New Zealanders and the arts: - Creative New Zealand

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ARTS COUNCIL OF NEW ZEALAND TOI AOTEAROA New Zealanders and the arts: attitudes, attendance and participation in 2011 SUMMARY REPORT Ngā iwi katoa ō Aotearoa me ngā mahi toi: he tirohanga āhua, rātou i tae atu, rātou i whai waahi i roto i te tau 2011 1

ARTS COUNCIL OF NEW ZEALAND TOI AOTEAROA<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> <strong>and</strong> <strong>the</strong> <strong>arts</strong>:<br />

attitudes, attendance <strong>and</strong> participation in 2011<br />

SUMMARY REPORT<br />

Ngā iwi katoa ō Aotearoa me ngā mahi toi:<br />

he tirohanga āhua, rātou i tae atu, rātou i whai waahi i roto i te tau 2011<br />

1


Bipeds Productions, Lily, Theatre Royal, Nelson. Photo: John-Paul Pochin.


Introduction<br />

This document is <strong>Creative</strong> <strong>New</strong> Zeal<strong>and</strong>’s summary of<br />

findings from independent research in 2011 into<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong>’ attitudes to, attendance at <strong>and</strong><br />

participation in <strong>the</strong> <strong>arts</strong>.<br />

It provides insights that will help <strong>the</strong> <strong>arts</strong><br />

community <strong>and</strong> its supporters identify new<br />

trends in a rapidly changing environment,<br />

seize new opportunities, <strong>and</strong> address <strong>the</strong><br />

challenges ahead.<br />

We expect this research will stimulate<br />

debate, inform policy-makers, <strong>and</strong> provide<br />

<strong>the</strong> <strong>arts</strong> community with information <strong>the</strong>y<br />

can use to advocate for <strong>the</strong> value of <strong>the</strong> <strong>arts</strong><br />

to our communities.<br />

The research has been carried out by<br />

independent research company Colmar<br />

Brunton <strong>and</strong> builds on previous research<br />

in 2005 <strong>and</strong> 2008. It provides a benchmark<br />

against which we can gauge <strong>the</strong> importance<br />

of <strong>the</strong> <strong>arts</strong> to <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong>. The news<br />

is encouraging. As a nation we continue<br />

to be highly engaged in <strong>the</strong> <strong>arts</strong>,<br />

particularly young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong>, who<br />

gain an immense sense of wellbeing from<br />

being creative.<br />

This document also presents some findings<br />

from a new survey, <strong>the</strong> Audience Atlas<br />

<strong>New</strong> Zeal<strong>and</strong> 2011, which is published<br />

separately.<br />

This new research will provide <strong>arts</strong><br />

organisations with market intelligence for<br />

developing <strong>the</strong>ir audience <strong>and</strong> marketing<br />

programmes <strong>and</strong> underst<strong>and</strong>ing <strong>the</strong><br />

motivations of current <strong>and</strong> potential<br />

audiences.<br />

Developed primarily as an audience<br />

development tool by Morris Hargreaves<br />

McIntyre 1 , <strong>the</strong> Audience Atlas <strong>New</strong> Zeal<strong>and</strong><br />

2011 measures attendance <strong>and</strong> potential<br />

interest for 39 artforms <strong>and</strong> cultural<br />

attractions.<br />

Alastair Carru<strong>the</strong>rs, Chair, Arts Council<br />

Stephen Wainwright, Chief Executive<br />

1 Morris Hargreaves McIntyre is a United<br />

Kingdom <strong>and</strong> <strong>New</strong> Zeal<strong>and</strong>-based strategic<br />

research consultancy within <strong>the</strong> culture <strong>and</strong><br />

heritage sectors.<br />

3


A member of <strong>the</strong> public conducting at an Auckl<strong>and</strong> Philharmonia Orchestra Open Day,<br />

Auckl<strong>and</strong> Town Hall. Photo: Adrian Malloch.


Our five key findings<br />

1. <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> strongly support <strong>the</strong> <strong>arts</strong> in <strong>the</strong>ir<br />

community<br />

NEW ZEALANDERS REMAIN POSITIVE<br />

ABOUT THE ARTS<br />

The majority of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> agree that<br />

<strong>the</strong> <strong>arts</strong> help define who we are as<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (80%) <strong>and</strong> that <strong>the</strong> <strong>arts</strong><br />

contribute positively to <strong>the</strong> economy<br />

(73%). They agree that <strong>the</strong>ir community<br />

would be poorer without <strong>the</strong> <strong>arts</strong> (69%)<br />

<strong>and</strong> support public funding of <strong>the</strong> <strong>arts</strong><br />

(76%).<br />

While strong support remains, <strong>the</strong>re is also<br />

some evidence that <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> are<br />

feeling slightly less connected with <strong>the</strong> <strong>arts</strong>.<br />

ENGAGEMENT WITH THE ARTS<br />

REMAINS HIGH<br />

Most <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (85%) have engaged<br />

with <strong>the</strong> <strong>arts</strong> ei<strong>the</strong>r by attending or being<br />

actively involved in <strong>the</strong> past 12 months.<br />

This is similar to 2008 (86%) <strong>and</strong> compares<br />

favourably with overseas examples. A<br />

similar survey in Engl<strong>and</strong> 2 measured<br />

engagement at 77% in 2010/11 <strong>and</strong> 76% in<br />

2008/09.<br />

FOUR OUT OF FIVE NEW ZEALANDERS<br />

ATTEND ARTS EVENTS<br />

The majority of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (80%)<br />

have attended an <strong>arts</strong> event in <strong>the</strong> past<br />

12 months. While this is slightly lower<br />

than in <strong>the</strong> 2008 survey (83%), it is likely<br />

due to <strong>the</strong> loss of <strong>arts</strong> infrastructure in<br />

Christchurch. As with previous surveys, a<br />

third of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> attend <strong>the</strong> <strong>arts</strong><br />

more than 10 times a year.<br />

CHRISTCHURCH PEOPLE WANT THE<br />

ARTS TO BE A PART OF THEIR CITY’S<br />

FUTURE<br />

There is a high level of support for <strong>the</strong> <strong>arts</strong><br />

in Christchurch city. Of those surveyed<br />

94% agreed that ‘it’s important that<br />

Christchurch is recognised as a place<br />

that supports excellence in <strong>the</strong> <strong>arts</strong>’ <strong>and</strong><br />

90% agreed that ‘<strong>arts</strong> <strong>and</strong> culture have<br />

a vital role to play in <strong>the</strong> re-building of<br />

Christchurch’s future’.<br />

2 Taking Part Survey commissioned by <strong>the</strong><br />

Department of Culture, Media <strong>and</strong> Sport,<br />

United Kingdom.<br />

5


Saviour Dub from Tiki Taane Mahuta (performed at Kōwhiti Dance 2011). Composer: Tiki Taane.<br />

Choreographer: Tanemahuta Gray <strong>and</strong> Kurahapainga Te Ua. Photo: Wendy Smith. Courtesy of Infinite<br />

Monkeys Photography.


... continued<br />

2. There is strong interest<br />

in Māori <strong>and</strong> Pacific <strong>arts</strong><br />

MĀORI AND PACIFIC ARTS 3 APPEAL<br />

TO A RANGE OF PEOPLE<br />

Almost three quarters (74%) of those who<br />

have attended a Māori <strong>arts</strong> event in <strong>the</strong><br />

past 12 months are not Māori, <strong>and</strong> almost<br />

nine out of ten people attending Pacific <strong>arts</strong><br />

events (88%) are not from a Pacific Isl<strong>and</strong><br />

ethnic group.<br />

TAKING PART IN MĀORI AND PACIFIC<br />

ARTS APPEALS TO A RANGE OF<br />

YOUNG NEW ZEALANDERS 4<br />

Half (52%) of those young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong><br />

who have participated in <strong>the</strong> Māori <strong>arts</strong><br />

outside of school in <strong>the</strong> past year are not<br />

Māori. More than three quarters (77%) of<br />

those involved in <strong>the</strong> Pacific <strong>arts</strong> outside<br />

school are not Pacific Isl<strong>and</strong>ers.<br />

3 For definitions of Māori <strong>and</strong> Pacific <strong>arts</strong>, see<br />

page 25.<br />

4 ‘Young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong>’ refers to those<br />

aged 10 to 14 years.<br />

3. Young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong><br />

are increasingly involved<br />

in <strong>the</strong> <strong>arts</strong><br />

BEING CREATIVE IS AS POPULAR AS<br />

PLAYING VIDEO GAMES<br />

Four out of five young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong><br />

(80%) like to do at least one creative<br />

<strong>arts</strong> activity in <strong>the</strong>ir spare time. This is an<br />

increase since 2008 (73%), <strong>and</strong> it puts<br />

<strong>the</strong> creative <strong>arts</strong> alongside o<strong>the</strong>r popular<br />

pastimes, such as playing video games<br />

(77%) or watching TV <strong>and</strong> DVDs (80%).<br />

PARTICIPATING IN THE ARTS MAKES<br />

YOUNG PEOPLE FEEL GOOD ABOUT<br />

THEMSELVES<br />

Young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> generally feel even<br />

more positive about <strong>the</strong> <strong>arts</strong> than in 2008.<br />

Nearly half (46%) feel ‘brilliant’ <strong>and</strong> a<br />

fur<strong>the</strong>r third (38%) feel ‘really good’ when<br />

<strong>the</strong>y are being creative. In 2008 <strong>the</strong>se<br />

figures were 32% <strong>and</strong> 47% respectively.<br />

YOUNG PEOPLE ARE ATTENDING<br />

ARTS EVENTS OFTEN<br />

The majority of young people (87%) have<br />

attended an <strong>arts</strong> event, <strong>and</strong> nearly three<br />

quarters (72%) have done so outside of<br />

school with friends or family members in<br />

<strong>the</strong> past 12 months.<br />

7


Michel Tuffery M.N.Z.M, First Contact, Architectural Projection Artwork, <strong>New</strong> Zeal<strong>and</strong> International<br />

Arts Festival at Museum of <strong>New</strong> Zeal<strong>and</strong> Te Papa Tongarewa, 24 February – 18 March 2012.<br />

Photo: Gareth Moon.


... continued<br />

4. Online engagement<br />

with <strong>the</strong> <strong>arts</strong> has<br />

increased significantly<br />

VIEWING OF THE ARTS ONLINE HAS<br />

INCREASED DRAMATICALLY<br />

Since 2008 <strong>the</strong>re has been a dramatic<br />

increase in <strong>the</strong> number of people viewing<br />

<strong>the</strong> <strong>arts</strong> online, <strong>and</strong> also a greater flow-on<br />

effect for attendance at live events as a<br />

result. In 2011, 51% of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> had<br />

watched a performance or looked at art<br />

online, compared to 38% in 2008. In 2011,<br />

23% of those who viewed <strong>the</strong> <strong>arts</strong> online<br />

went on to attend a live event, compared<br />

with just 15% in 2008.<br />

DIGITAL ART IS A WAY TO<br />

ENCOURAGE YOUNG PEOPLE INTO<br />

THE ARTS<br />

Four out of five young people (80%) have<br />

used a computer to create art in <strong>the</strong> past<br />

year <strong>and</strong> digital art is <strong>the</strong> artform <strong>the</strong>y<br />

most want to be involved in. Digital art is<br />

particularly attractive to those who tend<br />

to be less interested in <strong>the</strong> creative <strong>arts</strong><br />

overall or who do not feel very positive<br />

when <strong>the</strong>y do creative things.<br />

5. There is a large<br />

market for <strong>the</strong> <strong>arts</strong> in<br />

<strong>New</strong> Zeal<strong>and</strong> 5<br />

THE VAST MAJORITY OF<br />

NEW ZEALANDERS HAVE BEEN TO<br />

AT LEAST ONE ARTS OR CULTURE<br />

EVENT IN THE LAST THREE YEARS<br />

In total, 95% of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> aged<br />

15 or more have attended at least one<br />

<strong>arts</strong> or culture event in this period. Based<br />

on Statistics <strong>New</strong> Zeal<strong>and</strong> population<br />

projections, this is an estimated<br />

3.347 million people. This compares<br />

favourably with 87% of Australian adults<br />

<strong>and</strong> 85% of adults in <strong>the</strong> United Kingdom.<br />

Of those surveyed, 40% had spent money<br />

on cultural events in <strong>the</strong> past month.<br />

Across <strong>the</strong> whole culturally active market<br />

that gives an average monthly spend of<br />

$53 per person ($35 on admissions, $14<br />

on food <strong>and</strong> drink <strong>and</strong> $5 on souvenirs or<br />

programmes 6 ). When <strong>the</strong> average monthly<br />

spend is calculated across <strong>the</strong> whole<br />

population, that equals a total spend of<br />

$2.31 billion a year, or $690 a head.<br />

5 Results from <strong>the</strong> Audience Atlas <strong>New</strong> Zeal<strong>and</strong><br />

2011 included a broader range of cultural<br />

activities than <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> <strong>and</strong> <strong>the</strong> <strong>arts</strong>.<br />

See page 25 for more information.<br />

6 Figures do not add due to rounding.<br />

9


Fly My Pretties, St James Theatre, Wellington, 2009. In <strong>the</strong>ir first outing since 2009, Fly My Pretties<br />

performed at Hagley Park, Christchurch in October 2011 with funding from a <strong>Creative</strong> <strong>New</strong> Zeal<strong>and</strong><br />

Earthquake Assistance Grant. Photo: Pat Shepherd.


The 2011 context<br />

The Earthquakes<br />

The earthquakes <strong>and</strong> continued aftershocks<br />

in Christchurch were devastating for<br />

<strong>the</strong> city’s residents <strong>and</strong> those in <strong>the</strong><br />

wider Canterbury area. As a result many<br />

<strong>arts</strong> venues, studios <strong>and</strong> performance<br />

spaces have been lost. Combined with<br />

<strong>the</strong> personal <strong>and</strong> financial toll of <strong>the</strong><br />

earthquakes, this meant that two thirds of<br />

Christchurch residents have attended <strong>arts</strong><br />

events less frequently than usual.<br />

In <strong>the</strong> time since <strong>the</strong> September 201o earthquake,<br />

do you think you personally have attended/<br />

participated in <strong>the</strong> <strong>arts</strong> more or less than you<br />

did before <strong>the</strong> earthquakes, or has <strong>the</strong>re been<br />

no change?<br />

5%<br />

6%<br />

The Economic Recession<br />

In <strong>the</strong> period since <strong>the</strong> 2008 survey many<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> have experienced <strong>the</strong> flowon<br />

effects of <strong>the</strong> recession, including rising<br />

prices. This has meant that disposable<br />

incomes have yet to recover to prerecession<br />

levels, with many households<br />

cutting back on <strong>the</strong>ir spending <strong>and</strong> making<br />

changes to what <strong>the</strong>y buy.<br />

Given this difficult economic climate <strong>and</strong><br />

<strong>the</strong> tragedies of <strong>the</strong> September 2010 <strong>and</strong><br />

February 2011 earthquakes, a decline in <strong>arts</strong><br />

attendance was anticipated. In this context<br />

<strong>the</strong> research results are more positive than<br />

expected. They show that <strong>arts</strong> attendance<br />

has generally stayed at 2008 levels, with<br />

only relatively small decreases overall.<br />

25%<br />

69%<br />

Attend<br />

58%<br />

37%<br />

Participate<br />

■ More than usual<br />

■ No change<br />

■ Less than usual<br />

In this report we note where <strong>the</strong> overall<br />

results have been substantially affected by<br />

<strong>the</strong> situation in Christchurch.<br />

“ The Royal <strong>New</strong> Zeal<strong>and</strong><br />

Ballet production of<br />

Peter Pan. It was a lovely<br />

performance <strong>and</strong> <strong>the</strong><br />

last I have seen because<br />

of <strong>the</strong> earthquakes in<br />

Christchurch. ”<br />

Female, Canterbury region, aged 30-34 years<br />

11


Tiffany Singh, <strong>New</strong>ton & The Piece Bomb, an installation of hanging sculptural objects, which was fully<br />

activated through participation by gallery visitors. Artspace, Auckl<strong>and</strong> 2010.


Adult survey: key findings<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> aged 15 years <strong>and</strong> over<br />

ENGAGEMENT WITH THE ARTS<br />

The results for overall engagement in <strong>the</strong><br />

<strong>arts</strong> are positive, with <strong>the</strong> majority of <strong>New</strong><br />

<strong>Zeal<strong>and</strong>ers</strong> (85%) having ei<strong>the</strong>r attended<br />

or participated in <strong>the</strong> <strong>arts</strong> in <strong>the</strong> past 12<br />

months. Engagement includes attendance<br />

at an <strong>arts</strong> event or participation in <strong>the</strong> <strong>arts</strong>.<br />

When Christchurch residents, <strong>and</strong> those<br />

in <strong>the</strong> surrounding area, are excluded from<br />

<strong>the</strong> data <strong>the</strong> 2008 <strong>and</strong> 2011 results are <strong>the</strong><br />

same at 86%.<br />

Overall engagement with <strong>the</strong> <strong>arts</strong> in <strong>New</strong> Zeal<strong>and</strong><br />

ATTENDANCE AT ARTS EVENTS<br />

The majority of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (80%)<br />

have attended one or more <strong>arts</strong> events in<br />

<strong>the</strong> past 12 months. This is slightly lower<br />

than in <strong>the</strong> 2008 survey (down from 83%),<br />

<strong>and</strong> is likely to be due to <strong>the</strong> loss of <strong>arts</strong><br />

infrastructure in Christchurch. When<br />

Christchurch residents, <strong>and</strong> those in <strong>the</strong><br />

surrounding area, are excluded from <strong>the</strong><br />

data, <strong>the</strong> 2008 <strong>and</strong> 2011 results are <strong>the</strong><br />

same, at 83%.<br />

Attended one or more <strong>arts</strong> events in <strong>the</strong> last year<br />

85% 86% 88%<br />

80% 83% 84%<br />

2011<br />

2008<br />

2005<br />

2011<br />

2008<br />

2005<br />

13


Māori Art Market 2009, Te Rauparaha Arena, Porirua, Wellington. Two hundred leading, mid-career<br />

<strong>and</strong> emerging contemporary artists showed <strong>the</strong>ir work over a three-day period. Each day saw debates,<br />

demonstrations of art, <strong>and</strong> an exciting environment for people to absorb <strong>the</strong> creative energy of <strong>the</strong><br />

artists. Photo: Tania Niwa. Courtesy of Toi Maori Aotearoa – Maori Arts <strong>New</strong> Zeal<strong>and</strong>.


... continued<br />

ATTENDANCE AT ARTS EVENTS<br />

Similar to <strong>the</strong> 2005 <strong>and</strong> 2008 results, one<br />

third of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (32%) attend <strong>the</strong><br />

<strong>arts</strong> regularly (more than ten times per<br />

year), <strong>and</strong> 27% attend more than three <strong>and</strong><br />

up to ten times per year.<br />

Overall attendance by artform 7 in <strong>the</strong> past<br />

12 months is as follows:<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

Visual <strong>arts</strong>: 58% have attended at<br />

least one visual <strong>arts</strong> event.<br />

Performing <strong>arts</strong>: 59% have attended<br />

at least one performing <strong>arts</strong> event<br />

(46% have attended a concert or<br />

musical performance, 33% have<br />

attended <strong>the</strong> <strong>the</strong>atre, <strong>and</strong> 21% have<br />

attended a ballet or dance event).<br />

Literature: 11% have attended at least<br />

one literature event.<br />

Māori <strong>arts</strong>: 30% have attended at least<br />

one Māori <strong>arts</strong> event.<br />

Pacific <strong>arts</strong>: 29% have attended at<br />

least one Pacific <strong>arts</strong> event.<br />

For <strong>the</strong> most part, attendance for each<br />

artform in <strong>the</strong> past 12 months was similar to<br />

2008, with a few exceptions:<br />

▪▪<br />

▪▪<br />

There has been less frequent<br />

attendance of <strong>the</strong> visual <strong>arts</strong>, with<br />

39% attending four or more events in<br />

2011 compared to 48% in 2008. This<br />

decrease remains when respondents<br />

from Christchurch or <strong>the</strong> surrounding<br />

area are removed from <strong>the</strong> data.<br />

Fewer <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> have attended<br />

a literature event (down from 14% in<br />

2008 to 11% in 2011). This decrease<br />

also remains when respondents from<br />

Christchurch or <strong>the</strong> surrounding area<br />

are removed, although <strong>the</strong> difference is<br />

no longer statistically significant 8 .<br />

Māori <strong>and</strong> Pacific artforms clearly appeal<br />

to a range of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong>. Almost three<br />

quarters (74%) of those who have attended<br />

a Māori <strong>arts</strong> event in <strong>the</strong> past 12 months are<br />

not Māori <strong>and</strong> almost nine out of ten people<br />

attending Pacific <strong>arts</strong> events (88%) are not<br />

from a Pacific Isl<strong>and</strong> ethnic group.<br />

7 For a definition of each artform, see page 25.<br />

8 A difference is ‘statistically significant’ if it is<br />

unlikely to have occurred by chance.<br />

15


Te Ataarangi Māori language class, Te Wananga o Raukawa, Parewahawaha Marae, Bulls, 2011.


... continued<br />

PARTICIPATION IN THE ARTS 9<br />

Half of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> have been actively<br />

involved in at least one <strong>arts</strong> event in <strong>the</strong><br />

past 12 months, <strong>and</strong> one quarter (25%)<br />

participate at least monthly.<br />

Active participation in <strong>the</strong> <strong>arts</strong> over <strong>the</strong> past<br />

12 months<br />

49% 48% 50%<br />

2011<br />

2008<br />

2005<br />

Participation for each artform in <strong>the</strong> past<br />

12 months is similar to 2008, with <strong>the</strong><br />

exception that it has increased for Māori<br />

<strong>arts</strong> (up from 12% to 14%) <strong>and</strong> performing<br />

<strong>arts</strong> (up from 16% to 19%).<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

Visual <strong>arts</strong>: 33% have been actively<br />

involved in visual <strong>arts</strong>.<br />

Performing <strong>arts</strong>: 19% have been<br />

actively involved in <strong>the</strong> performing<br />

<strong>arts</strong> (13% in concerts or musical<br />

performances, 6% in ballet or dance<br />

events, <strong>and</strong> 5% in <strong>the</strong>atre).<br />

Literature: 12% have been actively<br />

involved in literature.<br />

Māori <strong>arts</strong>: 14% have been actively<br />

involved in Māori <strong>arts</strong>.<br />

Pacific <strong>arts</strong>: 10% have been actively<br />

involved in Pacific <strong>arts</strong>.<br />

Digital <strong>arts</strong>: 22% have used a computer<br />

to create an original work of art.<br />

9 For a definition of participation, see page 25.<br />

17


Audience watching Vietnamese Water Puppets at <strong>the</strong> Auckl<strong>and</strong> Arts Festival 2011.<br />

Photo: John McDermott.


... continued<br />

ATTITUDES TOWARDS THE ARTS<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> remain very supportive of<br />

<strong>the</strong> <strong>arts</strong>. The majority agree that <strong>the</strong> <strong>arts</strong><br />

contribute to our economy, that <strong>the</strong> <strong>arts</strong><br />

should receive public funding <strong>and</strong> that <strong>the</strong>ir<br />

local council should support <strong>the</strong> <strong>arts</strong> in<br />

<strong>the</strong>ir communities.<br />

More than two thirds of <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong><br />

agree with <strong>the</strong> following statements:<br />

▪▪<br />

The <strong>arts</strong> are good for you (87%).<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

The <strong>arts</strong> help define who we are as<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (80%).<br />

The <strong>arts</strong> are strong in <strong>New</strong> Zeal<strong>and</strong><br />

(76%).<br />

The <strong>arts</strong> should receive public<br />

funding (76%).<br />

The <strong>arts</strong> contribute positively to our<br />

economy (73%).<br />

My local council should give money<br />

to support <strong>the</strong> <strong>arts</strong> (73%).<br />

My community would be poorer<br />

without <strong>the</strong> <strong>arts</strong> (69%).<br />

The attitudinal results are similar to <strong>the</strong><br />

2008 survey, although <strong>the</strong>re have been<br />

some small, but statistically significant<br />

changes.<br />

Fewer people agreed with <strong>the</strong> following<br />

statements in 2011 compared to 2008:<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

The <strong>arts</strong> are for people like me<br />

(69%, compared to 72% in 2008).<br />

The <strong>arts</strong> are part of my everyday life<br />

(58%, compared to 65% in 2008).<br />

The <strong>arts</strong> should receive public funding<br />

(76%, compared to 79% in 2008).<br />

My community would be poorer<br />

without <strong>the</strong> <strong>arts</strong> (69%, compared to<br />

72% in 2008).<br />

These changes appear to reflect <strong>the</strong><br />

economic situation <strong>and</strong> slightly lower<br />

attendance, resulting in some <strong>New</strong><br />

<strong>Zeal<strong>and</strong>ers</strong> feeling less personal connection<br />

with <strong>the</strong> <strong>arts</strong> in 2011.<br />

THE ARTS ONLINE<br />

Since 2008 <strong>the</strong>re have been substantial<br />

increases in engagement with <strong>the</strong> <strong>arts</strong> online.<br />

This is likely to increase fur<strong>the</strong>r over <strong>the</strong><br />

next few years as new technologies become<br />

more integrated <strong>and</strong> commonplace (eg,<br />

smartphones, tablet computers, on-dem<strong>and</strong><br />

television) <strong>and</strong> <strong>the</strong>ir potential applications<br />

to <strong>the</strong> <strong>arts</strong> are realised.<br />

In <strong>the</strong> past 12 months:<br />

▪▪<br />

▪▪<br />

51% viewed an artform online<br />

(up from 38% in 2008) – <strong>and</strong> 23% of<br />

those attended a live event as a direct<br />

result (up from 15% in 2008).<br />

39% purchased a ticket to an <strong>arts</strong> event<br />

online (up from 29% in 2008).<br />

19


Counting <strong>the</strong> beat at one of <strong>the</strong> Strike Workshops, Christchurch Arts Festival 2011. Photo: Kelly Shakespeare.


Young people: key findings<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> aged 10 to 14 years<br />

ENGAGEMENT WITH THE ARTS<br />

Over <strong>the</strong> past 12 months virtually all (99%)<br />

young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> had engaged with<br />

<strong>the</strong> <strong>arts</strong> in some way, ei<strong>the</strong>r through active<br />

participation or by attending <strong>arts</strong> events.<br />

This is <strong>the</strong> same as 2008.<br />

In <strong>the</strong> past 12 months:<br />

▪▪<br />

▪▪<br />

99% had actively participated in at<br />

least one artform. This figure excludes<br />

taking music or singing lessons.<br />

87% had attended at least one <strong>arts</strong><br />

event.<br />

ATTENDANCE AT ARTS EVENTS<br />

The majority (87%) have attended an <strong>arts</strong><br />

event, <strong>and</strong> nearly three quarters (72%)<br />

have done so outside of school with friends<br />

or family members in <strong>the</strong> past 12 months.<br />

Compared to 2008 <strong>the</strong>re have been<br />

significant increases in young people’s<br />

attendance at visual <strong>arts</strong> (up from 46%<br />

to 52%) <strong>and</strong> Pacific <strong>arts</strong> events (up from<br />

32% to 38%). Attendance at o<strong>the</strong>r types of<br />

<strong>arts</strong> events is on a par with attendance in<br />

2008, including attendance at performing<br />

<strong>arts</strong> (64%), literature (27%) <strong>and</strong> Māori <strong>arts</strong><br />

events (42%).<br />

PARTICIPATION IN THE ARTS<br />

<strong>New</strong> Zeal<strong>and</strong> schools are instrumental<br />

in helping young people engage with<br />

<strong>the</strong> <strong>arts</strong>. However, what is perhaps most<br />

encouraging is that <strong>the</strong> majority of young<br />

<strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> (91%) have been involved<br />

in at least one <strong>arts</strong> event outside of school<br />

or school homework.<br />

This includes 88% who have participated<br />

at home in <strong>the</strong>ir own time, 13% who have<br />

participated on a marae <strong>and</strong> 39% who have<br />

participated somewhere else (o<strong>the</strong>r than<br />

school).<br />

When asked what <strong>the</strong>y like to do in<br />

<strong>the</strong>ir spare time, four out of five (80%)<br />

responded that <strong>the</strong>y like to do at least one<br />

creative <strong>arts</strong> activity. This is an increase<br />

since 2008 (up from 73%), <strong>and</strong> it puts <strong>the</strong><br />

creative <strong>arts</strong> alongside popular pastimes<br />

such as watching TV <strong>and</strong> DVDs (80%) <strong>and</strong><br />

playing video games (77%).<br />

21


Visual artist Karangawai Marsh <strong>and</strong> girls painting, 2011.


... continued<br />

ATTITUDES TOWARDS THE ARTS<br />

Young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> generally feel more<br />

positive about <strong>the</strong> <strong>arts</strong> than in 2008.<br />

Nearly half (46%) feel ‘brilliant’ when<br />

participating in <strong>the</strong> <strong>arts</strong> <strong>and</strong> a fur<strong>the</strong>r third<br />

(38%) feel ‘really good’. Less than 1% say<br />

that doing creative things does not make<br />

<strong>the</strong>m feel good.<br />

The majority feel confident about <strong>the</strong>ir<br />

capability in <strong>the</strong> <strong>arts</strong>, with nearly three<br />

quarters (71%) saying <strong>the</strong>y are very or quite<br />

creative. Just over one quarter (28%) see<br />

<strong>the</strong>mselves as ‘sort of’ or ‘not that creative’.<br />

This is down from 34% in 2008.<br />

It appears that <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> continue<br />

to foster a culture that supports <strong>the</strong> <strong>arts</strong>,<br />

with nearly all young <strong>New</strong> <strong>Zeal<strong>and</strong>ers</strong> being<br />

encouraged to participate in <strong>the</strong> <strong>arts</strong> by at<br />

least one person. There also appears to be<br />

little stigma attached to <strong>the</strong> <strong>arts</strong>, with only<br />

a small minority saying <strong>the</strong>ir friends do not<br />

like <strong>the</strong> <strong>arts</strong> (4%).<br />

Girls appear to be in social networks that<br />

are slightly more supportive of <strong>the</strong> <strong>arts</strong>, <strong>and</strong><br />

this is reflected in <strong>the</strong>ir generally higher<br />

levels of attendance <strong>and</strong> participation in<br />

<strong>the</strong> <strong>arts</strong>.<br />

Young people get support <strong>and</strong><br />

encouragement to be involved in <strong>the</strong> <strong>arts</strong><br />

from a range of o<strong>the</strong>rs, including parents<br />

(81%), teachers (69%), friends (49%),<br />

siblings (24%) <strong>and</strong> o<strong>the</strong>r relatives (30%).<br />

“ I think of <strong>the</strong> things I can<br />

do in my life – like being a<br />

director of a movie, doing<br />

more digital art, <strong>and</strong> being<br />

an artist ... But <strong>the</strong> number<br />

one thing is that I do more<br />

Māori <strong>and</strong> Pacific <strong>arts</strong> …<br />

<strong>and</strong> get a good job. ”<br />

Boy, 10-years-old<br />

23


Kila Kokonut Krew, The Factory – a Pacific musical, 2011.


How we did <strong>the</strong> research<br />

NEW ZEALANDERS AND THE ARTS<br />

(15 YEARS AND OVER)<br />

In total, 2,580 interviews with <strong>New</strong><br />

<strong>Zeal<strong>and</strong>ers</strong> aged 15 years <strong>and</strong> over were<br />

carried out between 12 September<br />

<strong>and</strong> 17 November 2011. This included<br />

nationwide Computer Assisted Telephone<br />

Interviews (CATI), <strong>and</strong> phone <strong>and</strong> faceto-face<br />

interviews. Survey results have<br />

been weighted to Statistics <strong>New</strong> Zeal<strong>and</strong><br />

population counts so that <strong>the</strong>y are<br />

nationally representative.<br />

NEW ZEALANDERS AND THE ARTS<br />

(10 TO 14 YEAR OLDS)<br />

In total, 758 online interviews with <strong>New</strong><br />

<strong>Zeal<strong>and</strong>ers</strong> aged 10 to 14 years were carried<br />

out between 13 October <strong>and</strong> 21 November<br />

2011. Survey results have been weighted to<br />

Statistics <strong>New</strong> Zeal<strong>and</strong> population counts<br />

so that <strong>the</strong>y are nationally representative.<br />

DEFINITIONS<br />

What do we mean by participation?<br />

Participation includes <strong>the</strong> active<br />

involvement of individuals, groups <strong>and</strong>/or<br />

communities in <strong>the</strong> making or presentation<br />

of art. It applies to professional, emerging<br />

<strong>and</strong> non-professional artists, including<br />

those involved in cultural <strong>and</strong> recreational<br />

activities. Participation does not include<br />

activities such as listening to a CD, reading<br />

a book or going to a movie.<br />

The <strong>arts</strong>: we grouped different genres of<br />

art under <strong>the</strong> following artform headings:<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

▪▪<br />

Visual <strong>arts</strong>: painting; photography;<br />

sculpture; web-based/digital art;<br />

ceramic-making; filmmaking<br />

Performing <strong>arts</strong> (<strong>the</strong>atre, dance,<br />

music): ballet or contemporary dance<br />

performances; <strong>the</strong>atre; concerts;<br />

singing or musical performances or<br />

events; circuses<br />

Literature: writers’ workshops or<br />

literary events; writing poetry, fiction or<br />

non-fiction<br />

Māori <strong>arts</strong>: art or craft; workshops<br />

including carving, weaving or singing;<br />

kapa haka or o<strong>the</strong>r Māori dance or<br />

music activities<br />

Pacific <strong>arts</strong>: weaving <strong>and</strong> o<strong>the</strong>r Pacific<br />

h<strong>and</strong>icrafts; workshops; carving;<br />

traditional dance; choir or o<strong>the</strong>r musical<br />

activities.<br />

AUDIENCE ATLAS NEW ZEALAND 2011<br />

The Audience Atlas <strong>New</strong> Zeal<strong>and</strong> 2011<br />

survey was designed by United Kingdom<br />

<strong>and</strong> <strong>New</strong> Zeal<strong>and</strong>-based consultancy Morris<br />

Hargreaves McIntyre. Data was collected<br />

by research company Colmar Brunton in<br />

November <strong>and</strong> December 2011 using an<br />

online survey of 3,900 respondents aged<br />

15 years <strong>and</strong> over. Quotas were put in place<br />

to ensure that responses are representative<br />

of <strong>the</strong> <strong>New</strong> Zeal<strong>and</strong> population. The<br />

survey included 39 artforms <strong>and</strong> cultural<br />

attractions, including film <strong>and</strong> cinema. 25


Audience at <strong>the</strong> Central Lakes Trust Crystal Palace, Festival of Colour 2011, Wanaka. Photo: Simon Darby.


Want to know more?<br />

As part of our role as an <strong>arts</strong> development agency,<br />

<strong>Creative</strong> <strong>New</strong> Zeal<strong>and</strong> commissions research that adds<br />

value <strong>and</strong> provides insight for <strong>the</strong> <strong>arts</strong> sector.<br />

For more detailed findings from each of <strong>the</strong> research projects please visit:<br />

www.creativenz.govt.nz/nzers<strong>and</strong><strong>the</strong><strong>arts</strong>2011<br />

www.creativenz.govt.nz/audienceatlasnz2011<br />

ISBN: 978-0-478-18574-4<br />

PUBLISHED BY: <strong>Creative</strong> <strong>New</strong> Zeal<strong>and</strong><br />

Arts Council of <strong>New</strong> Zeal<strong>and</strong> Toi Aotearoa<br />

DESIGN: Am<strong>and</strong>a Humphreys<br />

May 2012<br />

COVER IMAGE: Fly My Pretties, St James Theatre,<br />

Wellington, 2009. Photo: Pat Shepherd.<br />

CENTRAL REGION<br />

Wellington Office<br />

Level 2<br />

Old Public Trust Building<br />

131-135 Lambton Quay<br />

Wellington 6011<br />

PO Box 3806<br />

Wellington 6140<br />

T: (04) 473 0880<br />

F: (04) 471 2865<br />

E: info@creativenz.govt.nz<br />

NORTHERN REGION<br />

Auckl<strong>and</strong> Office<br />

Third Floor<br />

Sou<strong>the</strong>rn Cross Building<br />

59-67 High St<br />

Auckl<strong>and</strong> 1010<br />

PO Box 1425, Shortl<strong>and</strong> Street<br />

Auckl<strong>and</strong> 1140<br />

T: (09) 373 3066<br />

F: (09) 377 6795<br />

E: nor<strong>the</strong>rn@creativenz.govt.nz<br />

SOUTHERN REGION<br />

Christchurch Office<br />

Currently <strong>the</strong>re is no physical<br />

address<br />

PO Box 3806<br />

Wellington 6140<br />

T: (03) 366 2072<br />

E: sou<strong>the</strong>rn@creativenz.govt.nz<br />

27


<strong>Creative</strong> <strong>New</strong> Zeal<strong>and</strong> is<br />

funded by <strong>the</strong> <strong>New</strong> Zeal<strong>and</strong><br />

government through

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