will enhance learning <strong>for</strong> this syllabus. In fact, <strong>Frantic</strong> <strong>Assembly</strong> can be used as a fantastic example <strong>for</strong> several <br />

units of work in this syllabus and here’s how: <br />

AS Examination <br />

• Unit 1 – DRAM1: Written – Live Theatre Production Seen <br />

Section A -­‐ response to live theatre seen during the course <br />

<strong>Frantic</strong> will be touring throughout 2012, so look out <strong>for</strong> updates by joining our mailing list franticassembly.co.uk/subscribe <br />

• Unit 2 – DRAM2: Practical – <strong>Pre</strong>sentation of an Extract from a Play <br />

Per<strong>for</strong>mance by a group of an extract from a published play <br />

‘Candidates’ interpretation of the chosen extract should evidently be influenced… by the work of an influential director, <br />

designer, theatre company or other practitioner’ (pg 8) <br />

<strong>Frantic</strong> is recommended as a suitable theatre company <strong>for</strong> this module. Students can get to grips with the company’s <br />

theatrical approach through our show specific workshops – see franticassembly.co.uk/learn <br />

Students may also want to use an extract from a <strong>Frantic</strong> <strong>Assembly</strong> production. A list of available playtexts and resource <br />

packs is available at franticassembly.co.uk/resources <br />

A2 Examination <br />

• Unit 3 – DRAM4: Practical – <strong>Pre</strong>sentation of Devised Drama <br />

Per<strong>for</strong>mance by a group of devised drama <br />

Creative Residencies are a fantastic way to kick start your students’ understanding and approach to devising unique group <br />

drama pieces: franticassembly.co.uk/learn <br />

Alternatively our Devising and Physicality workshops will offer a great introduction to skills and techniques <strong>for</strong> creating <br />

physical theatre: franticassembly.co.uk/learn <br />

<strong>Frantic</strong> can offer: <br />

• Touring productions at venues near you. Make sure you are signed up to franticassembly.co.uk/subscribe <strong>for</strong> updates. <br />

• Post show discussions and demonstrations. <br />

• Production specific workshops, such as Lovesong and Beautiful Burnout Uncovered. <br />

• Devising and Physicality workshops. <br />

• Creative residencies (3 – 5 days). <br />

• Playtexts and DVDs – order from franticassembly.co.uk/resources <br />

• Show specific free resource packs available from franticassembly.co.uk/resources <br />

For in<strong>for</strong>mation contact Inga Hirst on 020 7841 3115 / inga@franticassembly.co.uk <br />

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