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NCSSM COURSE CAtAlOG - North Carolina School of Science and ...

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This course involves the study <strong>of</strong> music <strong>and</strong> dance <strong>of</strong> various world cultures.<br />

Music <strong>and</strong> dance are universal forms <strong>of</strong> human artistic expression <strong>of</strong> the cultural<br />

values <strong>of</strong> every civilization. In each society, music <strong>and</strong> dance reflect the unique<br />

aesthetic, religious, philosophical, <strong>and</strong>/or governmental influences on that<br />

society. Music <strong>of</strong> a civilization is also strongly related to the tonal inflections <strong>of</strong><br />

the local language. Primary areas <strong>of</strong> study include the music, dance, <strong>and</strong><br />

societal values <strong>of</strong> India, the Middle East, Africa, Latin America, Native America,<br />

Europe, China, Japan, <strong>and</strong> Indonesia.<br />

IE312 History <strong>of</strong> Western Music<br />

One trimester<br />

Credit: One unit core elective credit.<br />

Meeting pattern: Three periods per week.<br />

This course is a chronological survey <strong>of</strong> Western music focusing primarily on the<br />

Baroque, Viennese, <strong>and</strong> Romantic eras <strong>of</strong> Western music history. Students use<br />

music <strong>and</strong> listening as a vehicle to underst<strong>and</strong>ing theoretical <strong>and</strong> historical<br />

trends <strong>of</strong> each stylistic period. Stylistic <strong>and</strong> composer overviews <strong>of</strong> the eras serve<br />

as a conceptual focus for the music that follows in each historical period.<br />

IE314 American Popular Song<br />

One trimester<br />

Credit: One unit core elective credit.<br />

Meeting pattern: Three periods per week.<br />

American music <strong>of</strong> the twentieth century represents a unique interaction <strong>and</strong><br />

collaboration <strong>of</strong> composers, lyricists, <strong>and</strong> musicians from European <strong>and</strong> African<br />

American cultures. The music <strong>of</strong> this period represents a truly “American” style<br />

that resulted from a cultural blend <strong>of</strong> musical theater with ragtime, blues, <strong>and</strong><br />

jazz. This course focuses on social, musical, <strong>and</strong> technological factors that<br />

shaped this music. The course includes the study <strong>of</strong> music <strong>and</strong> lyrics through<br />

listening <strong>and</strong> class discussion, a survey <strong>of</strong> the great singers, composers, <strong>and</strong><br />

lyricists <strong>of</strong> the time, as well as historical influences on <strong>and</strong> <strong>of</strong> American culture<br />

during the twentieth century.<br />

IE316 Twentieth-Century Music History<br />

One trimester<br />

Credit: One unit core elective credit.<br />

Meeting pattern: Three periods per week.<br />

This course is a chronological survey <strong>of</strong> twentieth-century music, focusing<br />

primarily on the late Romantic era, Impressionism, Expressionism, Nationalism,<br />

Serialism, <strong>and</strong> twentieth-century American music. Students use music <strong>and</strong><br />

listening as a vehicle to underst<strong>and</strong>ing theoretical <strong>and</strong> historical trends <strong>of</strong> each<br />

90

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