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Dr Peter Walters - University of the West of England

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<strong>Dr</strong> <strong>Peter</strong> <strong>Walters</strong><br />

RCUK Fellow, Rapid Prototyping<br />

Centre for Fine Print Research<br />

Faculty <strong>of</strong> Creative Arts<br />

<strong>University</strong> <strong>of</strong> <strong>the</strong> <strong>West</strong> <strong>of</strong> <strong>England</strong>


Personal Background<br />

Industrial Design, CAD, Rapid Prototyping<br />

Toucan secateurs are a registered design and registered trademark <strong>of</strong> Sheffield Hallam <strong>University</strong><br />

Toucan Mechanism UK Patent GB 2399783 Inventor: <strong>Peter</strong> <strong>Walters</strong>


My current role:<br />

1. Developing a <strong>the</strong>oretical and practical overview <strong>of</strong> creative<br />

applications <strong>of</strong> rapid prototyping (3D printing) technologies in <strong>the</strong><br />

arts and crafts


My current role:<br />

1. Developing a <strong>the</strong>oretical and practical overview <strong>of</strong> creative<br />

applications <strong>of</strong> rapid prototyping (3D printing) technologies in <strong>the</strong><br />

arts and crafts<br />

2. Undertaking a technical evaluation <strong>of</strong> current 3D printing<br />

capabilities


My current role:<br />

1. Developing a <strong>the</strong>oretical and practical overview <strong>of</strong> creative<br />

applications <strong>of</strong> rapid prototyping (3D printing) technologies in <strong>the</strong><br />

arts and crafts<br />

2. Undertaking a technical evaluation <strong>of</strong> current 3D printing<br />

capabilities<br />

3. Supporting and collaborating with artists, craft practitioners<br />

and designers working with <strong>the</strong> CFPR in <strong>the</strong> creative<br />

application <strong>of</strong> 3D technologies


My current role:<br />

1. Developing a <strong>the</strong>oretical and practical overview <strong>of</strong> creative<br />

applications <strong>of</strong> rapid prototyping (3D printing) technologies in <strong>the</strong><br />

arts and crafts<br />

2. Undertaking a technical evaluation <strong>of</strong> current 3D printing<br />

capabilities<br />

3. Supporting and collaborating with artists, craft practitioners<br />

and designers working with <strong>the</strong> CFPR in <strong>the</strong> creative<br />

application <strong>of</strong> 3D technologies<br />

4. Developing links with Bristol Robotics Laboratory,<br />

<strong>the</strong> <strong>University</strong> <strong>of</strong> Bristol, and elsewhere


What is 3D Printing?<br />

Provides physical output for computer aided design<br />

Objects are built by printing liquid binder onto<br />

plaster powder material, one layer on top <strong>of</strong> ano<strong>the</strong>r<br />

(Z-Corporation powder-binder 3D printing)<br />

A.K.A. Rapid Prototyping, Solid Freeform Fabrication


3D Printing Evaluation: Test Pieces<br />

Comparison <strong>of</strong> 3D output (resolution/surface finish/material qualities):<br />

Photopolymer model made using<br />

<strong>the</strong> EnvisionTEC Perfactory<br />

rapid prototyping system<br />

Photopolymer model made using <strong>the</strong> Objet<br />

Geometries PolyJet 3D printing system<br />

TangoPlus rubber-like resin


Undersea Machines. 3D printed form and colour study<br />

(<strong>Peter</strong> <strong>Walters</strong>, 2009)<br />

Z-Corp Spectrum 510 powder-binder 3D print,<br />

Inner forms infiltrated with wax, outer frames not infiltrated.


Trumpet Spheres<br />

3D printed form and colour study (<strong>Peter</strong> <strong>Walters</strong>, 2009)<br />

Z-Corp Spectrum 510 powder binder 3D print, wax infiltrated


Trumpet Tiles <br />

3D printed form and colour study (<strong>Peter</strong> <strong>Walters</strong>, 2007) <br />

Z-­‐Corp Spectrum 510 powder binder 3D print, wax infiltrated


Colour 3D Printing<br />

Technical Evaluation and Creative Applications:<br />

Consistency/accuracy <strong>of</strong> colour output - Comparing different post-processing/finishing methods<br />

On screen visualisation and 3D printed output – colour shape blocks to aid pre-visualisation<br />

Specifying Colour and Maintaining Colour Accuracy for 3D Printing<br />

Parraman, C. <strong>Walters</strong>, P. Huson, D. Reid, B (2008) IS&T/SPIE Electronic Imaging Symposium, San Jose<br />

3D Printing and Colour: Technical Evaluation and Creative Applications<br />

<strong>Walters</strong>, P. Huson, D. Parraman, C. Stanic, M. (2009) Impact Conference, Bristol


Anemone Actuator<br />

• Visual and tactile display concept<br />

• Communication through movement and changes in shape<br />

• To inform <strong>the</strong> design <strong>of</strong> future multi-sensory (visual and tactile) interfaces<br />

• Fabricated by vacuum casting silicone rubber and by direct 3D printing in<br />

photopolymer elastomer material (Objet Geometries TangoPlus resin)<br />

<strong>Walters</strong>, P. (2005) PhD Thesis, Sheffield Hallam <strong>University</strong><br />

<strong>Walters</strong>, P. (2009) ‘3D Printing and Fabrication <strong>of</strong> Responsive Devices: A Comparative<br />

Investigation’ Society <strong>of</strong> Imaging Science and Technology, Digital Fabrication 2009, Louisville,<br />

Kentucky. 20 – 24 September 2009


Richard Hamilton, ‘Hutton Award’ (2009)


Richard Hamilton, ‘Hutton Award’<br />

Press photographs – Prime Minister Tony Blair, and Alastair Campbell<br />

‘Medals Of Dishonour’ exhibition at <strong>the</strong> British Museum, 2009<br />

British Art Medal Trust


Richard Hamilton, designs for ‘Hutton Award’<br />

‘Medals Of Dishonour’ exhibition at <strong>the</strong> British Museum, 2009<br />

British Art Medal Trust


Richard Hamilton, ‘Hutton Award’<br />

3D model, Geomagic Studio


Richard Hamilton, ‘Hutton Award’<br />

Rapid prototype models<br />

CNC milled master patterns


Richard Hamilton, ‘Hutton Award’<br />

‘Medals Of Dishonour’ exhibition at <strong>the</strong> British Museum, 2009<br />

British Art Medal Trust


Katie Davies and <strong>Peter</strong> <strong>Walters</strong><br />

Sound Form (2008)


Recorded sound <strong>of</strong> <strong>the</strong> rapid prototyping machine at work


Recorded sound wave graph and Spectrogram<br />

X = time, y = pitch, greyscale value = volume<br />

Created using The vOICe s<strong>of</strong>tware (Seeing with Sound, <strong>Peter</strong> B.L. Meijer 1996-2009)


Rhinoceros 3D polygon mesh (generated from NURBS heightfield and spherical “splop”)<br />

3D “graph” wrapped around a sphere – representing sound from a point source<br />

3D Sound Form<br />

Katie Davies, <strong>Peter</strong> <strong>Walters</strong> 2008


Z-Corp powder-binder 3D prints<br />

3D Sound Form<br />

Katie Davies, <strong>Peter</strong> <strong>Walters</strong> 2008


Z-Corp powder-binder 3D prints<br />

3D Sound Form<br />

Katie Davies, <strong>Peter</strong> <strong>Walters</strong> 2008


Z-Corp powder-binder 3D prints<br />

3D Sound Form<br />

Katie Davies, <strong>Peter</strong> <strong>Walters</strong> 2008


Thanks<br />

Any questions?<br />

<strong>Peter</strong>2.<strong>Walters</strong>@uwe.ac.uk

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